El último cazador

Director Antonio Margheriti's Vietnam piece is bound to be loved by some audiences and hated by others. This is simply not a film for all tastes. On the surface, it looks like cruel exploitation of a controversial war; exploiting Vietnam was certainly a risky move in 1980. Dig a little deeper, though, and "The Last Hunter" becomes a brutal allegory on the futility of warfare.

Margheriti tells a straightforward tale: Captain Morris (David Warbeck) heads into Cambodia with a small band of soldiers on a mission to find and destroy an enemy radio station which is broadcasting disgusting anti-American propaganda. Along the way, he encounters many people and situations which point to the ultimate insanity of warfare.

Margheriti begins his tale with one of the best opening sequences ever put to film. Morris tries to relax in a Saigon bar, making conversation with another GI whom he's never met. Soft music plays in the background, providing a perfect tempo for the dialog. It's not long, however, before Morris realizes that he escape the realities of the war outside. The music stops abruptly as the tone changes from quiet to tense: Steve has been aggravated by the aforementioned GI. He shoots him in the head, and then turns the gun on himself. As if on key, enemy sappers attack the city, and the bar is destroyed; only Morris escapes. A first-time viewer may see this scene as unnecessary, but the characters and themes will become crucial to the plot as Morris moves closer and closer to his objective.

With the mood established and the audience glued to the screen, Margheriti shifts his focus to the Cambodian jungle. Morris is escorted to the drop-off point by helicopter in yet another excellently shot sequence: Franco Micalazzi's score comes out full force for just a few moments as the action builds, and then dies. Margheriti lets some great hand-held camera action and excellent, fast-paced editing do the work. This scene will be followed by a number of quick, brutal action sequences: the discovery a rotting corpse, an ambush by a band of Viet Cong in a burned-out village; and a great sequence in which Massimo Vanni's character is forced to run into the jungle under enemy fire to retrieve cocoanuts for the unhinged Major Cash (John Steiner). The high point of the action is definitely a Viet Cong raid on an underground American bunker complex, in which hordes of black-pajama-clad guerrillas emerge and a firefight ensues. For the most part, the American characters are drunk or stoned and don't seem to know what's going on. This long sequence is shot in the dark with hand-held cameras, features lots of cutting from action to reaction – all while a radio plays happy tunes in the background.

All of this builds to a pulsating surprise ending. Morris does find his radio station – the audience knows he will from the start; it's no surprise in a film like this – but the voice of propaganda will come as a shock as all of the pieces laid out in the opening scenes and flashbacks come together. We've had some subtle hints and little suggestions as to who Morris is going to encounter, but nobody will come to the conclusion until the character steps into frame. The result is a jaw-dropping scene with an outcome that goes completely against the norm. The final shot of the piece is one of confusion, awe and surprise – we never do get to find out what happens to an essential character. If the violence and pure insanity of most of the movie don't shock you, the last two few minutes surely will.

Admittedly, "The Last Hunter" is not a perfect film: basic plot aspects are lifted directly from "Apocalypse Now" – Morris' character is a take on Martin Sheen, while Major Cash and his bunch seem to be loosely based on Marlon Brando's guerrilla force. Instead of a trek upriver in a small boat, we follow a mixed group of soldiers through the sweltering jungles. (Only here, they're too busy dodging booby traps to discuss heavy issues of morality). More blatantly, a sequence depicting Morris' imprisonment in an underwater bamboo cage reeks of "The Deer Hunter". Some of the special effects scenes come up a bit below par for a 1980s film: watch for a dummy which gets flamed during the village skirmish; superimposed rocket bursts around a helicopter; and there are a few cheesy miniatures.

These are only minor flaws. "The Last Hunter" is an anti-war gem which can be enjoyed by fans of Italian exploitation (Margheriti said that he wanted to shoot the film seriously; the producers forced him to throw in exploitative content to draw in fans of his successful horror works). Any serious war film fans that can make it through the opening without dismissing this as graphic trash will not be disappointed. It's not often that a director can make a great action picture that's still considered an anti-war piece.

Antonio Margheriti's (CANNIBAL APOCALYPSE) first Macaroni Combat film, a genre that would become his final mainstay, is an outrageously, over-the-top thrill ride with no political agenda whatsoever.

After witnessing the grim suicide of his shell-shocked buddy, a burned-out Army captain (David Warbeck, THE BEYOND) agrees to take on a final suicide mission with the help of two black soldier dudes (Tony King and Bobby Rhodes) and a fine-looking photojournalist (Tisa Farrow, ZOMBIE).

As the first Macaroni Combat film about Vietnam, THE LAST HUNTER certainly delivers the exploitation goodness with just a hint of brief nudity. Although the script from Dardano Sacchetti is filled with unintentionally hilarious dialog, mainstream audiences may be turned off by the lack of historical context. Warbeck gives a good performance that is a literal reminiscent of Martin Sheen's Willard from APOCALYPSE NOW.

