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IMDbPro

En los límites de la realidad

Título original: Twilight Zone: The Movie
  • 1983
  • 13
  • 1h 41min
PUNTUACIÓN EN IMDb
6,5/10
44 mil
TU PUNTUACIÓN
En los límites de la realidad (1983)
Official Trailer
Reproducir trailer1:16
1 vídeo
99+ imágenes
Ciencia ficción distópicaTerror sobrenaturalViajes en el tiempoCiencia ficciónTerror

Cuatro segmentos de terror y ciencia ficción, dirigidos por cuatro famosos directores, siendo cada uno de ellos una nueva versión de una historia clásica de la emblemática serie de televisió... Leer todoCuatro segmentos de terror y ciencia ficción, dirigidos por cuatro famosos directores, siendo cada uno de ellos una nueva versión de una historia clásica de la emblemática serie de televisión de Rod Serling.Cuatro segmentos de terror y ciencia ficción, dirigidos por cuatro famosos directores, siendo cada uno de ellos una nueva versión de una historia clásica de la emblemática serie de televisión de Rod Serling.

  • Directores/as
    • Joe Dante
    • John Landis
    • George Miller
  • Guionistas
    • John Landis
    • George Clayton Johnson
    • Richard Matheson
  • Estrellas
    • Dan Aykroyd
    • Albert Brooks
    • Vic Morrow
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    44 mil
    TU PUNTUACIÓN
    • Directores/as
      • Joe Dante
      • John Landis
      • George Miller
    • Guionistas
      • John Landis
      • George Clayton Johnson
      • Richard Matheson
    • Estrellas
      • Dan Aykroyd
      • Albert Brooks
      • Vic Morrow
    • 191Reseñas de usuarios
    • 100Reseñas de críticos
    • 44Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 premio y 8 nominaciones en total

    Vídeos1

    Twilight Zone: The Movie
    Trailer 1:16
    Twilight Zone: The Movie

    Imágenes206

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    + 198
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    Reparto Principal76

    Editar
    Dan Aykroyd
    Dan Aykroyd
    • Passenger…
    Albert Brooks
    Albert Brooks
    • Car Driver (prologue)
    Vic Morrow
    Vic Morrow
    • Bill Connor
    • (segment "Time Out")
    Doug McGrath
    Doug McGrath
    • Larry
    • (segment "Time Out")
    Charles Hallahan
    Charles Hallahan
    • Ray
    • (segment "Time Out")
    Rainer Peets
    • German Officer
    • (segment "Time Out")
    • (as Remus Peets)
    Kai Wulff
    Kai Wulff
    • German Officer
    • (segment "Time Out")
    Sue Dugan
    • Waitress No. 1
    • (segment "Time Out")
    Debby Porter
    Debby Porter
    • Waitress No. 2
    • (segment "Time Out")
    Steven Williams
    Steven Williams
    • Bar Patron
    • (segment "Time Out")
    Annette Claudier
    • French Monther
    • (segment "Time Out")
    Joseph Hieu
    • Vietnamese
    • (segment "Time Out")
    Al Leong
    Al Leong
    • Vietnamese
    • (segment "Time Out")
    Stephen Bishop
    • Charming G.I.
    • (segment "Time Out")
    Thomas Byrd
    • G.I.
    • (segment "Time Out")
    Vincent J. Isaac
    • G.I.
    • (segment "Time Out")
    William S. Taylor
    William S. Taylor
    • G.I.
    • (segment "Time Out")
    • (as William B. Taylor)
    Domingo Ambriz
    • G.I.
    • (segment "Time Out")
    • Directores/as
      • Joe Dante
      • John Landis
      • George Miller
    • Guionistas
      • John Landis
      • George Clayton Johnson
      • Richard Matheson
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios191

    6,544K
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    Reseñas destacadas

    Cobbler

    Watch Me Pull A Rabbit Out Of A Hat....

    I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!

    Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.

    I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.

    I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.

    What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.

    All in all, a very uneven movie which improves steadily as it goes along. 6/10.
    7jrs-8

    Hit and Miss

    As is the case with movie anthologies, "Twilight Zone - The Movie" is hit and miss. If there was a movie destined to have four short stories that were all home runs it was this one. But the film falls short partially due to the expectations of the fans of the TV show and partially due to the fans expectations of the results of the four directors. What was most interesting back in 1983 was which ones hit and which ones missed.

