PUNTUACIÓN EN IMDb
5,9/10
5,7 mil
TU PUNTUACIÓN
Una mujer encuentra el romance al aceptar un trabajo en una planta de aviones, para ayudar a llegar a fin de mes después de que su marido se marcha a la guerra.Una mujer encuentra el romance al aceptar un trabajo en una planta de aviones, para ayudar a llegar a fin de mes después de que su marido se marcha a la guerra.Una mujer encuentra el romance al aceptar un trabajo en una planta de aviones, para ayudar a llegar a fin de mes después de que su marido se marcha a la guerra.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 1 premio y 3 nominaciones en total
Danny Darst
- Deacon
- (as Daniel Dean Darst)
Chris Lemmon
- Lt. O'Connor
- (as Christopher Lemmon)
Reseñas destacadas
December 7, 1941 ...........
That is what this film is about , World War II And it's affects it has on a family when a loved one goes away for a long period of time.
Goldie Hawn is superb as is Christine Lahti and Kurt Russell the three stars of the film , Well Acted by all ............
Also Look for a rather young Ed Harris as Goldie's Husband who goes off to war and Holly Hunter as Her Co-Worker in the Aviation Factory . Also a Great Score By Carly Simon singing the main title song .
That is what this film is about , World War II And it's affects it has on a family when a loved one goes away for a long period of time.
Goldie Hawn is superb as is Christine Lahti and Kurt Russell the three stars of the film , Well Acted by all ............
Also Look for a rather young Ed Harris as Goldie's Husband who goes off to war and Holly Hunter as Her Co-Worker in the Aviation Factory . Also a Great Score By Carly Simon singing the main title song .
WWII star-vehicle for Goldie Hawn, here cast as a Rosie the Riveter-type who goes to work in an airplane-parts factory after her husband reports for duty. Poor beginning and hastily-filmed conclusion redeemed somewhat by bright moments in the middle. Hawn seems to realize she's being upstaged by Christine Lahti (as a "tramp" who lives in the same housing complex) and the final moments flip-flop trying to restructure the film's focus in Goldie's favor (check out that final shot). There's nothing wrong with that--Goldie's a wonderful presence and she's very appealing in parts of the movie--but her character as written just isn't all that interesting. As the men vying for Hawn's affections, Kurt Russell and Ed Harris are handsome and serviceable. As for Lahti, she indeed shines, obviously relishing the chance to play against type. I just wish the interaction between Lahti and Hawn had been explored with more depth, but it isn't. This is the fault of the screenwriter (the non-existent "Rob Morton", who is really Bo Goldman, Ron Nyswaner, and Nancy Dowd, here doing a WWII variation on "Coming Home", which Dowd also had a hand in) and also Goldie Hawn, who reportedly fought with director Jonathan Demme over control of the piece. They are all to blame for the slim box-office receipts "Swing Shift" struggled to bring in. **1/2 from ****
A quiet first-rate film that has Goldie Hawn at a factory to produce military goods during World War II while husband Ed Harris is off fighting the war. Hawn would have never thought that she would fall for co-worker Kurt Russell in this fine motion picture. Christine Lahti (Oscar-nominated) shines as another co-worker who has a bad reputation and Fred Ward gives another fine performance in a small supporting role. Directed by Jonathan Demme, "Swing Shift" is one of those diamonds in the rough from the 1980s. A good film. 4 stars out of 5.
I have watched this twice since it's release in 1984. The most recent was over new years 2022, and the verdict remains the same.
An uninspiring story that lacks authenticity and purpose.
The story is jumbled and other than Christine Lathi's compelling performance, the film has no deeming value.
Goldie Hawn would star in other, better executed storylines.
This film is not one of them.
I wish the directors cut of this film was available as I have read several stories by those that had the chance to see it and that appears to be story that the late Jonathan Demme wanted to tell. Demme was an excellent filmmaker and it appears that his version was overrun by Hawn who was the executive producer of this mess of a film.
An uninspiring story that lacks authenticity and purpose.
The story is jumbled and other than Christine Lathi's compelling performance, the film has no deeming value.
Goldie Hawn would star in other, better executed storylines.
This film is not one of them.
I wish the directors cut of this film was available as I have read several stories by those that had the chance to see it and that appears to be story that the late Jonathan Demme wanted to tell. Demme was an excellent filmmaker and it appears that his version was overrun by Hawn who was the executive producer of this mess of a film.
Jonathan Demme directed this period piece set during World War II, where women were recruited to take over from men in airplane making factories, because the men had to serve(unless they were declared 4-F).
Goldie Hawn, Christine Lahti, and Holly Hunter play the women, while Ed Harris, Fred Ward, and Kurt Russell play the men. The women must overcome the sexism and skepticism from management, and some of the men left behind. With their husbands gone, the women find that their increased responsibility makes them more involved with the world, but also gives way to some temptations as well...
Surprisingly bland, even lifeless film feels longer than it is, though it does have a good cast, story doesn't hold viewer interest much, and it feels like a wasted opportunity to portray an important part of the home front aspect of the war.
Goldie Hawn, Christine Lahti, and Holly Hunter play the women, while Ed Harris, Fred Ward, and Kurt Russell play the men. The women must overcome the sexism and skepticism from management, and some of the men left behind. With their husbands gone, the women find that their increased responsibility makes them more involved with the world, but also gives way to some temptations as well...
Surprisingly bland, even lifeless film feels longer than it is, though it does have a good cast, story doesn't hold viewer interest much, and it feels like a wasted opportunity to portray an important part of the home front aspect of the war.
¿Sabías que...?
- CuriosidadesIn an early scene, Ed Harris, clad only in a towel wrapped around his waist, plops down on a chair. For a split second, his genitals are fully exposed. This scene somehow evaded the censors (and in a PG-rated film) and in the first video release, the scene is intact. The scene has now disappeared from subsequent releases. However, it is included on the print shown on Turner Classic Movies.
- PifiasWhen the service men are boarding the bus, and Kay is saying goodbye to her husband, a man appears with a megaphone to announce the bus is departing. His megaphone is a self-contained transistor one which was not available in 1941.
- Citas
Documentary Narrator: Each returning serviceman will get his job back when the war is won. And you girls and women, you'll be going home. Back to being housewives and mothers as you promised to do when you came to work with us. Your lives will return to normal.
- Créditos adicionalesOpening credits are shown over old, black and white photos.
- Versiones alternativasCBS edited 5 minutes from this film for its 1987 network television premiere.
- Banda sonoraSomeone Waits For You
Performed by Carly Simon
Produced by Richard Perry
Music by Peter Allen
Lyrics by Will Jennings
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- How long is Swing Shift?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Swing Shift
- Localizaciones del rodaje
- Long Beach, California, Estados Unidos(bicycling sequence)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 6.650.206 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.270.136 US$
- 15 abr 1984
- Recaudación en todo el mundo
- 6.650.206 US$
- Duración
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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