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Kaos

  • 1984
  • R
  • 3h 7min
PUNTUACIÓN EN IMDb
7,8/10
3,3 mil
TU PUNTUACIÓN
Kaos (1984)
Kaos: Scene 2
Reproducir clip2:28
Ver Kaos: Scene 2
2 vídeos
99+ imágenes
ComedyDramaRomance

Cinco historias de Luigi Pirandello ambientadas en la Italia de principios de siglo.Cinco historias de Luigi Pirandello ambientadas en la Italia de principios de siglo.Cinco historias de Luigi Pirandello ambientadas en la Italia de principios de siglo.

  • Dirección
    • Paolo Taviani
    • Vittorio Taviani
  • Guión
    • Luigi Pirandello
    • Paolo Taviani
    • Vittorio Taviani
  • Reparto principal
    • Margarita Lozano
    • Orazio Torrisi
    • Carlo Cartier
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,8/10
    3,3 mil
    TU PUNTUACIÓN
    • Dirección
      • Paolo Taviani
      • Vittorio Taviani
    • Guión
      • Luigi Pirandello
      • Paolo Taviani
      • Vittorio Taviani
    • Reparto principal
      • Margarita Lozano
      • Orazio Torrisi
      • Carlo Cartier
    • 22Reseñas de usuarios
    • 16Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios y 8 nominaciones en total

    Vídeos2

    Kaos: Scene 2
    Clip 2:28
    Kaos: Scene 2
    Kaos: Scene 1
    Clip 2:07
    Kaos: Scene 1
    Kaos: Scene 1
    Clip 2:07
    Kaos: Scene 1

    Imágenes111

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    + 104
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    Reparto principal42

    Editar
    Margarita Lozano
    Margarita Lozano
    • Mariagrazia (segment "L'altro figlio")
    Orazio Torrisi
    • Comizzi (segment "L'altro figlio")
    Carlo Cartier
    Carlo Cartier
    • Il giovane dottore (segment "L'altro figlio")
    Biagio Barone
    • Salvatore (segment "Requiem")
    Laura Mollica
    • La ragazza…
    Salvatore Rossi
    • Il patriarca (segments "L'altro figlio" and "Requiem")
    Franco Scaldati
    • Don Sarso (segment "Requiem")
    Pasquale Spadola
    Pasquale Spadola
    • Il barone (segment "Requiem")
    Claudio Bigagli
    Claudio Bigagli
    • Batà (segment "Mal di luna")
    Massimo Bonetti
    • Saro (segments "Mal di luna" and "Colloquio con la madre")
    Enrica Maria Modugno
    Enrica Maria Modugno
    • Sidora (segment "Mal di luna")
    Anna Malvica
    • La madre (segment "Mal di luna")
    Regina Bianchi
    • Madre di Pirandello (segment "Colloquio con la madre")
    • (as Régina Bianchi)
    Laura De Marchi
    Laura De Marchi
    • Nonna di Pirandello (segment "Colloquio con la madre")
    Giovanna Taviani
    • Madre di Pirandello (segment "Colloquio con la madre")
    Valentina Taviani
    • Zia di Pirandello (segment "Colloquio con la madre")
    Giuliano Taviani
    Giuliano Taviani
    • Zio di Pirandello (segment "Colloquio con la madre")
    Omero Antonutti
    Omero Antonutti
    • Luigi Pirandello (segment "Colloquio con la madre")
    • Dirección
      • Paolo Taviani
      • Vittorio Taviani
    • Guión
      • Luigi Pirandello
      • Paolo Taviani
      • Vittorio Taviani
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios22

    7,83.3K
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    Reseñas destacadas

    marialuisarosetta

    Explanation of title

    Just wanted to add a brief comment that Kaos is the name of the estate that Pirandello grew up in and I believe also spent the last part of his life in. It's set in a gorgeous dramatic location - seeing it gives you a heightened sense of his perception of the world. The two or three buildings sit on top of a cliff that faces another cliff and the two face the ocean. Pirandello is buried there under a favorite evergreen. Unfortunately, that tree blew away in a coastal storm in fall of 1997.
    futures-1

    A crow hovers above, with a bell around it's neck.

    "Kaos" (Italian, 1984): Told are five stories, separate but woven together by location (an incredible, ancient, crumbling, sun bleached land) and other unique poetic devices. They are told over 188 minutes. I suggest a short break after each story. They are all unique. Each has separate value, and is worth absorbing. Directed by Paolo & Vittorio Taviani. These unsentimental folk tales are loaded with humanity's weakness, strength, silliness, pettiness, and plenty of important symbolic lessons ALWAYS worth chewing on. When our Old People aren't there to pass along these lessons, at least we have the film makers. The screen is our fire. The seats are our logs. The film team is our story teller. The darkened room is our night.
    ItalianGerry

    Pirandellian masterpiece.

