Aterriza como puedas

It is my understanding that there are still a few people in the world that haven't seen "Airplane!" yet.

Those people probably are still waiting for electricity, indoor plumbing and all the other great advances in humanity, too.

To see "Airplane!" is to take part in the great move to subvert all self-importance in movies, which this film does with great relish (and plenty of corn).

You get a chance to see such "serious" actors as Peter Graves, Lloyd Bridges, Robert Stack and Leslie Nielsen subvert themselves and their own personnae into near oblivion thanks to the writing/directing team of Zucker, Abrahams and Zucker. Not to mention visual and verbal send-ups of darn near every movie that ever took place in the air, and a few that didn't, but should have.

Kudos to Leslie Nielsen, who with this movie gave himself the greatest reinvention of any actor this century. At one time, he was the very model of stoic sensibility.

I swear. Seriously.

A looooong time ago.

Ten stars. A laugh riot.

And I STILL think this would make a great in-flight movie.

In a tense moment where Ted Striker (Robert Hays) needs to land an airplane where the pilots (Peter Graves and Kareem Abdul-Jabbar) have fallen sick, and several passengers need to get off the airplane for various reasons, all Striker can think to himself (with an echo in his mind, of course) is "I've got to concentrate... concentrate... concentrate... I've got to concentrate... concentrate... concentrate... Hello?... hello... hello... Echo... echo... echo... Pinch hitting for Pedro Borbon... Manny Mota... Mota... Mota..." That pretty much sums up the seriousness of Airplane!, the lampoon of the 1970s Airport movies, and pretty much every other disaster movie pumped out by Hollywood. The same guys who pieced together the Naked Gun movies write and direct this silly movie. Most of the jokes need to be seen to be properly experienced, the first rate actors are what brings the laughs. Robert Stack plays it straight, over-the-top straight, as a problem solver for the airline who happens to wear 2 pairs of sunglasses at all times. Stack's comedic timing and deadpan delivery bring out some of the biggest laughs of the film. Lloyd Bridges is the over-worked, over-stressed traffic controller who has picked the wrong week to stop drinking, smoking, and sniffing glue. And Leslie Neilson plays a doctor who has an acute sense for the obvious, surely one who could save the passengers and airline crew if they land safely, just don't call him Shirley. A few cheap laughs, a few misses, but over all, a pretty funny movie. If you like The Naked Gun, you'll like Airplane!

Disaster films were the rage in the 1970s. As the decade wore on the films got even more star studded and the stakes get higher. The scripts flabbier and our square jawed heroes getting even more po faced with each impending disaster.

Surely this could not continue and after Airplane it did not. It burst the disaster film bubble and stop calling me Shirley!

Airplane with its deadpan humour, jokes with double meanings and risqué gags. Both visual and spoken broke the mould when it came to comedy pastiche movies.

Even more than 30 years later it entices a new generation even though some of the topical references (Gerald Ford, Ethel Merman) might be meaningless to many new viewers.

The real beauty of Airplane was getting solid actors to play their part straight. Lloyd Bridges, Robert Stack and Leslie Nielsen shine in their roles, totally ignoring the mayhem around them.

For Neilsen a man known for playing solid drama roles, it gave him a lucrative extension in his career as a slapstick comedy actor.

Airplane is just plane crazy.

Parodies or Spoofs are one particular segment that I have rarely got the opportunity to venture into. Partly due to the comparative absence of such features in the current scenario where black comedies are the talk of the town.

Nevertheless, I have made my decision to explore this relatively uncharted territory after watching some hilarious clips that I found on Reddit last week and I'm glad I listened to my conscience.

It is extremely slapsticky but at the same time, the writing oozes brilliance. It's witty, it's clever and it knows how and when to deliver the lines. Now, for some of you the performances may come across as hammy, a bit over-the-top, but as this was all intentional, it all come to be just fine. Not all jokes land but the ones that did lay the foundation for some comedic golds.

Rumack: Captain, how soon can you land?

Captain Oveur: I can't tell.

Rumack: You can tell me. I'm a doctor.

Captain Oveur: No. I mean I'm just not sure.

Rumack: Well, can't you take a guess?

Captain Oveur: Well, not for another two hours.

Rumack: You can't take a guess for another two hours?

I don't know why this only shows a review of 7.7. I'd give this an 8, at least. Possibly a 9. This movie has more jokes & gags every 2 minutes than most comedies have in their entire feature. There's a joke every few seconds. It's brilliant. Hilarious. Witty & sometimes just visually ridiculous. The casting is wonderful especially from the spot-on Leslie Neilson. This was made in 1980, & here I am watching this 42 years later & it's still as good now as it was then.