Papá está en viaje de negocios

A Shu-fan wrote: "The Zolj family is of Jewish origin. The circumcision scene and the later bath of the boy are absolutely comical. Though in difficult time, the innocence of children is expressed in great lovely details, Malik's interest in other sex, his father's predicament… The filming location was Sarajevo, Bosnia-Herzegovina, a place where the Jews and Muslims were killing each other. Kosovo is another long-stay pain. The body and soul of this region will take a long long time to restore." I just want to say that the family in the movie is not Jewish. They are Bosnian Muslim family and that is why they had a circumcision. Also, to people from ex-Yu is very clear when they hear their names. Their neighbor is Bosnian Serbian family (visible from the scene of the funeral); and Ankica is Bosnian Croatian (they are mostly Roman Catholics). Otherwise, I saw the movie 3 times in the last 15-20 years and every time I saw a different things in the movie, but overall - I just loved it! There is one thing that I have to mention - the subtitles are pretty bad and do not do the justice to the movie - they can be expressed much, much better! I am Kusturica's fan and it is too bad that we can not see more of his movies here in the US. This movie is just beautiful - political situation, family ties, relationships in ex-Yu... seen through the eyes of an innocent child. Beautiful, beautiful!

When Father was away on Business (1985)**** This great feature is the combination of a genuine story, emotionally charged, authentic expression, supreme inner movie energy and director's ability (mastery) to transmit all of this into the perfectly balanced, aesthetically elegant, touching and effective form. Some people (I know) think this is pretty boring and ordinary story about young boy's maturing in a specific society. There is a BIG difference between this movie and others with the same topic. Difference = cogency, dimension of the used movie elements, involving ability, characterization, leitmotif, milieu richness, inward thrust, story heartbeat, delicacy, depth, implicit sense, specific movie efficiency...

I remember when I saw this movie back in 1986, the people I was with left the theater bored and puzzled because of my reaction to the movie. I can't explain quite well what was that fascinated me so much about the story. I think it was because you can breathe the reality of the story, I swear I was there with the little boy and the suffering of the family. I was there, understanding the complexity, but simplicity at the same time, of the people and history of that part of the world. It is a movie you have to watch to understand and let it take you where Kusturica wants to.

I was very impressed with When Father was Away on Business; it is more coherent and moving than Black Cat, White cat, which I saw last week. The family structure is very well evoked, with three generations living in the house. The grandfather just wants to be left out of politics--for him Hitler and Stalin are pretty much the same. Mesa and Sena, the couple doomed to be separated for two years, are up to their ears in party machinations. Zijo, the brother in law, has sent Mesa to the mines for re-education, because his soon-to-be wife Ankica denounced the feckless Mesa when he wouldn't divorce Sena to marry her. In a totalitarian state, a lot depends on not annoying your relatives.

Miki Manojlovic is great as Mesa; he reminds me of Raimu occasionally. The wedding scene, when he effects a reconciliation with Zijo, is very poignant. Slobodan Aligrudic plays Cekic, the party boss who oversees Mesa's rehabilitation and finally sends him home to Sarajevo: he is affable (always wants to share a drink, play chess and so on) but the brutality is always close to the surface. Little Malik, the boy who tries to make sense of what the adults are doing, communicates a lot of joy and sorrow.

I simply can't believe there are so few viewer comments for this movie, that won the PALME D'OR in Cannes in 1985! By the way, it represented Yugoslavia, a country wich no longer exists...It was much of a surprise back then, as Kusturica was totally unknown, and the movie was entirely produced at home with no financial contribution from abroad. No doubt, this is in the top 3 of best Yugoslavian films, if not he best one ever.

This film is a historical, not only because it deals with a specific historical context, but most of all, because it was all done in SARAJEVO a mere six years before the outbreak of war, at a time when nobody suspected how things would eventually turn out. Note that the movie shows a place where Muslims, Christians and Jews coexist in peace, and this is quite a symbol today when you watch it knowing what came next. It is highly probable that some of the crew died during the Yugoslav conflict, which took place around that same city and cost 300,000 lives.

The lead role by little Moreno de Bartolli is certainly one of the most amazing child performances on screen ever. Otherwise, two of the actors appeared in famous films after that. Miki Manojlovic who plays the father, is a Kusturica regular, and has become famous internationally; the late Davor Dujmovic who plays the elder brother plays also the lead role as Perhan in "Time of the Gypsies". Generally speaking, all the acting here is first class.

Also, it isn't so often that the world of adults is shown through the eyes of a child, and when it's done, it is often in a twee or awkward manner. Not at all here. Besides, Kusturica's first work has a very honest and sensitive approach of themes like fatherhood, adultery and betrayal. It 's all lightyears away from the frenzy found in the artist's later work.

Warning : this movie is highly emotional. When I saw it again recently after a long time, I'm not ashamed to say I wept twice, and I'm not a single case. Yet, it is often very funny as well. Note that, unlike many European movies, it ends rather well and on a hopeful note. If you like tragi-comical movies like "the Bicycle Thief", no doubt you will love this too.

The very light sexual allusions and nudity caused an R rating in America. Quite a pity, as this work is far more decent than most releases, and would be a lot more interesting and appealing for young audiences than the idiotic stuff they are used to watch. I would even consider showing this in schools.

Definitely a 10 out of 10, as far as I'm concerned.