Caminos cruzados

Título original: Coast to Coast

1980
PG
1h 35min

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Dyan Cannon and Robert Blake in Caminos cruzados (1980)

Una mujer neurótica y adinerada escapa de un manicomio de Nueva York y viaja a California con un camionero vaquero de mal humor y mala suerte. Se enamoran mientras huyen de cazarrecompensas ... Leer todoUna mujer neurótica y adinerada escapa de un manicomio de Nueva York y viaja a California con un camionero vaquero de mal humor y mala suerte. Se enamoran mientras huyen de cazarrecompensas y de un recobrador.Una mujer neurótica y adinerada escapa de un manicomio de Nueva York y viaja a California con un camionero vaquero de mal humor y mala suerte. Se enamoran mientras huyen de cazarrecompensas y de un recobrador.

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PUNTUACIÓN EN IMDb

5,2/10

502

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Premios
- 2 nominaciones en total

Imágenes20

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Argumento

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Curiosidades
Actress Dyan Cannon learned how to drive a 13-gear 30-ton semi-trailer diesel truck for this picture.

Pifias
After Madie drives the truck through the house at the end, the tractor is pointed 45 degrees down from the front, but from the side it's straight.

Citas
Charles Callahan: [to Madie] Lady, don't get carried away. Ten miles up the road is a bus station, and that's as far as you go. And between here and there, drippin'.

Conexiones
Featured in Sneak Previews: In God We Trust, Coast to Coast, Somewhere in Time, Stardust Memories, Oh God! Book II (1980)

Banda sonora
Pickin' Up Strangers
Written by Byron Hill
Performed by Johnny Lee

Reseñas de usuarios7

Reseña destacada

5/10

Blake and Cannon make a good screen-team, but this story doesn't come to much...

Spotty road-comedy has Dyan Cannon escaping from the booby hatch and hitching a ride with trucker Robert Blake. He's rather charmed by her after the usual hysterical preliminaries; seems she's not so crazy after all, and is on the run from bounty hunters hired by her nefarious husband. Cannon's natural effervescence is always a treat, and Blake is surprisingly warm and personable, but Stanley Weiser's screenplay isn't much more than a doodle. Some big laughs, and it does improve after a very sloppy opening half-hour. Mario Tosi's vivid cinematography is very good, though Joseph Sargent handles the direction like a traffic cop. ** from ****