    The prologue gets things going in the right direction with Albert Brooks and Dan Aykroyd as two guys traveling down a dark and seemingly lonely road. What transpires in pure Twilight Zone. Then we move into the first story which is directed by (as was the opening prologue) John Landis. Landis, who got the whole project off the ground, foolishly decided to go with an original story instead of updating a classic episode. His story is that of a bigot who constantly and bitterly complains about the minorities who are getting job promotions and moving into his neighborhood. Of course the bigot then gets a real taste of what it feels like to be frowned upon as a minority. Basically that is the whole story in a nutshell. Landis provides no real twists to his story to give us that Twilight Zone flavor after the first few minutes. Once we see where the story is headed it never changes directions. For film buffs Landis adds a nice touch with a subtle reference to his classic "Animal House" in the Vietnam section of the story. Of course it should be noted that this was the story being shot when Vic Morrow and two children were tragically killed which would explain its abrupt ending. The two children are never seen which would suggest perhaps Landis had more to tell but we'll never know. Of the four this is the weakest story.

    Story two is not much better then the first which is particularly surprising since Steven Spielberg is at the helm for this one. It's a remake of "Kick the Can" which was not one of my favorite episodes from the series and Spielberg adds nothing to his version. It's the tale of residents of an old folks home who encounter a new resident who promises them something no one of this Earth could possibly give them. While the story and individual moments are very sweet it goes absolutely nowhere. Having just come off "E.T." perhaps Spielberg was in that same gushy mood at that time.

    Story three picks things up drastically and heads us in the right direction. Directed by Joe Dante who, at that time, was best known for "The Howling" with films such as "Gremlins" still in his future, this is the story of a little boy who hears people's thoughts and has a way of "wishing people away" if he gets angry enough at them. Kathleen Quinlan plays an unsuspecting traveler who goes to the boy's home and realizes almost immediately things are not normal. The star of this story is the art direction and sets as we are transformed into almost cartoon like worlds that are both funny and frightening.

    The last and best story is the tale of a frightened airline passenger (well played by John Lithgow) who threatens the safety of everyone when he seems to be the only person that sees a creature on the wing of the airplane. George Miller, best known for the "Mad Max" movies, was smart enough to pick a popular episode from the series and he delivers with a bang. When you leave the theater this is the story you remember most.

    On the whole the film is worth watching especially after the first 45 minutes. Landis and Spielberg perhaps were a little too high on their horses and thought whatever they did would work. Apparently they under estimated the legions of Zone fans. I'd love to see someone try another Twilight Zone movie someday and try re-working some of the other most famous episodes. I should also mention the terrific musical score by Jerry Goldsmith. Its one of his least mentioned but I think it's one of his best.
    6ma-cortes

    Agreeable and enjoyable homage to the Rod Serling TV series

    Five episodes realized as tribute to Rod Serling's Twilight zone, made by four known directors . It's is divided into 4 parts , three of them real remakes from classic television series, though starts in a prologue stars Albert Brooks and Dan Aykroyd . The best directed by John Landis is the first, where a bigot (played by Vic Morrow who died during filming by a helicopter crash accident) who becomes pursued of evil Nazis, Ku Klux Klan and American soldiers in Vietnam. The second segment directed by Steven Spielberg is a silly story about old people living in a retirement house who turn into little boys, thanks a strange visitor (Scatman Crothers). The third directed by Joe Dante concerns about a young woman (Kathleen Quinlan) encounters a kid with rare powers and some people (Kevin McCarthy, William Schallert,among them) closed at a strange house. And fourth episode titled 'Nightmare at 20.000 Feet' deals with a terrified passenger(John Lightow) who watch a creepy monster making rare issues on the wing of the plane.

    The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.

    The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.
    8preppy-3

    Very good

    An affectionate homage to the old TV series. Three old episodes were updated and a new one was written. It's also narrated by Burgess Meredith who starred in quite a few of the original TV series episodes.

    It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.

    The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.

    The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.

    The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.

    The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.

    All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.
    7claudio_carvalho

    Tragic and Cult

    Prologue: a driver has a big surprise with his passenger (8) Segment 1 ("Time Out"): a bigot man hates Jews, Black and Asian people. One day he will live in the World War II, hunted down by KKK and attacked in Vietnam War and feel the effects of his hatred. Good episode with a surprising conclusion (7).

    Segment 2 ("Kick the Can"): In a nursing home, the elder inhabitants learn that their minds can keep them young. Reasonable episode only with a great homage to "The Twilight Zone" (Episode 3.21) "Kick the Can". (6).

    Segment 3 ("It´s a Good Life"): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Good episode with a silly and disappointing conclusion (7).

