El agujero del infierno

Pierre De Moro's "Hellhole" is everything that we can expect in a 1980s horror flick: psycho killer and a plethora of naked women. In fact, the movie seems to be an excuse to show off the babes' bodies (and I mean full frontal). The plot - so to speak - is that a young woman (Judy Landers) gets sent to a mental institution after she develops amnesia resulting from seeing her mother murdered. This particular institution is run by a sadistic doctor (Mary Woronov of "Eating Raoul") who has some nasty punishment for the inmates who get sent to the title location.

If you watch this movie expecting nothing except pure brainless fun, then you won't be disappointed. Otherwise, avoid it. Also starring Ray Sharkey, Edy Williams and Marjoe Gortner.

With a seasoned cast of b-movie veterans like Judy Landers, Mary Woronov, Marjoe Gotner, and Ray Sharkey, Hellhole proves to be more than your average exploitation flick. This cast is clearly having a ball playing such a ridiculous scenes and inhabiting these wacky characters that it helps some of the film's flaws go down a bit easier.

Hellhole is best enjoyed if you turn off your brain and just go along with the flow. Why is there a mud bath in a mental hospital? Why is every woman in this movie a lesbian? Do women really shower like that? Why does the lead character disappear for large chunks of the run time? So many questions and very few answers, but if you just go along for the ride, you'll still have a good time.

HELLHOLE begins with the murder of a woman by a madman named Silk (Ray Sharkey), who is dressed in Rob Halford's pajamas and sports an electrocuted Elvis hairdo. The victim's daughter, Susan, witnesses the crime, and survives an attack herself, while Silk slips away like a studded, leather-clad shadow.

The ordeal puts Susan in the Ashland Sanitarium for Women, where she meets the odious Dr. Fletcher (Cult goddess, Mary Woronov!). Susan soon sees Fletcher's sadistically eeevil side! By some astonishing coincidence, Silk works at the hospital too! Luckily, a wondrous shower scene breaks out, culminating in a miraculous Greco-Roman style, kickboxing catfight!

Uh oh!

There's trouble in the cafeteria! Here comes Fletcher and her goon squad, including the halfhearted Dr. Dane (Schlock god, Marjoe Gortner!) and iron-jawed Brad (Cult, Schlock idol, Robert Z'Dar!)! Soon enough, a patient is whisked away, and we are shown Dr. Fletcher's maniacal view of modern medicine! Meanwhile, pointless nudity erupts, and Brad leers a lot. How will Susan ever survive this loony limbo of the lost?

THIS MOVIE CONTAINS: #1- Mad science! #2- Mind-twisting torture! #3- Drug-induced mutations of madness! #4- Heavenly mud therapy! #5- Unnecessary, uncalled-for, unholy nakedness every few seconds! #6- Nurses in big, paper hats! #7- An actual rubber room! #8- The most epic finale since REFORM SCHOOL GIRLS!

Exploitation film fanatics need look no further! You have reached the promised land! Glory! Glory! Hallelujah!...

This somewhat entertaining garbage stars Judy Landers as Susan, a young girl who witnesses her mother's vicious strangling. Following this, she comes down with amnesia(of course)and is sent to a mental sanitarium for women(of course) headed by the mad Dr. Fletcher(played with loads of much-needed camp by cult icon Mary Woronov),who likes to perform unorthodox drug -induced lobotomies on some of the more out-of-control inmates. There is plenty of stuff in this flick to please any die-hard camp or exploitation fan: pointless lesbian scenes, gratuitous shower scenes & nudity, camp dialogue , horrid performances(with the notable exception of Woronov), & a cast that also includes Marjoe Gortner, Dyanne Thorne(of "Ilsa" fame), Ray Sharkey, & Terry Moore. All in all, a classic midnight movie.

There is a lot of nudity in this film. There is a mud bath and a girl on girl fight in the asylum showers. As far as the horror goes, the lobotomized victims do act like zombies. The leather and studs killer, named "Silk" leaves something to be desired. After a slow start the film picks up the pace only to have a drawn out ending where far too many characters need to be killed off. Some familiar B-movie stars on this not very common tape. I did not care for the ugly 80's make-up that the main character always wears, even too bed. Still, there is no real reason to pick at the plot details in this kind of film. At least it does not try to be too socially conscious.