La prometida

After the creation of his creature (Clancy Brown), Dr. Frankenstein (Sting) researches and creates a perfect woman, Eva (Jennifer Beals), to be the mate of the creature. However, the anxiety of the creature creates havoc in the laboratory that is burnt down and explodes, killing Frankenstein's assistants Dr. Zahlus (Quentin Crisp) and Paulus (Timothy Spall). Dr. Frankenstein believes the creature died too but he flees to the woods. Soon he meets and befriends the dwarf Rinaldo (David Rappaport), who gives a name to him, Viktor, and invites him to work in a circus in Budapest. Meanwhile Frankenstein and his house keeper Mrs. Baumann (Geraldine Page) teach Eva how to behave and to be independent. One day, Frankenstein introduces Eva to the high-society, telling that she was found amnesic in the woods and has become his protégée. But Frankenstein becomes obsessed of Eva while Viktor and she have a strange connection. What will happen to Eva?

"The Bride" is a different version of Frankenstein story by Mary Shelley. The film is actually a romance that begins slow paced but well resolved in the end. Clancy Brown has an outstanding performance in the role of the naive creature. My vote is seven.

Title (Brazil): "A Prometida" ("The Promised One")

MORD39 RATING: ** out of ****

This movie is too wrongly maligned. It's at least enjoyable half of the time, since it functions as two different stories which merge together later on.

The best part of the movie regards the adventures of the Frankenstein Monster (well-played by Clancy Brown) and his friendly dwarf companion (the excellent David Rappaport) as they roam the exquisite countryside trying to discover their dreams. When this half of the movie is playing, you can't help but be moved.

Unfortunately, the other half consists of rock star Sting (it hurts me to say this, but I think he makes a good Frankenstein) and the gorgeous Jennifer Beals as his latest creation. They don't add anything to the whole mix, though,, and only get in the way and slow things down. This film could have been quite good indeed had these parts been removed, and the exploits of the monster and his pal been fleshed out.

I think my opinion is a popular one among critics and fans, but one thing is clear: this film is not as bad as some think, and it's in no way intended to be a re-make of 1935's BRIDE OF FRANKENSTEIN.

I love it when I find a movie in the bargain bin, watch it, and it turns out to be really good. Such is the case with The Bride. The cinematography is beautifully done, creating a rich atmosphere and setting for the story. Filmed in England and France, the locations add some real authenticity to the story; this is no Hollywood back lot. Some may criticize the acting skills of the leads or the degree of depth in the story line, but one thing is sure, the movie is consistent in story, direction, mood, and content from beginning to end, a well delivered package. I also enjoyed this spin on the Frankenstein monster; he's got personality and character. Instead of being only an object of horror as in other films, the viewer gets to know and identify with him as the movie progresses, coming to care for his success and well being. As another viewer stated previously, approach this movie as a Gothic novel instead of a horror story, and you're sure to find some enjoyment from it.

In this wonderful movie, Sting plays Dr. Frankenstein, who after already creating his first monster and finding him disappointing and annoying has decided to create the perfect woman. He's successful in his pursuit, but the first monster, Clancy Brown in a heartwarming role, is chased away after becoming a little to possessive of his new bride.

The monster runs off into the woods and befriends a little person, Rinaldo the Midget, played wonderfully by David Rappaport, on his way to join the circus. He invites the monster along, and gives him the name of Victor. It is from Rinaldo, who's patient and understanding in a way Dr. Frankenstein never was, that Victor learns how to get by in life, how to behave, how to share, and to go after your dreams.

Meanwhile, back at the castle, Dr. Frankenstein is trying to educate and enlighten his newest creation Eva, a lovely and talented Jennifer Beals. He aspires to create the perfect woman, as intelligent and independent as a man. He does not, however, consider the full implications of his aspirations.

As Eva grows and learns, she begins to ask questions. She has been lied to about who she is and where she comes from. Much to Dr. Frankenstein's annoyance, she has become strong-willed and independent, just like a man, but obviously not quite what he had considered. He had also not considered how arousing he would find her.

Victor and Rinaldo successfully join the circus after much persuading, but Rinaldo longs for his dream to visit Venice, and Victor discovers he longs for his dream of Eva, his intended.

As the movie progresses, there is an obvious connection between the two characters which they are aware of, but aren't in contact with each other.

As Dr. Frankenstein introduces Eva into society with a few little mishaps, Eva discovers a handsome young soldier played by a very young Cary Elwes. He pursues her as he would any woman he would like to bed, much to agitation of Dr. Frankenstein.

The movie moves towards its climax, bringing with it an intensity and a heartfelt conclusion that makes it overall a remarkable movie.

Sting manages to convey Dr. Frankenstein's increasing frustration with his independent, disobedient, yet lovely creation, a dark character who also enjoys his opium from time to time. The scenes with Victor and Rinaldo are wonderful. Jennifer Beals is perfectly bewitching, at first unknowing and naive, then becoming strong and intelligent as the movie progresses, yet still revealing an innocence to her character.

I think anyone would be charmed and entertained by this wonderful movie, and I highly recommend it to all.

Scripted by Lloyd Fonvielle from the novel by Mary Shelley, this is a fairly interesting revisionist take on Shelley's legendary story. Rock star Sting stars as the icy cold Charles Frankenstein, who as the film opens has already created his male monster (Clancy Brown), and is now in the process of constructing the monsters' mate (Jennifer Beals), whom he names Eva. During the subsequent destruction of Frankensteins' lab, the male monster escapes, soon making the acquaintance of amiable dwarf Rinaldo (David Rappaport). Rinaldos' ambition is to eventually make it to Venice, but for now he wants to join a circus to make ends meet, and the monster - who *Rinaldo* dubs Viktor - tags along. Meanwhile, Frankenstein works hard at creating, in his eyes, the perfect woman to introduce to high society.

The lovely friendship between Rinaldo and Viktor is the true heart and soul of the film, and makes it worth seeing. Rappaport is so endearing - he's the real star of this show - and he and Brown work so well together, that they make the segments with Beals and Sting less intriguing by comparison. There is a theme here of men harbouring a fear and distrust of the empowered woman, and Frankensteins' desire to basically be in charge of Evas' life is part of his undoing. Brown is wonderful as Viktor, and while Sting and Beals do decent jobs, they're not as much fun to watch. A superb supporting cast consisting of Anthony Higgins, Geraldine Page, Alexei Sayle, Phil Daniels, Veruschka von Lehndorff, Quentin Crisp, Cary Elwes, Timothy Spall, Guy Rolfe, and Tony Haygarth lends a great deal of respectability.

"The Bride" has the absolutely perfect look in terms of classic Gothic horror, but in the end it's much more of a drama, and romance, than a horror film. Its opening scene is certainly great horror in the old tradition, and the lab set is amazing. The period recreation is impeccable, and Maurice Jarres' music is beautiful.

Overall, a good film worth a look or revisit for fans of this kind of literature.

Seven out of 10.