    Segment 4 ("Nightmare at 20,000 feet"): a writer is scary to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night. Certainly the best episode (8).

    Divided in prologue and four segments, "Twilight Zone: The Movie" is a tragic and cult movie. Tragic since Vic Morrow, the unforgettable Sgt. Saunders of "Combat!" series, died in a weird accident when the helicopter crashed on him and two children while making a scene. Directed by four great directors - Joe Dante (segment "It's a Good Life"); John Landis (prologue/segment "Time Out"); George Miller (segment "Nightmare at 20,000 Feet"); and Steven Spielberg (segment "Kick the Can") - and with great names in the cast - Vic Morrow, Dan Aykroyd, Albert Brooks, Kathleen Quinlan, John Lithgow among many others, "Twilight Zone: The Movie" is highly recommended for fans of sci-fi and horror. My vote is seven.

    Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")

    Note: On 31 July 2023, I saw this film again.

    Más del estilo

    Más allá de los límites de la realidad
    7,7
    Más allá de los límites de la realidad
    Always (Para siempre)
    6,4
    Always (Para siempre)
    Loca evasión
    6,7
    Loca evasión
    El diablo sobre ruedas
    7,6
    El diablo sobre ruedas
    Creepshow
    6,8
    Creepshow
    En los límites de la realidad: Los clásicos perdidos de Rod Sterling
    6,3
    En los límites de la realidad: Los clásicos perdidos de Rod Sterling
    1941
    5,8
    1941
    Encuentros en la tercera fase
    7,6
    Encuentros en la tercera fase
    El color púrpura
    7,7
    El color púrpura
    Los ojos del gato
    6,3
    Los ojos del gato
    Aullidos
    6,5
    Aullidos
    El imperio del sol
    7,7
    El imperio del sol

    Intereses relacionados

    Clive Owen and Clare-Hope Ashitey in Hijos de los hombres (2006)
    Ciencia ficción distópica
    Daveigh Chase in The Ring (La señal) (2002)
    Terror sobrenatural
    Michael J. Fox and Christopher Lloyd in Regreso al futuro (1985)
    Viajes en el tiempo
    James Earl Jones and David Prowse in El imperio contraataca (1980)
    Ciencia ficción
    Mia Farrow in La semilla del diablo (1968)
    Terror

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The scene being shot at the time of Vic Morrow's fatal accident was added to the script late in the filming in an attempt to "soften" his bigoted character Bill Connor, and give him some redemption: while fleeing from an American helicopter attack on a deserted Vietnamese village, he sees two orphaned children. Bill decides to save them no matter what the cost, so he carries them under his arms and wades through the river to safety. He then finds himself back in Nazi-occupied France again, the two children having time-jumped with him. The two Nazi officers chasing Bill take the children away for execution, and take Bill to a train which ends the segment. Due to the helicopter accident that claimed the life of Morrow and child actors Renee Chen and My-ca Dinh Le, all scenes featuring the children were completely cut, and they do not appear in the film. Bill's original scripted ending was kept in, leaving Bill's character change largely unaddressed and his fate unknown.
    • Pifias
      An exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
    • Citas

      Car Passenger: Hey... you wanna see something really scary?

    • Versiones alternativas
      CBS edited 8 minutes from this film for its 1986 network television premiere.
    • Conexiones
      Featured in At the Movies: Twilight Zone: The Movie/The Survivors/The Grey Fox/The Ruling Class/The Evil Dead (1983)
    • Banda sonora
      Nights Are Forever
      Performed by Jennifer Warnes

      Music by Jerry Goldsmith

      Lyrics by John Bettis

      Produced by Bruce Botnick with James Newton Howard

      [Segment #1: playing when William enters the bar]

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    Preguntas frecuentes21

    • How long is Twilight Zone: The Movie?Con tecnología de Alexa
    • Was someone really killed in this film? How did they die?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de octubre de 1983 (España)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
      • Alemán
      • Vietnamita
    • Títulos en diferentes países
      • Al filo de la realidad
    • Localizaciones del rodaje
      • 15238 Victory Boulevard, Van Nuys, Los Ángeles, California, Estados Unidos(bar in segment #1; exterior & interior)
    • Empresas productoras
      • Amblin Entertainment
      • Warner Bros.
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 10.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 29.450.919 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 6.614.366 US$
      • 26 jun 1983
    • Recaudación en todo el mundo
      • 29.450.919 US$
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    Especificaciones técnicas

    Editar
    • Duración
      • 1h 41min(101 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Stereo
    • Relación de aspecto
      • 1.85 : 1

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