Mi vida como un perro

In 1950s Sweden a 12 year old boy Ingemar (Anton Glanzelius) is sent to live with relatives. His father is away and his mother is slowly dying of some unnamed disease (I think it's tuberculosis) and can't handle him (he's VERY mischievous and always getting in trouble). With his relatives he grows up and learns how to deal with life, love, feelings of abandonment, sex etc etc.

Sounds pretty obvious but it isn't. This film is beautifully directed by Lasse Hallstrom and perfectly captures what it's like to be a young boy growing up. That it takes place in 1950s Sweden makes no difference--all young boys go through the feelings and emotions shown in this movie. Some posters have complained about a (brief) instance of a topless young girl. Well--like it or not, kids that age DO think about sex and do "explore" their feelings with other kids. I actually think it's great that this film didn't shy away from that subject. Glanzelius is just great in the role and has a VERY expressive face (some of the looks he gives are fascinating and hilarious too). An excellent film.

This was a surprise hit in the US in 1985. It was so big Glanzelius actually toured the country with his parents to promote the movie. I remember seeing it in 1985 and loving it--it still holds up. A must-see.

This is an emotionally powerful (and sad) film about a boy coming to terms with the fact that his mother, who he loves dearly, is dying. It is also about being a child in a world where everyone older than you treats you with great condescension. Adults make decisions affecting his life without so much as asking for his opinion. No one talks about death, but it is in the back of his mind at all times. Everyone tries to hide what is really going on, as if "what you don't know won't hurt you", but the boy is hurting badly.

There are no car chases, shoot-outs, or space aliens in this film. This film is about real life, about growing up, and about children's sexuality. It is told wonderfully well, from a child's perspective.

A magnificent film.

This Swedish film offers a different kind of story and a strangely appealing one.

Anton Glanzelius is good as the 12-year-old who not only stars in the movie but does a good job narrating it as well. When he finds himself in a tough situation, he always compares himself to something worse, such as a Soviet space dog and its unfortunate lot. The tomboyish-looking young girl who flirts with him, Melinda Kinnaman, is fun to watch, too. I wonder what she looks like now as an adult?

For kids that young, I thought there was a little too much emphasis on sex, but mostly it's just natural curiosity of what the other sex looks like, and the intentions are innocent.

Overall, it is a charming film with almost all (one exception: his older brother) likable people.

I first saw this film in college. I was skeptical, but came away from it addicted. I own the film and have seen it a dozen times.

First - only watch the version with subtitles. The dubbed version isn't as accurate which destroys the subtle humour which gives lightens the movie enough to make it enjoyable.

This is a "sit alone with a cup of coffee" film, not a "crowd on the couch with beer and pizza movie."

My Life As A Dog, now this is a total delight. The film follows the life of Ingemar in his 12th year as he has to cope with the slow death of his mother. The film takes place in 1959 in Sweden, and is just right in its atmosphere. Hallestrom works wonders with Anton Glanzelius as Ingemar, and he gives a marvelous performance that is truly touching and real. When his mother can no longer care for him and his older brother, Ingemar is sent off to his Uncle who lives in a small town in which it seems that all the residents work at the glass factory, and he soon becomes part of the town's fabric. His adventures are many,and includes his learning to box from the town tomboy who worries about her budding breasts, the chaperoning of the lovely town beauty as she poses nude for a sculptor, and his reading of a lingerie catalog to a dying old man. The film has been accused at least by someone on this list as being pornographic and prurient which is idiotic and stupid. This is a film about childhood and like most childhoods the film includes several scenes about children's growing awareness and curiosity about sex and their bodies and presents it in a real and sensitive way. A word of warning about the DVD transfer of the film. It stinks. Not only is it not letterboxed, but is full of flaws and looks no better than a video, but it is subtitled, and is still a joy to watch. One of the ten best films I saw in 1985.