Mi vida como un perro

In 1950s Sweden a 12 year old boy Ingemar (Anton Glanzelius) is sent to live with relatives. His father is away and his mother is slowly dying of some unnamed disease (I think it's tuberculosis) and can't handle him (he's VERY mischievous and always getting in trouble). With his relatives he grows up and learns how to deal with life, love, feelings of abandonment, sex etc etc.

Sounds pretty obvious but it isn't. This film is beautifully directed by Lasse Hallstrom and perfectly captures what it's like to be a young boy growing up. That it takes place in 1950s Sweden makes no difference--all young boys go through the feelings and emotions shown in this movie. Some posters have complained about a (brief) instance of a topless young girl. Well--like it or not, kids that age DO think about sex and do "explore" their feelings with other kids. I actually think it's great that this film didn't shy away from that subject. Glanzelius is just great in the role and has a VERY expressive face (some of the looks he gives are fascinating and hilarious too). An excellent film.

This was a surprise hit in the US in 1985. It was so big Glanzelius actually toured the country with his parents to promote the movie. I remember seeing it in 1985 and loving it--it still holds up. A must-see.

This odd little film relates the story of Ingemar, a boy who learns about life, death, loss, and practically everything else. The boy is a charming little fellow, and all the odd people he meets are also charming in their own ways.

Because his mother is dying and his father is off in some other part of the world, he and his brother are split up. Ingemar goes to live with relatives in another town. There he must learn the meaning of the strange things that happen in life. He develops a simple but profound philosophy: no matter what happens to him, "It could have been worse." He even has to deal with the thought that he was not wanted by his parents. He distances himself from the pain in his life by comparing his predicaments to things he has heard about in the great, strange world beyond the little town where he lives.

This is an amusing, quaint film that shows us that life goes on no matter how difficult and hurtful it seems. Not only that, we can smile like the little boy in the face of all adversity.

I first saw this film in college. I was skeptical, but came away from it addicted. I own the film and have seen it a dozen times.

First - only watch the version with subtitles. The dubbed version isn't as accurate which destroys the subtle humour which gives lightens the movie enough to make it enjoyable.

This is a "sit alone with a cup of coffee" film, not a "crowd on the couch with beer and pizza movie."

"Mit liv sum hund" directed by talented director Lasse Hallström is one of the reasons why I like Scandinavian movies so much. They always have this "real" feeling without ever overdoing things like in Hollywood movies often is the case.

The story is very simple and mainly because of that it all feels very real and heartwarming. Once you have started watching this movie you can't keep your eyes of it. It's a movie you'll easily fall in love with. The movie is filled with some great, emotional and heartwarming moments that are never exaggerated or overused in any kind of way.

There are some great characters, both adults and kids. I think that is the main reason why this movie is great to watch for adults as well as children. The characters are easy to relate with thanks to the "real" feeling of the movie.

A movie that'll not easily forget.

8/10

http://bobafett1138.blogspot.com/

I just came across this coming of age movie about a boy's childhood in 1950s Sweden. I expected to change the channel but soon got caught up in the wonderful simplicity of the tale, made especially memorable by the lead performance of the boy Anton whose expressive face mirrors all of his impish thoughts.

As charming as a film of this sort can be, despite the episodic nature of the telling. All of the performances are right on target and the director has woven a tapestry of individual scenes that sparkle with truth and innocence. Makes you examine your own childhood feelings of loneliness or rejection--and the explorations that all of us are subject to.

By all means, a film worth watching. I hope to see it again--and this time from the very beginning. I missed some of the film and would like to see the complete work.