Los paladines

Most impressive and engrossing Italian sword-and-sorcery film from the early 80s. "Hearts and Armour" has it all. Christian and Moorish warriors who travel the countryside in a valiant quest to kill each other. Barbara De Rossi as the central heroine who inherits an impenetrable suit of armor from a magical spirit. She then grapples with her internal conflict to either kill or fall in love with her enemy, in the traditional romantic tragedy premise. This short wizard guy with an annoying voice and a suit of feathers who tries to warn the star-crossed lovers of their inevitable doom together. Tanya Roberts looking hotter than ever, especially in that blue dress. No wonder even the staunchest celibacy-sworn men fall from honor at the sight of her. Invisibility stones, dirty sexual references, even dirtier fighting tricks. Oh, and about the fights. The fights in this movie are some of the best I've seen. Blood, bodies, and dismemberments abound, and a variety of unique weapons are presented in the final confrontation between the four best warriors of each side. I've especially always sort of wanted to see two men in full medieval armor have a straight fistfight with each other, and thanks to this movie I finally have.

This is again a case where I'm surprised I had never heard of this movie before watching it. It's unfortunately a bit hard to find, and due to the story's Crusade-based action, a DVD release is not likely in the near future. But if you're one who enjoys movies loaded with ye olde chivalrous characters and dialogue (as I do), peppered with the occasional violent swordfight (as I also do), then this is worth tracking down.

If you see Hearts And Armour you'll encounter a strikingly beautiful knight's tale with excellent cinematography of Dante Spinotti. Fantastic score by Cooper And Hughes, I wish it was available on CD. 3 women becomes knights to fight for love and fight for what they believe in, played by the beautiful Tanya Roberts, Barbara De Rossi and Zeudi Araya. It takes place during the moors invasion in Italy. There is quite a lot of magic involved. And gruesome sights of people broken on the wheel. Strikingly beautiful Italian landscapes form the background to this drama. Sometimes confusing, always deeply rewarding. The quest for king and honor and in spite of all, the search for peace. The beautiful end will stay with you.

Most likely this film was thrown together to ride the coat tails of John Boorman's "Excalibur." There's much in the way of imitation or homage paid to Boorman in terms of feel, and of course the knights.

The problems with this film are various. One of the things that leaps out is the mediocre cinematography. Again, there's a whole hearted attempt to "pay homage" to Boorman, but the long shots are either misplaced or not set far enough away. There're some interesting scenes of bleak forests and wastelands, again like Boorman's work, but the shots are ill conceived with little in the way of thoughtful composition. I'll also add that there's an excessive number of slow motion shots.

The story was a little difficult to follow, and the fact that the Moors in the film are depicted as caucasian (men with 1980's shoulder length feathered hair no less) doesn't help either visual or story aspect. And therein lies a tale because the acting is below average, hammy, boring and otherwise nearly talentless. Slow motion can only cover up so many sins. Sub par talent isn't one of them.

One of the real drawbacks is a lack of cast. By that I mean warm bodys or extras. There're precious few people inhabiting this world, and it seems as though all the fighting is done by a little over half dozen folks (the main characters). There's money in the budget to build a Moor encampment, but no money hire the extras to bring it to life.

Still, for all it's flaws, and even though I laughed out loud at a number of the more ridiculous parts (mostly the actors), I could appreciate it for what it is (that, and my buddy loaned me his copy, and I'd hate to tell him I disliked a film he really likes :)). It's a B-movie striving for an A. But striving for an A on money that's little more than a shoestring budget.

Some nudity, a good amount of violence, the film was meant for an adult crowd, but if you took away the bare breasts and blood you'd have a film fit for kids. As it is it's designed for adult consumption, but unless you're a fan of the knight genre (by that I mean you really go overboard for all medieval themed films) I wouldn't recommend it.

Fun but flawed. Don't bother unless you need some sword play on your TV screen, because it truly is a stupid film.

*EDIT* The man who loaned me his tape is actually a private security type as well as an investigator for the Department of Justice. A real jerk.

Yes it is low budget but the music is enchanting and the costumes are excellent. The storyline was hard to follow the first time i watched it but since i like the movie so much I didn't mind watching it over and over to figure out all the stuff going on in it. I think Rugerro is so handsome and the scenery is really quite perfect for the storyline. By far though the music really made the movie for me. I have been looking for this movie to add to my collection and am glad to have found it again. I can highly recommend this film to those of you that like the knights and damsels in distress genre. It has been said to be a poor imitation of Excaliber but I think in many ways it is its equal. Yes the acting is a bit lacking in places but what is good in the film more than makes up for that little flaw.

When I first rented a copy of the film, I thought it would just be another Medieval oater, but was pleasantly surprised to discover it had classic roots. It's a retelling of the Song of Roland. As Excalibur was the best incarnation of Le Morte d'Arthur, and Dark Kingdom was an incarnation of the Nordic Nibelungen Ring Cycle, the roots of this go back to the legends of Charlemagne, most specifically, Ariosto's Orlando Furioso.

Naturally, the story is abbreviated from the original, and there are a few changes, possibly for simplicity.

Probably because of its Italian origins, the film features some really artistically designed armor.