Gente de barrio

Where to begin? Where to end? I never miss an episode of Eastenders. But is that saying it's so good that I can't bear to miss it? Not at all. It's not as good as it used to be, obviously. Gone are the days of truly shocking and scandalous story lines. We were hooked on "Who Shot Phil?" We were hooked on Max and Stacey's affair behind Bradley's back. Countless more mentions can be made, but I can't be bothered to write anymore haha. Hooked and shocked. That was once the magic Eastenders had on us. Now, where has it all gone? But, I will say, there is still hope for this once beloved soap. Lucy's murder wasn't all that, and the wait they are keeping us on is a bit much. However, it's the performances of it's actors that will keep me coming back for more. Adam Woodyatt has been particularly brilliant in the unfolding storyline. The writers would be wise to keep focus on him rather than anybody else at the moment, and to surround him by the best actors around.

And that's the point. Eastenders has been a hit and miss over the recent years. But I feel, if they can play their cards right, they can bring it back to top form. Never to the heights of several years ago, that's impossible. But it can be repaired.

6 out of 10, for that little bit of brighter future.

This engaging British series has been a favorite of mine since I was a girl. The families of this fictitious End London borough become familiar faces and names as the show follows generations of the characters thorough their lives. "EE" is more than a working-class soap opera---it's a genuine episodic drama, which is painfully rare here in the US. The storylines arc over months and years instead of days and weeks like American dramas are scheduled. Unlike many American "soap opera-type" series, the majority of episodes are penned by male scriptwriters. The action can be slow-building, but it is engaging. It takes a few viewings to understand who's who and what's what, but with all the websites devoted to this show, the details and characters can be sorted soon enough. Thanks to the advent of cable TV and the BBC America satellite channel, Americans can watch this cozy drama with only a slight lag behind their British counterparts. Grab your favorite ale and some fish and chips and try this show out.

I'm an American who has watched "EastEnders" on and off on my local PBS station over the last 15 years. I find the show fascinating and it's not because the plots are particularly original or the acting is so amazing. It's not the "exotic" location either, I've been to London a couple of times. No, the reason I can't stop watching "EastEnders" is because it's the complete polar opposite of an American soap opera!

On an American soap opera, everyone is attractive or at least above-average looking. On EastEnders, (although they will occasionally throw in an attractive person to confuse you, I mean is Rosie's older daughter a super-model for that neighborhood or what?) everyone is pretty much average to below-average looking. There's one character who always looks like he's in desperate need of a blood transfusion and another who is quite simply the ugliest human being I've ever seen on scripted television.

On an AS, everyone is always fashionably dressed and impeccably groomed. I don't think you ever even see anyone in the same outfit twice. While watching EE, I sometimes wonder if the actors didn't do their own hair and makeup and bring clothes from home. On second thought, most of the actors would probably dress better than their characters.

On an AS, everyone has a glamorous and/or high-profile and/or high-paying and/or highly- respected career, e.g. doctor, model, cosmetics tycoon, writer, chief of police (even if they only appear to be about 20 years-old!), etc. On EE, the characters work in stalls at the street market, in pubs, cafés, garages, and laundromats. The most successful guy in the neighborhood is the guy who owns the café.

You really can't help but feel pretty good about yourself and your life after watching EE.

There are some other characters on EE that you typically wouldn't see on an AS, like a 14 year- old (who looks like a 12 year-old) girl with a baby and a man who seems to be in at least his mid-forties who can't read or write. One nice thing is that the writers don't seem to consider people over the age of 40 too old for romance. People in their 40s, 50s, 60s and older are depicted dating and even getting married. I've laughed out loud at a few hilarious moments involving horny seniors Pat, Patrick and Big Mo.

My favorite character is Dot Cotton/Brown, the church-lady type who gets some good lines. The actress who plays her is 88 years-old and it's pretty impressive that she's still working a grueling soap schedule and memorizing tons of dialogue.

Is EE a great show? No. Is it even a very good show? No. Will I keep watching? Well, yeah. We only get 2 episodes a week in the States (we're 10 years behind the UK, episode-wise), that's not enough to kill the novelty factor. I wouldn't watch "Days of Our Lives" but I'll watch "EastEnders" and feel like a successful super-model when the end-credits roll!

Eastenders has gone full circle from unmissable in 1985 to totally abysmal now. It's such a bad reflection of the nation this crap tops the ratings.

The ideas for plots can consist of nothing more trivial than putting ever characters name in a hat. The first two out (regardless of their sex) will sleep with each other, the 3rd & 4th out will have a fight in the Vic, the 5th one will be arrested, the 6th develop an addiction, 7th get pregnant etc etc.

The producers are clever though. The 30 minute show is only actually ever comprised of 3 lines.

1) Someone will walk in the Vic & say "What's goin on?" 2) Someone else will stand up say "leave it aht" (out) 3) Then a woman will say "Doan choo come in ere 'n' insult mah fam'ly"

That's it. That's every show. Apart from the occasional "Get it sort-id / Is it sort-id?"

The show was once a realistic portrayal of East End folk & their way of life. The buffers came off when 1) They extended it from two nights a week & 2) The Slater family turned up. How they attract viewers is beyond me. The Kat character symbolizes everything that's gone wrong with society, treating anyone else like something she's pulled off the bottom of her shoe.

The people who vote her the best character, in these polls, must the same as the ones that vote Jamie Redknapp 'Best Sportsman' despite the fact he hasn't played a game for 3 years.

What I can never understand is if the show is the pinnacle of British TV why do all the biggest names leave? Ross Kemp, Martin Kemp, the list is endless.

How long has the longest couple's marriage lasted, with them being faithful to each other? Yes, people leave, but until the script writers realise that characters, couple can be interesting & likeable without sleeping around the show will continue to deteriorate. An episode last week had 3 separate plots of exactly that. And Zoe & the doctor top even Lofty & 'Shell' as 'Most Unconvincing Couple Ever to appear on TV.'

Yes, Eastenders is the most watched show, thats undisputed. But many external factors contribute to that. 19.30 / 20.00 is the perfect time of day to gain the most audience figures, it has an omnibus edition for 2 hours, and more than that, millions of the viewers watch it, out of nothing more than habit, but if they were completely honest to themselves, they would admit that (in 2002, more than ever), it can be absolutely pitiful.

It's a shame to see Phil Mitchell as the one last true great. Ian Beale is past it and we are missing true greats such as Pat and Grant