And speaking of that Coppola epic, the Philippine locations in which the film was shot are in fact leftover sets. It comes to show that no matter how blatant the filmmakers are, THE LAST HUNTER is certainly a pleasure to look at just for the settings. Despite not being a good actress as her sister, Tisa does give some enthusiasm into the character and it works rather well.

Turn off your brains and enjoy the mindless Italian action.

This film is one of the most entertaining Vietnam flicks ever produced. Truly excellent opening 10 minute scene, followed by a 40 minute lull. Picks up toward the middle though and keeps on chuggin along. Great cast, excellent gore effects, awesome explosions, cool claustrophobic camerawork, and a lot of funny dialogue make this well worth the 90 minutes. The poor Pan+Scanning is easy to forgive with a couple viewings. Owes more than a lot to APOCALYPSE NOW and THE DEER HUNTER, but honestly, who cares? Grade A entertainment.

My review was written in February 1984 after a screening at Apollo theater on Manhattan's 42nd St.

"The Last Hunter" is an imitative Italian action film made in 1980. Its original title, "Hunter of the Apocalypse", points more exactly at the picture's origins, lifting liberally for visual images and situations from both "The Deer Hunter" and "Apocalypse Now", but outfitted with a different (and rather dull) storyline to avoid accusations of plagiarism.

Set in Vietnam in 1973, tale has Capt. Henry Morris (David Warbeck) on a mission to destroy a Vietcong radio transmitter which is sending demoralizing messages to the Yankee troops. He's aided on the way be a ragtag group including war correspondent photographer Jane Foster (Tisa Farrow), minority GIs Sgt. George Washington (Tony King) and Carlos (Bobby Rhodes) as well as a bitter and nutty Major Cash (guest star John Steiner), last-named filling the slot Robert Duvall occupied in "Apocalypse Now".

Payoff has most of the players sent to the Happy Hunting Ground by the time Jane helps Morris escape from watery tiger cages (a la "The Deer Hunter") to conveniently find the transmitter nearby. Gimmicky resolution consists of Morris' best friend 's girlfriend Carol (Margit Evelyn Newton) turning out to be the nasty voice of Ho Chi Minh trying to weaken our boys' fighting resolve.

Since his best friend committed suicide in a Saigon brothel at the beginning of the film by revolver (the Christopher Walken "Deer Hunter" role), finale is almost like bringing Meryl Streep in as the surprise villain. The same year, Newon played the uninhibited and undefeatable heroine in another European picture derived from these (and other U. S. hits), "Apocalypsis Canibal".

"Last Hunter" is dull between its outbursts of action scenes. As in Margheriti'ss earlier film, "Killer Fish", the model explosions are very good, mixed in with full-scale special effects work. Pic includes gratuitous, exaggerated gore effects as well.

Acting is fine, with British thesp David Warbeck serving well as Margheriti's gung-ho adventure hero (he represents the Italian helmer's cutrate version of Harrison Ford, having gone on to star in two imitations of "Raiders of the Lost Ark" for Margheriti since "Hunter" was shot.

Farrow is a game trouper, willing to get her hair mussed, but one wonders why Woody Allen doesn't give her a Stateside assignment alongside her sister, Mia, to save her from being typecast as an Italian B-movie denizen.

The Last Hunter is Italian director Antonio Margheriti's take on the Vietnam flick - and as you would expect, it goes straight for the jugular and removes all the soul searching stuff found in films like Apocalypse Now and The Deer Hunter and the result is...entertaining, but underwhelming. Any depth is replaced by an array of violence and bloodshed, and that means that the film entertains on the surface but doesn't do much more than that...although I can't condemn it too much since I'm not the biggest fan of the 'great' Vietnam movies anyway. The plot is just as flimsy as you would expect and we focus on an American soldier. He's been given a mission to go deep behind enemy lines and destroy a radio transmitter that is sending out demoralising messages to the American soldiers, telling them words to the effect of 'go home and give up fighting someone else's war'. He picks up some allies along the way and of course gets involved in more than his fair share of fighting.

The film stars David Warbeck who does well as the grizzled American soldier at the centre of the film. It's clear that he wasn't the most important thing as far as Antonio Margheriti was concerned, however, as he's far more interested in packing as much violence as possible into the film, and he does a good job with that; as shown by the many fight scenes. Every fight scene in the film is full on and very bloody; and the special effects are fairly realistic also, which adds to the credibility of the film. However, it all comes down to the fact that the film doesn't have much of a point. Of course sitting through the action is entertaining but there's no reason to really care for it and the film drags on numerous occasions as a result. It all boils down to an ill-advised and really rather silly twist at the end...but hey, I can't say I was expecting anything clever. Overall, The Last Hunter might be of interest to anyone who enjoys low Italian rip offs and/or war movies, but anyone hoping for a great Vietnam flick is in for a disappointment.