Rojo caliente

Linda Blair is behind bars again! This time in ultra-communistic, ultra-fascist East Germany (if you thought the Cold War had died down in the mid-80s, films like this and "Rambo II" make you re-think your position). She gives an earnest performance in this (plus she has one terrific topless scene), and Sylvia Kristel makes a convincing "top bi*ch". The film has moments of artistry (Blair's voice-over reading of her letter, which stops when the warden throws it away), and the feeling of grim hopelessness inside the prison is well-portrayed. But there are some pretty boring parts too, mostly in the first and last 20 minutes. The long-awaited fight between Blair and Kristel is also a disappointment, because it takes place in near-complete darkness and the director keeps interrupting it with less interesting action footage. Footnote: avoid the Region 2 DVD version, it is cut in several places. ** out of 4.

Not quite, but close! Linda Blair has proved again and again that she shares a rare quality with Mark Hamill, the ability to attach herself to one cinematic landmark and follow it with an entire career of complete trash. I saw RED HEAT on TV when I was about 11. Perhaps I was too young to understand this film's more basic appeal at that time, what I did get from it was that women in prison do crazy things to each other. Was there a plot beyond that? I'm not sure. There's something about an escape attempt but it isn't very clear. RED HEAT can really be best described as crap. It doesn't even succeed at that fun/pathetic B-movie level. The picture is alternately boring and confusing. The ending is about as clear as a muddy ditch and a lot less satisfying. I'd comment on Blair's performance if she'd actually given one. RED HEAT is a forgettable, exploitive little thing that should have been made by someone who understood the genre. I give it no stars.

A few years before the Arnold S. / Jim Belushi team up action movie Red Heat, Linda Blair made yet another prison flick under that same title. As these exercises go it wasn't bad. The look of the picture is very Eastern Bloc - lots of dimly lit concrete corridors and depressing gray uniforms - and pretty realistic. The tone is one of grim Cold War authoritarianism. East Germany is made to look like just about the least welcoming place on earth, which it pretty much was. Plus, the script is a bit more literate, more realistic, less exploitative and more politically aware than what we usually get in one of these women-in- prison flicks. The resulting movie is a little better but a lot less fun to watch than the typical women-behind-bars (WBB) flick.

And honestly, just who exactly wants a more realistic, less exploitative WBB? Most of these movies are chock full of exploitative silliness and don't take themselves very seriously, which makes for a fun / campy viewing experience. Chained Heat, for instance, is objectively a pretty terrible movie but is a lot of fun to watch, mostly because it IS so exploitative and silly. Red Heat by comparison, is more convincingly realistic than Chained Heat, but also relentlessly grim and more than a little tedious as its unpleasant tourist-in-hell story line slowly works it way along.

Linda Blair gets mistaken for someone else and she and another woman are thrown into a brutal german prison where she has no rights now. Sylvia Kristel plays the leader of the in for life inmates and she torments others until Blair cannot stand it and fights her. Blair doesn't know that her fiancee and his friends are planning to break her out but they better do it quick before angry Kristel gets to her first. Pretty good with a good score by Tangerine Dream.

Women-in-prison flick involving an innocent American tourist in West Germany who is mistaken for a spy, grilled until exhaustion sets in, and sent to jail without a word to her soldier-fiancé. After publicly nixing her hit "Chained Heat" on just about every talk show of the 1980s, it's amazing that star Linda Blair would even think of doing another jailhouse underachiever. This one, filmed in chilly blues and grays, is just as seedy and depressing. The roster comes complete with a decadently lascivious guard (gaunt, kinky Sylvia Kristel), a terrified blonde, a friendly butch, and lots of malicious broads. Blair manages (somehow) to keep her dignity and has a few strong scenes, including being interrogated and collapsing under pressure or standing up to the review board with a firm "F*** you!" The direction is fairly tight, and the movie is engrossing almost in spite of itself. *1/2 from ****