Terminator

For the gift of `Aliens' and `The Terminator' I am willing to forgive Cameron's `Titanic'. The key plot concept is beautifully simple - machines take over the earth in the future. Machines are eventually over thrown by one man. Machines travel back in time to kill man's mother, thus preventing him being born and stopping their own defeat. One human also travels back to stop the machines from killing his leader's mother.

`The Terminator' is a classic good versus evil struggle, with little in the way of greys clouding the issue. The terminator is an unstoppable brutal remorseless killer, and it perfectly suits Arnold Schwarzenegger's limited acting abilities. His few lines, including the infamous `I'll be back' are all well judged and timed, and give a great feeling of precision and inhumanity to his character. Coupled with his chiselled features, he's the best choice for the role. Michael Biehn is playing a character type that he'd reprise two years later in Cameron's `Aliens' - the human tough guy: he's got the fight, but still the ability to love and care for people. His features are well chosen for this and although his delivery of lines is hardly exceptional - they tend to come out in the same tone of voice - he's able to carry his part. Linda Hamilton is the woman-thrown-into-chaos, somewhat reminiscent of Sigourney Weaver's Ripley character in `Alien', although Hamilton doesn't have Weaver's strength of presence. All the actors are, for an action science fiction, above average and so never distract.

It's the script, with Cameron's force behind it that lifts the movie from mediocrity. Yes, there's a certain amount of corniness - the `we loved a life time' element for example - but the movie has a real sense of conviction present. The movie believes in itself and, through its passion, will make you believe too. There's a general sense of darkness in the movie - rarely do we see daylight, and, when we do, it's often the soft light of dawn. There's a nice sense of tension in the action scenes, helped not only by Cameron's camera work but also by an excellent electronic score (including a fantastic brooding credit sequence). Sure some of the SFX look clunky in these days of `Attack of the Clones' and `The Fellowship of the Ring', but they still work. There's a certain sense of inevitability, intertwined with hope, permeating the picture that creates a mood I particularly enjoyed and that's harder to find in the current crop of science fiction movies.

`The Terminator' is not a perfect picture. The movie lags in some parts, and the romance element is fairly contrived. Despite all that the movie brims with energy and promise, a script that mostly delivers, characters you can enjoy, and the ultimate Arnie role. Well worth catching. 8/10.

Many people look back at the films of James Cameron and suggest that the smaller, the budget, the tighter the limitations, the better the end product. Films like Avatar, Titanic and True Lies had huge budgets and drew in even bigger box office but many still yearn for the Cameron that gave us The Terminator and Aliens which were huge movies but packed a far bigger punch artistically. My feelings all these years on are that Cameron has earned the right to make those huge movies but i have to admit to preferring his earlier body of work. The Terminator is a nightmarish, time travelling science fiction film told at a breakneck pace and delivered with confidence and style. The film has a very gritty, underground look to it and does a great job of telling its story amid the frenetic action. There is also a huge slice of horror and suspense thrown in, an impression that has diminished in the years since it's release due to inferior sequels. Viewed as a standalone piece however, The Terminator is fine piece of work from a director with a very clear vision.Everyone knows that The Terminator is the film that gave us Arnold Schwarzenegger but when i look back at the film, it has heart and its the Michael Biehn character, Kyle Reese, that provides it Artistically speaking,Cameron might be well advised that less is more.

I just saw a horrifying, touching, very good movie again; it's The Terminator. Now to talk of it as great film, to compare it with American Beauty might seem idiotic--it's an almost unrelentingly dark, violent, frightening action movie, after all--but strip away the relentless action, strip away the technophobia, strip away the blatant dislike of cops and modern youth, strip away the poignant love story and, at its core, it's about an immature, essentially mindless girl becoming a strong, determined woman. That's a theme more movies should have if we want girls to have strong role models.

In the course of a few hours during which Sarah Connor realises that she is running for her life from a soul-less machine in human flesh that is implacably and violently determined to kill her, she transforms from a girl who can't balance her cheque book to a woman who can order a wounded, beaten man to "get on your feet, soldier." She is clear-headed, not panicky, focused in crisis and incredibly courageous. And it's not that she has lost her essential femaleness but that she's grown up.

It's relentless, heartless violence appals and fascinates me. It's gritty depiction of our society as a prelude to an even more horrific one in 2023 darkens my heart. It's quickly developing love story touches me. Its humor makes the dark places in me smile. But most of all I am touched and fascinated by Sarah's precipitous transformation. As a good life exercise, ask yourself this: Would you have the courage to do what she does?

9.5 out of 10.

I don't like action movies generally, and had to be coaxed into seeing this one by a friend. It was a major and pleasant surprise to me, and I left it with questions beyond the scope of the film, which always happens with the ones I really like (ie, Did John know who Reese was/would be when he sent him?). Most of all, I left it a Michael Biehn fan; he is great in this movie.

You can run, but you can't hide, your existence amplified, where you go, it will go too, sensors focused just on you, nothing can get in its way, you can shoot, or burn, or pray, as sure as day will follow night, the binaries, will take a bite.

An ontological, paradoxical and dystopian forecast of a future world that probably won't have time travel, but may well see machines used to ill affect - we are, after all, our own worst enemies.

An outstanding piece of film making that perpetually stands the test of time.