PUNTUACIÓN EN IMDb
8,3/10
15 mil
TU PUNTUACIÓN
Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 3 nominaciones en total
Pankaj Kapur
- Tarneja
- (as Pankaj Kapoor)
Ajay Wadhavkar
- Police constable under D'Mello bridge
- (as Ajay Vadhaokar)
Reseñas destacadas
They've never quite managed to make a movie like this one. Naseeruddin Shah and Ravi Vaswani play photographers caught in a messy affair involving corrupt politicians, wicked businessmen, canny journalists (and some hammy actors). Giving director Kundan Shah (who has, surprising, gone on to the make some of the most awful films of the last decade) the chance to unleash his brilliant satire. He hits all his targets. Satish Shah is hilarious as a dead body on roller skates, and the 'Disrobing of Draupadi' scene in the theatre is one of the funniest ever shot. Like the rest of the film, it could have been cringe-inducingly-awful. If it weren't so funny, that is.
This was a wonderful comedy, no cheap humor, no poor jokes, just a simple inexpensive movie made with a great script, good jokes and wonderful actors. The scene at the theater where the mahabharat is being enacted is by far the funniest 15 minutes in the history of Indian Cinema. A must see for everyone.
Quite apart from its social satire, unimaginably ahead of its time for the dour early '80's Delhi, JBDY managed to bring together a slew of talent, Shah(s), Baswani, Kapoor, and of course the inimitable Puri 'Ahuja'. Folks over at NFDC still take the movie apart frame by frame, deconstructing its topical references and attempt to interpolate a social conscience to it. More than its concluding 'Draupadi vastraharan' scene, symbolic of the wretched disrobing of the Indian polity however, the film managed to make me cry out loud with laughter even as an impressionable twelve year old, merely for its slapstick content. This is a movie which gets better with every viewing, and reveals slick, symbolic and subversive undertones worthy of Kundan Shah's maverick vision.
This is one of India's best comedy movies. Well made, well directed, very well acted, the movies picks up more laughs as it develops and the climax is certainly the most hilarious. The theme is corruption in business, government and the media. Everybody is on the take, the Police Commissioner, the big bucks businessman, newspaper editor, etc.
Two hungry-for-work photo studio owners accidentally take the picture of a murder and then "all hell breaks loose". The climax at a small theater where "The Mahabharata" is being staged will have you in splits. Crime has never been so much fun. Yet the film never loses its edge, its cynicism of what happens in the real world. The good guys always win in the end, right? Yeah, right... See the movie. I have no doubt this is one of India's classic comedy films.
Two hungry-for-work photo studio owners accidentally take the picture of a murder and then "all hell breaks loose". The climax at a small theater where "The Mahabharata" is being staged will have you in splits. Crime has never been so much fun. Yet the film never loses its edge, its cynicism of what happens in the real world. The good guys always win in the end, right? Yeah, right... See the movie. I have no doubt this is one of India's classic comedy films.
Rib-tickling, side-splitting .. but also cynical, intelligent, and very, very dark. Comedy as it should be and so very rarely is. Corrupt politicians in cahoots with thieving contractors, their scheming rivals and their inept secretaries ... add two bumbling, idealistic, naive young photographers in the 'right' place at the 'right' time ..... throw 'em all together and all hell breaks loose, and boy is it hilarious!! I've seen this several times and never failed to collapse in helpless fits of laughter. Wonder why they don't make them like this anymore, and wish they did!
¿Sabías que...?
- CuriosidadesThe film was made on such a shoestring budget that Naseeruddin Shah, the most well known actor was paid only Rs 15,000 ($300) for the movie. Naseer also had to bring his own Nikon camera to the shootings to use as a prop for his character, who was a photographer. Towards the end of the shooting, this camera was stolen, which amongst other painful memories of the making of the film, Naseer still reminisces about.
- PifiasWhen D'Mello's dead body was found under the bridge the eyes were closed. However, when they recover the body again from Ahuja's guest house, the eyes were open. This can't be possible.
- Citas
Ashok: You didn't listen to our conversation, did you?
Vinod Chopra: What?
Ashok: You didn't listen to our conversation, right?
Vinod Chopra: What?
Ashok: Are you deaf?
Vinod Chopra: Yes!
- ConexionesReferenced in Ek Ruka Hua Faisla (1986)
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Jaane Bhi Do Yaaro?Con tecnología de Alexa
Detalles
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta