PUNTUACIÓN EN IMDb
5,2/10
1,5 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA telepathic mutant recruits a post-World War III TV game-show warrior to lead her band of mutants to safety.A telepathic mutant recruits a post-World War III TV game-show warrior to lead her band of mutants to safety.A telepathic mutant recruits a post-World War III TV game-show warrior to lead her band of mutants to safety.
Laura Gemser
- Lilith
- (as Moira Chen)
Dino Conti
- Professor Levin
- (as Jack Davis)
Gabriele Tinti
- Bull
- (as Gus Stone)
Nello Pazzafini
- Kijawa
- (as Nat Williams)
Franco Ukmar
- Stark
- (as Frank Ukmar)
Alberto Dell'Acqua
- Gabe Mantrax
- (as Al Waterman)
Carlos Alberto Valles
- Committee Member
- (as Carlos Valles)
Pietro Ceccarelli
- Blue Mutant
- (as Peter Brighton)
Angelo Casadei
- Citizen
- (sin acreditar)
Reseñas destacadas
I really don't like using the word "cheesy", but it seems to be the one that applies best here. "Endgame" is likely to be picked up only by post-apocalyptic fantasy fans, or Joe D'Amato completists. So what do they have to look forward to? Some good ideas (the hero at one point acknowledges that men like him, living by their fists and guns are "the past"), some cliched ideas (the hunting game that's the most popular show on TV, the "Magnificent Seven"-type enlisting of the hero's sidekicks), and some weird ideas about telepathy: apparently the hero is not telepathic, and he can't read people's minds, yet he can communicate telepathically with a "gifted" woman. Get it? (*1/2)
Like, i went in with zero in mind and this movie was a well made sci fi post apocalypse b movie. For little budget they had they still created very nice scenery and environments.
It's still the 80s b feeling it it but this was like way better then the 5 people give it here.
It's still the 80s b feeling it it but this was like way better then the 5 people give it here.
Despite the slow-going and uninteresting first half, ENDGAME really picks up when a group of telepaths and mercenaries hired to guard them leave in a caravan to escape the city. The group's adventures in the wasteland are quite entertaining, beginning with an exciting low-budget battle sequence when a huge force of blind cultists with a vast array of odd weapons attack. Naturally, these blind types aren't the best at aim (or tactics) and are summarily mown town in waves much like ZULU or THE ALAMO. However, this scene alone is quite funny and stands out as a reason to see this movie above most of the rest of Post-apocalyptic dirge the Italians flooded out in the early 80's to capitalize off of MAD MAX 2.
Lots of cool shootouts, lots of cheesy gore and makeup, and a lot of silly dialog make this movie a winner for fans of Italian C-movies. On top of that, the cast is hard to beat with an odd assortment of Spaghetti Western, Polizioteschi, and Sexploitation movie veterans not seeming too out of their element wearing goofy costumes and fighting each other in the same abandoned rock quarry. Massacessi, who began and ended his career making smut, had a brief period in the 80's where he really tried hard to make non-lowest-common-denominator-type movies largely on his own under his Filmirage company (of which this film is one of the first and best examples). Eventually though the law of diminishing returns took hold and one of the company's final productions would be the legendarily noxious TROLL 2.
This film is pretty hard to find though, which is a bit of a shame, as with a cleaned up transfer may play a little better than the gritty old VHS tape.
Lots of cool shootouts, lots of cheesy gore and makeup, and a lot of silly dialog make this movie a winner for fans of Italian C-movies. On top of that, the cast is hard to beat with an odd assortment of Spaghetti Western, Polizioteschi, and Sexploitation movie veterans not seeming too out of their element wearing goofy costumes and fighting each other in the same abandoned rock quarry. Massacessi, who began and ended his career making smut, had a brief period in the 80's where he really tried hard to make non-lowest-common-denominator-type movies largely on his own under his Filmirage company (of which this film is one of the first and best examples). Eventually though the law of diminishing returns took hold and one of the company's final productions would be the legendarily noxious TROLL 2.
This film is pretty hard to find though, which is a bit of a shame, as with a cleaned up transfer may play a little better than the gritty old VHS tape.
In the year 2025, a nuclear holocaust has left New York City ruined, inhabited by persecuted telepathic mutants. Keeping the people pacified is the reality television program Endgame, where a new hero must save a group of people and fight to the death.
Directed by Joe D'Amato (under the pseudonym Steven Benson) Endgame (Bronx lotta finale) is one of the better executed Italian post apocalyptic B-films. The action seems endless especially in the closing act as scavenger packs and telepathic mutants fight it out with hunters, gladiators and military elite. There's an unnecessary rape scene, this aside the majority of D'Amato's Max Road Warrior meets Beneath the Planet of the Apes is very watchable especially if you enjoy the likes of Rats: Night of Terror, Warriors of the Wasteland and Bronx Warriors.
The locations and costumes deserve a mention. Carlo Maria Cordio's music working best when it's borrowing cues from Vangelis' Blade Runner score.
Interestingly, the TV game concept (even though not fully explored) predates The Running Man a good four years before Arnold Schwarzenegger's scifi romp and was made around the same time Stephen King's pseudonym book was published.
Overall, not too shabby at all.
Directed by Joe D'Amato (under the pseudonym Steven Benson) Endgame (Bronx lotta finale) is one of the better executed Italian post apocalyptic B-films. The action seems endless especially in the closing act as scavenger packs and telepathic mutants fight it out with hunters, gladiators and military elite. There's an unnecessary rape scene, this aside the majority of D'Amato's Max Road Warrior meets Beneath the Planet of the Apes is very watchable especially if you enjoy the likes of Rats: Night of Terror, Warriors of the Wasteland and Bronx Warriors.
The locations and costumes deserve a mention. Carlo Maria Cordio's music working best when it's borrowing cues from Vangelis' Blade Runner score.
Interestingly, the TV game concept (even though not fully explored) predates The Running Man a good four years before Arnold Schwarzenegger's scifi romp and was made around the same time Stephen King's pseudonym book was published.
Overall, not too shabby at all.
So how many of those post apocalyptic movies did they make, its felt a bit like the running man for the first 20 minutes of the movie then it got into the usual mutant like looking 5 against 50 fights.
All in all it was an ok movie.
All in all it was an ok movie.
¿Sabías que...?
- CuriosidadesOf all his movies, director Joe D'Amato has stated that he likes this one best.
- PifiasLilith repeatedly demonstrates the ability to communicate telepathically with Ron Shannon. It's also repeatedly made clear that she and the other mutants are supposed to hide the fact that they are telepathic from the other members of Shannon's team. So why does she risk blowing her cover by leaping from the back of the van to warn Shannon of a trap? Shouldn't she be able to give him the warning telepathically?
- Citas
Blue Mutant: Look at me while I rape you dammit!
Ron Shannon: [telepathically] I'm getting pink and blue flashes. Lilith, are you alright? Lilith, answer me.
Lilith: [telepathically] Yes, Shannon, I'm fine!
Blue Mutant: You really know how to turn a guy on!
- Versiones alternativasThe UK Stablecane video was cut by 41 secs by the BBFC to edit a rape scene and to remove some violence including a neck break and a man being axed in the head.
- ConexionesFeatured in Porno Holocaust - Die Filme des Joe D'Amato (2001)
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