PUNTUACIÓN EN IMDb
5,8/10
3,5 mil
TU PUNTUACIÓN
Alternando entre el pasado y el presente, una niña precoz demanda a sus padres egoístas, la emancipación, sorprendiéndolos a ambos.Alternando entre el pasado y el presente, una niña precoz demanda a sus padres egoístas, la emancipación, sorprendiéndolos a ambos.Alternando entre el pasado y el presente, una niña precoz demanda a sus padres egoístas, la emancipación, sorprendiéndolos a ambos.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 nominaciones en total
Reseñas destacadas
Drew Barrymore is probably one of the youngest actresses to receive a Golden Globe nomination for her performance in this film. This role came after her ET fame, remember her as little Gertie. Pity the other stars in that Spielberg film never became the household name that surprisingly that Drew has accomplished. She has got quite a pedigree with the Barrymore legacy. Despite her personal problems, Drew really is a solid actress with a lifetime behind her. Anyway, I never saw this film until Sunday. I remember it being out but I have to say when I was 11 years old, I wanted to be Drew Barrymore (that was before I knew what happened to her). So I guess, I didn't watch it out of envy. I like the casting of Shelley Long who is probably one of the greatest female comediennes of our time who never gets enough work in my opinion to let her talents shine. She can do both drama and comedy equally well. She combines them both in this role as a desperate housewife turned writer. I like the way the film is set up with blame on both father and mother. Sharon Stone debuts in this film too. Ryan O'Neal is worth mentioning because I don't think he was acting in this film. It just hit too close to home. SO you want a good comedy from the eighties, this is pretty good. It's probably a classic compared to contemporary comedy that has become both vulgar and profane.
Good comedy/melodrama with a unique twist; the self-parody of the movie industry is often ingenious.
Drew pretty much steals the show as the deadpan "reasoner"
character: a child coping in the midst of two selfish,
immature adults. I'd compare her to Tatum O'Neal in Paper
Moon or Mary Badham in To Kill a Mockingbird for the way
she anchors the audience's perspective as the madness (competently related here by Ryan and Shelley) spins around her.
The real comedy lies in the "screwball" plot twist to which the film's title refers (we learn, early in the plot, that it is little Drew's character, not the parents, who is suing for divorce), and especially the story's underlying satire of the entertainment industry. Highlights include how Albert/Ryan's plummeting career as a director parodies those of Cimino (dust, smoke and flies a la Heaven's Gate) and Bogdanovich (starring untalented girlfriend in multi-million-dollar flops). An Andy Warhol style painting of Shelly Long as Marilyn in the background of one scene is just too funny, an example of how understated the true humor can be in this otherwise broadly-played farce.
Some points are disturbing, though: it's made a joke that Ryan is having an anxiety attack instead of a heart attack (try having one), or that his visitation rights are threatened if he doesn't make child support payments (an interesting social comment). Considering the real-life ups and downs of Ryan O'Neal's and Shelly Long's careers, however, I'd say the film's a roaring success.
character: a child coping in the midst of two selfish,
immature adults. I'd compare her to Tatum O'Neal in Paper
Moon or Mary Badham in To Kill a Mockingbird for the way
she anchors the audience's perspective as the madness (competently related here by Ryan and Shelley) spins around her.
The real comedy lies in the "screwball" plot twist to which the film's title refers (we learn, early in the plot, that it is little Drew's character, not the parents, who is suing for divorce), and especially the story's underlying satire of the entertainment industry. Highlights include how Albert/Ryan's plummeting career as a director parodies those of Cimino (dust, smoke and flies a la Heaven's Gate) and Bogdanovich (starring untalented girlfriend in multi-million-dollar flops). An Andy Warhol style painting of Shelly Long as Marilyn in the background of one scene is just too funny, an example of how understated the true humor can be in this otherwise broadly-played farce.
Some points are disturbing, though: it's made a joke that Ryan is having an anxiety attack instead of a heart attack (try having one), or that his visitation rights are threatened if he doesn't make child support payments (an interesting social comment). Considering the real-life ups and downs of Ryan O'Neal's and Shelly Long's careers, however, I'd say the film's a roaring success.
The movie starts with a lawyer telling his client what it means to divorce. Then we find out his client is a precocious little girl.
In the courtroom, the girl's parents begin telling their story, which we see though flashbacks. Albert is hitchhiking across the country, and Lucy is taking her boyfriend's car to him, and refuses to stop but instead splashes mud all over Albert. Later Albert is freezing and wet and Lucy feels sorry for him ...
The movie is mostly a comedy as Albert and Lucy get to know each other and have a number of misadventures. But Albert, who has a new job as a film professor at UCLA, really wants to direct, and as he makes the contacts that will allow this to happen, he and Lucy see Hollywood life and hope that won't happen to them. Unfortunately ...
I liked the movie best when it was a lighthearted comedy. But something had to happen to make Casey want to 'divorce' her parents. Some of it was funny, and some hard to watch. Eventually, whenever the movie would take a dramatic turn, it would recover. And the ending was happy, in a way.
