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What an interesting concept! Having only seen the 1958 movie, I had no idea that the original Separate Tables was written for two actors to double up on roles and show their acting range. I did know it was based on two Terence Rattigan one-acts, and that Hollywood merged them into one comprehensive story. The first act deals only with the Burt Lancaster/Rita Hayworth reconnection, and the second with the scandal of David Niven and Deborah Kerr's reaction to it. It's incredibly interesting (not to mention great fun for the actors) to have one actor play both Lancaster and Niven's roles, and one actress doll up for Hayworth and dress down for Kerr.

In this filmed live production, Alan Bates and Julie Christie collaborate for their dual roles. They have wonderful chemistry together, and with four films under their belts, we can hope they were friends and enjoyed working with one another. I loved seeing the physical transformation of Julie, with hair and makeup to match Rita Hayworth in Act One, and glasses, a dowdy hairstyle, and slumped posture in Act Two. She's a beautiful woman, and the audience is always aware of that, but she does the best she can to act emotionally stunted and therefore unaware of her looks and potential in the second act.

The acting absolutely shines in Separate Tables. The story is a bit thin, and some might not agree with the message, but it's wonderful to sit back and appreciate great actors collaborating. Claire Bloom has the enviable role of the innkeeper, and she handles it extremely well with professionalism and control. She truly is the "matriarch" of her residents, able to handle all of their quirks, and make it look easy. Irene Worth is so realistic in her role (Gladys Cooper in the movie) that it's impossible to imagine her without her snobbery, nosiness, and opinions. Alan and Julie both transform, making the most of the script to build their characters and convince the audience that they really are two different people. This is a very entertaining play, if you have the right cast to watch.

John Schlesinger filmed Terence Rattigan's famous play from the 50's pretty much as is - there's no "opening up" of the play, and the two one-act segments are not combined, as they were in the 1958 film version. The play itself is, no surprise, dated and rather quaint, though you can see it must have seemed fairly sensational stuff back in the mid-50's, with allusions to sex crimes and homosexuality. At its best, though, it offers a penetrating depiction of loneliness and the stifling nature of English society at the time.

Also, most satisfyingly, it offers a banquet of tour-de-force performances. Julie Christie and Alan Bates are splendid and moving, each in dual roles, and make a fine team, as they have several other times as well. Claire Bloom is understated and marvelous, as always, and the supporting characters are picture-perfect. This is a cast that could hardly be bettered, and they make this perhaps the finest version of this particular play we are likely to see. Worth while for anyone who loves good acting!

The Hollywood version of this, though well thought of at the time, is pretty awful. So it's great that this version was done for TV, by the same folks who produced the often wonderful "American Film Theater" series some ten years before. Alan Bates was in three of those. He is typically fine here.... Julie Christie gets to stretch in the two parts She does here. Is it possible Julie Christie could have ever been such a repressed wallflower in real life?

It's great stuff. A few years back I picked up a copy (it's not on DVD) for nothing on ebay, now I see copies are going for forty bucks. Some things on VHS are bound to fall between the cracks when it comes to DVD. See this if you get the chance....

Alan Bates and Julie Christie take on Terence Rattigan's fine brace of stories and give lessons in the art of acting. Bates is wonderful and Christie is nothing short of miraculous. A must see.

27 January 2010. This made of television version of the play, starring Julie Christie, Alan Bates, and Claire Bloom brings the play on the small screen, richly maintaining the feel and atmosphere of the staged play itself. The characters' delivery of their lines with the subtle and sometimes dramatic nuance strikes a deep cord into the human condition and intimate human relationships as well as the societal condemnation and humiliation and tolerance of man's indiscretion. It's difficult to understand the power of this movie, in its depiction that seems to be razor sharp in scratching deeply the human emotional core. By the end of the movie, one can be considered transformed in a small way for having experienced the raw tension, the human conflict and resolution of several intertwining human events and interactions that play to our basic human lives. An amazing experience. 9/10.

A model causes a stir when she walks into a quiet and gentrified hotel in Bournemouth. Every guest at the hotel dines alone; every guest has a story to tell.

Unlike others here, I haven't seen any other film or TV adaptations, but I did see a stage play many years back.

I've seen a few plays from the series, all have offered much, this so far is the best I've seen. This convinced me to order a DVD of the earlier film adaptation.

This is a sumptuous, decadent adaptation from the golden age of BBC costume drama. The story is wonderful, the script is first-rate, but the acting is the standout feature. The supporting cast is outstanding, the likes of Pauline Jameson and Annette Crosbie; however, both Eric Porter and Geraldine McEwan are outstanding as well. The calibre of their performances... let's just say we see just how good both of them are. I've never seen McEwan look so radiant.

I must credit the production and costume teams; it looks very good. Eric Porter's makeup is sensational. Had I not watched the Forsyte Saga, I wouldn't have recognised the Major.

One thing though: was anyone else hearing the introduction to Fawlty Towers?

10/10.

This twin set of plays, each entirely self-contained although tangentially linked in time and space, offer magnificent performances by inspired actors, perceptive dialogue, and a mirror. While the two one-act plays are somewhat dated, the principles that they delineate, including loneliness, a desire for dignity, bitter regret and the search for love are universal, and timeless.

Of particular note is Alan Bates, an actor who is able to convey a full-range of emotions, and creates two completely dissimilar characters convincingly. His retired army officer is exceptionally poignant; with the lift of an eyebrow, the clearing of his throat or the steeling of his shoulders, Bates inhabits the character of the lonely poseur with such grace and authenticity, that he makes you truly care about what happens to him, and makes you despise the hypocrites at the boarding house who condemn him for his shortcomings.

Julie Christie is equally brilliant, using her radiant beauty to stunning effect in the first play, and abandoning it in the second (quite bravely, for a woman and actress known for her legendary face)

This is, in the end, filmed theater, and the viewer feels as if he is actually sitting in front of the stage. While not taking anything away from the fine film version with David Niven, Deborah Kerr, Wendy Hiller and Rita Hayworth, this version is superior in all respects.

I was extremely fortunate to see the original play in London with Eric Portman and Margaret Leighton when I was a student there. I was knocked out with it, especially as the two leads doubled the roles as indeed Julie Christie and Alan Bates do in this wonderful TV version. What a tour de force this is for any actor and you need actors of great quality to make these roles completely different and, more importantly, believable. For anyone who is not familiar with Rattigan's stage play then this is the version to watch. The film version with Burt Lancaster, David Niven and Deborah Kerr, was messed about with by combining the two separate plays and re-writing the characters to suit the American casting of Burt Lancaster and Rita Hayworth. In this TV production the casting throughout is superlative. They bring this tale of deep loneliness and pathetic hypocrisy to life without it being overly sentimental in any way. I have since directed the play on stage and the more you read the actual script you realize what a wonderful performance this TV version is. Clare Bloom is very effective as Pat Cooper, the hotel manageress. Irene Worth is just superb as the vicious Mrs Railton Bell and the rest of the cast are faultless. Alan Bates and Julie Christie make this a joyous feast of acting to watch. I truly don't know which is the better performance. Also I really loved the music used as the introduction and prologue to this film. A must for anybody who really enjoys first class acting.