    The Taviani Brothers evoke the mystery, drama, and stark beauty of Sicily in this wondrous three-hour film, with its four earthy stories and sublime epilogue. In "The Other Son" a demented Sicilian mother (Margarita Lozano) longs to hear from her sons who have emigrated to American and forgotten her,. Memories of a traumatic rape experience as a young woman prevent her from being able to accept the love of her only devoted son who follows her around with his cows. "Moon Sickness" tells about a young bride who discovers that her husband likes to howl at the full moon. She is not without an erotic moonsickness of her own which makes her crave sex wit her cousin when the husband is unable to perform his marital duties. "The Jar" features comedians Franco Franchi and Ciccio Ingrassia in a classic comic narrative about a mean landowner's large broken olive jar and the jar-mender who gets trapped inside and their ensuing battle of wits. "Requiem" deals with rural shepherds who want to have a graveyard to bury thir dead. In the epilogue "Conversation with Mother", we see playwright/storyteller Luigi Pirandello returning to his native Sicilian town after years of success on the mainland. He encounters the spirit of his mother who recounts a fabulous fairy-tale journey taken when she had been a child. It is a stunning twenty-minute sequence that must surely rank with the best moments in the history of Italian cinema. The images of the children rolling down the mountain of pumice on the "Pumice Island" are of a poetic lyric intensity. The shot of Pirandello sitting silently in the chair that no longer contains the mother he had been speaking to is also utterly moving. Nicola Piovani's passionate and transporting musical score (he would later do the music for LIFE IS BEAUTIFUL)adds immeasurably to the the experience of this powerful work of art.
    hchardot

    Just few words

    I saw Kaos, yesterday evening with friends who didn't know it or don't remember it. At this time, Italian cinema produces masterpieces. The emotional power acts after years, specially during the "novel" ends this movie, when Pirandello : at his top, comes back into the family house, re-open it, sees again, the only women he loves and remembers his trip, his family, his feelings : the splendor of childhood, the wildness of this isle, the warm of being protected & loved by his entire family in dramatic circumstances... Well : the music was written by Mozart himself. The beginning of this part is a kind of "Sergio Leone period : once upon in time..." a western like "I"m back" without guns and an harmonica. No action, but only emotion which grows again & again My POW ? A very great movie upon Sicilia, Mens, Women, family, land... See by two directors who knows emotion in movies are more important than 3D effects... God (Ford & Griffith) bless them Sorry my American & English are poor, but I'm just a french guy. See this movie and enjoy it (don't forget a bunch of Kleenex) you will never see that again.
    9bonthuis

    Makes you want to hold your breath

    Which, unfortunately is impossible for three hours. I've seen it two times in the cinema. The characters are so good, and are given all the time and space to develop starting with MariaGrazia. I really can't think of a movie that's made with more love and dedication. La Giara is a rare but welcome break and watch how Franchi and Ingrassia interact, watch the beauty of baby Bata's eyes in Mal di Luna. Just find out all those details and you won't be disappointed. Having seen Italy after watching KAOS was a feast of recognition, it's really like that, the villages where time stands still, the people, go and see it and you won't be disappointed.

    Más del estilo

    La noche de San Lorenzo
    7,2
    La noche de San Lorenzo
    Padre patrón
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    Padre patrón
    César debe morir
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    No estoy solo
    7,2
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    Kaos
    3,7
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    7,4
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    Allonsanfàn
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    El ogro de Atenas
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    Mamma Roma
    7,8
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    Petrina hronia
    7,7
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    Sacco y Vanzetti
    7,7
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    Argumento

    Editar

    ¿Sabías que...?

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    • Curiosidades
      The title of the movie comes from a quote of Luigi Pirandello, the author of the book the movies is based on. Pirandello used to say to be a "son of chaos", since he was born in Càvusu, a small village, whose name came from the Greek "Kàos", "chaos".
    • Citas

      Batà: Madonna! Help me! I am dying! I am dying!

    • Versiones alternativas
      Theatrical release in Italy did not include the segment "Requiem".
    • Conexiones
      Edited into Bellissimo: Immagini del cinema italiano (1985)
    • Banda sonora
      Arietta 'L'ho perduta'
      from opera "Le nozze di Figaro"

      Written by Wolfgang Amadeus Mozart

    Selecciones populares

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    Preguntas frecuentes17

    • How long is Kaos?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de noviembre de 1984 (Italia)
    • País de origen
      • Italia
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • Chaos
    • Localizaciones del rodaje
      • Chiaramonte Gulfi, Sicily, Italia
    • Empresas productoras
      • Filmtre
      • Rai 1
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 325.717 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 11.412 US$
      • 17 feb 1986
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      3 horas 7 minutos
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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