Shelley Long and Ryan O'Neal did a great job, and Long went through a number of character changes. Lucy started out adorable and perky but later became disillusioned and bitter. Then she became a confident ... witch (or something that rhymes, anyway).
Drew Barrymore was wonderful for a child. I saw a lot of good acting performances, and it would be hard to list them all. Sharon Stone was good as Blake Chandler, a bubblehead who for some odd reason became a star with Albert's help. Blake later showed more dimension to her character, displaying a warm side at one point and later a spoiled side as she expected star treatment. Another good performance came from the actress playing the housekeeper/nanny who apparently spent the most time with Casey. Not a lot of lines, but the character's professionalism and warmth came through.
It was a worthwhile movie.
In the courtroom, the girl's parents begin telling their story, which we see though flashbacks. Albert is hitchhiking across the country, and Lucy is taking her boyfriend's car to him, and refuses to stop but instead splashes mud all over Albert. Later Albert is freezing and wet and Lucy feels sorry for him ...
The movie is mostly a comedy as Albert and Lucy get to know each other and have a number of misadventures. But Albert, who has a new job as a film professor at UCLA, really wants to direct, and as he makes the contacts that will allow this to happen, he and Lucy see Hollywood life and hope that won't happen to them. Unfortunately ...
I liked the movie best when it was a lighthearted comedy. But something had to happen to make Casey want to 'divorce' her parents. Some of it was funny, and some hard to watch. Eventually, whenever the movie would take a dramatic turn, it would recover. And the ending was happy, in a way.
Shelley Long and Ryan O'Neal did a great job, and Long went through a number of character changes. Lucy started out adorable and perky but later became disillusioned and bitter. Then she became a confident ... witch (or something that rhymes, anyway).
Drew Barrymore was wonderful for a child. I saw a lot of good acting performances, and it would be hard to list them all. Sharon Stone was good as Blake Chandler, a bubblehead who for some odd reason became a star with Albert's help. Blake later showed more dimension to her character, displaying a warm side at one point and later a spoiled side as she expected star treatment. Another good performance came from the actress playing the housekeeper/nanny who apparently spent the most time with Casey. Not a lot of lines, but the character's professionalism and warmth came through.
It was a worthwhile movie.
Say what you will about the Shyer-Meyers team ("Private Benjamin", "Father Of The Bride", "Baby Boom"), they know how to craft a movie, often exploiting every ounce of sentiment from their scripts. "Irreconcilable Differences" is somewhat of a departure for them however, a depiction of neurotic movie people, denizens of Hollywood, who have hardly any good points. As soon as the young couple finds success, it's a rich road downhill. The plot set-up has youngster Drew Barrymore trying to emancipate herself away from her famous mom and dad, and the H-Wood high-life is shown as both cause and effect. A terrific sequence involving Sharon Stone in a quasi-musical version of "Gone With The Wind" is satiric comic genius, yet the movie is so hard on its players, so brittle and tough, it's difficult to shake off the bad vibes even as the third act winds down to a sunny conclusion. Perceptively, the screenplay includes many awful (and awfully funny) truths about marriage, money and careers, but the cynical undermining of the picture may put fluff-oriented viewers off. ***1/2 from ****
The actors in this movie make the characters seem very real and well-rounded. Drew Barrymore is Casey Brodsky, a child whose parents are going through a divorce. She can't take it anymore because they keep blaming/using her, so she decides to go to court to see if she can divorce herself from her parents. The movie is Casey's story as she tells it in court. It's a very cute movie for the whole family and I'm sure most of us have already seen it at least twice, but if you haven't then I'd recommend it.
¿Sabías que...?
- CuriosidadesLoosely based on the marriage and divorce of director Peter Bogdanovich and producer Polly Platt.
- PifiasCasey argues with Lucy that she is 9 years old, when Lucy says that she is 8. Although the movie is trying to show how the parents neglect to remember her birthday, given that her date of birth is December 11, 1975, the Casey character would still be 8 at the time the movie was released.
- Citas
Casey Brodsky: Mother, you and Dad for a long time did not recognize my rights as a human being. You both treated me like chattel. You cannot do with me as you please anymore. We have irreconcilable differences.
- Versiones alternativasNBC edited 5 minutes from this film for its 1987 network television premiere.
- Banda sonoraYou and Me (We Wanted It All)
Written by Carole Bayer Sager, Peter Allen
Performed by Frank Sinatra
Unichappell Music, Inc., Begonia Melodies, Inc., Irving Music, Inc., Woodnough Music, Inc.
Courtesy of Reprise Records
By arrangement with Warner Special Products
Published by Warner Bros. Records, Inc.
[Played over the closing credits]
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- How long is Irreconcilable Differences?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Irreconcilable Differences
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 12.414.210 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.076.894 US$
- 30 sept 1984
- Recaudación en todo el mundo
- 12.414.210 US$
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By what name was Diferencias irreconciliables (1984) officially released in India in English?
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