Un hombre elegido al azar entre una multitud se convierte en el objetivo de la vigilancia y persecución de la CIA.Un hombre elegido al azar entre una multitud se convierte en el objetivo de la vigilancia y persecución de la CIA.Un hombre elegido al azar entre una multitud se convierte en el objetivo de la vigilancia y persecución de la CIA.
- Dirección
- Guión
- Reparto principal
- Brown
- (as Ed Herrmann)
- CIA Agent
- (as Julius J. Carry III)
Reseñas destacadas
I don't suppose anyone knows much about what makes us laugh, but like yesterday's stock market results, everyone seems to have an opinion about failed comedy. This is a classic failed comedy, regardless of whether you thought the original French film successful.
The story is that a crew of trained professionals mistakenly assume one thing and then grind that conclusion quite literally to death. The same thing happened to the crew that made this stinker.
The women are marginally interesting. Lori singer was a real string player; here she plays the prostituting spy to a string player. Carrie Fisher was deep into her skinny drugged out highly sexed period and plays someone much the same (with a reference to Princess Leia and the wookie).
Hanks only once in a rare while really tries to act. This isn't one of those times. My own theory is that he needs a challenging director.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
This is an easy-going comedy with hearty humor, suspense, and a little of action . The tale involves murders, botchers spies,loving lies and quite amusing. Considerable comic talents act with hilarious perfection, they include Hanks, James Belushi and Dabney Coleman, among them. The film is plenty of gags, especial mention for the laughters with a director orchestra interpreted by David Odgen Steirs, arguing against his bumbling players Hanks acting at whole show, Belushi and Carrie Fisher who are playing 'Scherezade' by Rimski Korsakov. Catching musical score by Thomas Newman, though is composed by synthesizer and appropriate cinematography by Richard H Kline. The motion picture is regularly directed by Stan Dragoti. He's usual comedies director, such as, Love at first bite, Zorro gay and Mr Mom.
As Tom Hanks himself acknowledges, the movie is not that good. The plot is okay, but a bit convoluted. The comedy is more often of the absurd kind, and I am not sure it always succeeds. Jim Belushi is rather the strong point of the comedy parts. Also, as 1980s movies end to do, a romance is thrown in for some reason... it seems somewhat forced.
What makes this movie worth watching, despite the "blah" of the overall plot and comedy, is the ensemble cast. Tom Hanks may be the star, but he probably doesn't have 50% of the screen time, because he is sharing it with Dabney Coleman, Jim Belushi, Carrie Fisher (in a small role), Charles Durning, Ed Hermann, Lori Singer, Gerrit Graham and more I'm not recalling at the moment. It is a truly impressive cast.
So, I recommend the original, but this one isn't bad. Just don't expect any kind of religious experience. Also starring Lori Singer, Dabney Coleman, Charles Durning, Edward Herrmann, Carrie Fisher, James Belushi and David Ogden Stiers.
¿Sabías que...?
- CuriosidadesDavid Ogden Stiers plays the conductor of the symphony orchestra where Richard plays violin. Stiers has worked as a guest conductor with real-life symphony orchestras.
- PifiasThe assassins in the film used revolvers with silencers. It is nearly impossible to silence a revolver, due to the gap between the revolving cylinder and the barrel, which allows sound waves to escape.
- Citas
Hulse: Here's where he varied from the program. That has to be the message. We fed the notes into the computer.
Cooper: [reading] "ARDIE BETGO INDYO CEFAR OGGEL." What the hell is this?
Hulse: I don't know.
Carson: Oh, come on, can't you see? He's rubbing our noses in it! Let's just pick him up and put an end to it.
Cooper: [frowning] Is this "cefar oh-gle" or "cefar oggle"?
Hulse: Oh-gle.
Cooper: "Oh-gle"?
Hulse: Could be "oggle."
- Créditos adicionalesThe billing for the film's source French film El gran rubio con un zapato negro (1972) omits the title, stating only, "Based on the motion picture written by Francis Veber and Yves Robert".
- Versiones alternativasThe video version in 1986 was cut by 5 seconds in order to receive a "PG" rating from the BBFC with edits made to shots of workmen sniffing white powder from a cocaine-covered car during the opening sequence. In 2004 all cuts were reinstated and the video was re-rated "15".
- Banda sonoraLove Theme
Written by Michael Masser
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- L'home de la sabata vermella
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 16.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 8.645.411 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.139.015 US$
- 21 jul 1985
- Recaudación en todo el mundo
- 8.645.411 US$