Vuelo a las estrellas

You will find parts of this movie, little segments of it, embarrassingly funny. When I first saw it in 84, it was engrossing. When watching it back I 2003, I just found it pretty pathetic, and felt a schmuck for watching back in the eighties. But they were very cheesy and dark times. The same goes for those Airport films, me and Dad ribtickling ourselves over them. What we've got here is a fictional, what if scenario, about a hyposonic airplane, a Concorde shuttle that can make the distance from Los Angeles to Sydney in two hours. In no way is a two second exterior shot of Sydney airport, Sydney airport. What cheek. We have a good cast here too, notably Linden and Majors, one of many few films he did. While in the air, a rocket has exploded sending hulks of a metal careering towards the super cool airplane. Forced to rear up, drastically, they caught in orbit, for which there is no way to return. I remember in olden days, this got incredibly tense. And when the plane set down again, a relief came over me, although a score of passengers got lost in one of those shutes that blew up. But you just take Starflight One for what is it, a guilty cheesy, eighties pleasure, for the whole family, with unintentional laughs here and there.

I'll admit it: I used to love this movie as a kid. But that was when I thought anything was possible. Now that I'm older (and have seen the Airport Movies), I realize just how bad this movie really was.

First, it should have been called Airport '83, since it has a nearly identical plot to the rest of the Airport series (especially The Concorde: Airport '79, where technical malfunctions screw up the Concorde).

Second is the truly abominable acting. Lee Majors, the Six Million Dollar Man himself, stars as the plane's captain, who is married but shacking up with the head stewardess (Lauren Hutton, which explains why she is given a first-class seat out of the plane at the end). Hal Linden plays the designer and head engineer of Starflight One, who seems very uncomfortable in his role. The rest of the cast was too terrible to mention as their parts didn't even get off the ground, so to speak.

Third are the obvious mistakes, scientific errors, and plot holes that are large enough to fly a Star Destroyer through. For example: -Starflight was equipped with a flange that allowed an airlock to be fitted over it. But if it was never designed to operate in a vacuum (like outer space), why have it there in the first place? -Captain Briggs mentions that everything still worked, including the engines. If the engines worked, and they were in a decaying orbit, why not just transfer to a higher orbit? -In this movie, NASA service techs seem to be recruited from NASCAR, since they are able to service and launch the Space Shuttle Columbia several times in two days (which is physically impossible, and why didn't that second shuttle help out sooner?). -It was mentioned that Starflight was not built with a heat shield. Bt at the speeds that it was designed to operate at, kinetic heating and friction would necessitate SOME kind of protective layer on the aircraft.

-How come we never see the blonde female astronaut's face? -Starflight uses scramjets to provide thrust, but these engines cannot operate from a stand-still as they are shown to do; they must be in motion before they can operate. -An aircraft that is designed to operate at Mach 6 and higher speeds would not likely have such huge wings in proportion to its body, or even be spindle shaped; in fact, its actual design would most likely be a lifting body.

And now for the good stuff: why I liked this movie. John Dykstra, who came up with the ships for Star Wars and Firefox, was the one who designed Starflight One; the plane, while not believable, still looks very good. Also, Lalo Schifferin's score was very good and dramatic. In all, about a 6 out of 10.

When I saw this film during it's first airing back in 1983, at the age of 14, I thought it was a good movie. It had one of my favorite actors, Lee, the Six-Million Dollar Man, Majors in it. My generation also grew up on disaster films and this movie carried on the torch. Actually it is probably one of the last of the 70'ish type disaster movies. The plot, IMO, closely resembled that of AIRPORT-77, only this plane was stranded in space instead of underwater in the ocean.

I, especially now as an adult, can see why people may dislike this film. Although this film is supposed to be realistic it is about as realistic as and child's fairy tale. You know what, I don't care. I still enjoy this film. I don't watch a film like this for the real life science and technology. I watch it for fun and take the science and technology about as seriously as I do that of a Star Trek film or show.

Chezzy films may not be for everyone but for those that don't mind a little cheese this film will probably be worth viewing, at least once.

A mess. It really says a lot about the genre that Airplane! Is the most well-remembered disaster film to come out in the 1970s. This is basically Airplane! In space, which I realize is the plot of Airplane II: The Sequel. Why anyone would want to make a more serious version of Airplane II the year after that film's release is beyond me.

It starts off with a general inability to set a compelling tone and continues from there in fits and starts of non-action and non-plot. Non-sense eventually joins, too, as there really doesn't seem to be much concern about running out of oxygen or the passengers getting hypothermia or anything like that. Just don't bother.

In the tradition of the big disaster films of the 1970's, STARFLIGHT ONE: THE PLANE THAT COULDN'T LAND boasts an "all-star" cast of 1970's-80's movie and TV luminaries. Hal Linden is the designer of the air / spacecraft, Lee Majors is the pilot, Lauren Hutton plays a passenger.

The supersonic mega-jet is on its maiden voyage from Australia to Los Angeles. Shockingly, things go horribly awry, and remarkably soon too, as hurtling space junk threatens to destroy the plane! The real fun begins when the pilot is forced to fly into space, resulting in zero gravity! Yep, it's floating time inside the craft!

Meanwhile, the ground crew is unable to help, while cranky, old Ray Milland grumbles and frowns.

When a shuttle is dispatched to assist, tragedy strikes, sending an extraneous extra sailing away to his doom. After seeing enough of these sort of films, one can pretty well guess what will happen next. This made-for-TV effort is a by-the-numbers disaster epic that still manages to suffer from long stretches of inexplicable dullness. Don't worry, further catastrophes await. Thankfully, Pilot Lee Majors and passenger Lauren Hutton reconnect emotionally.

BEST SCENE: When Hal Linden is sealed in a coffin (!!) and carried through space to the shuttle!

Don't miss the boffo finale! It makes up for most of the past hour and 50 minutes...