Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.Dos amigos, que intentan poner en marcha su propio estudio fotográfico, se topan con negocios turbios, corrupción y asesinato, y deben luchar para sacar a la luz a los culpables.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 3 nominaciones en total
Pankaj Kapur
- Tarneja
- (as Pankaj Kapoor)
Ajay Wadhavkar
- Police constable under D'Mello bridge
- (as Ajay Vadhaokar)
Reseñas destacadas
They've never quite managed to make a movie like this one. Naseeruddin Shah and Ravi Vaswani play photographers caught in a messy affair involving corrupt politicians, wicked businessmen, canny journalists (and some hammy actors). Giving director Kundan Shah (who has, surprising, gone on to the make some of the most awful films of the last decade) the chance to unleash his brilliant satire. He hits all his targets. Satish Shah is hilarious as a dead body on roller skates, and the 'Disrobing of Draupadi' scene in the theatre is one of the funniest ever shot. Like the rest of the film, it could have been cringe-inducingly-awful. If it weren't so funny, that is.
Quite apart from its social satire, unimaginably ahead of its time for the dour early '80's Delhi, JBDY managed to bring together a slew of talent, Shah(s), Baswani, Kapoor, and of course the inimitable Puri 'Ahuja'. Folks over at NFDC still take the movie apart frame by frame, deconstructing its topical references and attempt to interpolate a social conscience to it. More than its concluding 'Draupadi vastraharan' scene, symbolic of the wretched disrobing of the Indian polity however, the film managed to make me cry out loud with laughter even as an impressionable twelve year old, merely for its slapstick content. This is a movie which gets better with every viewing, and reveals slick, symbolic and subversive undertones worthy of Kundan Shah's maverick vision.
This was a wonderful comedy, no cheap humor, no poor jokes, just a simple inexpensive movie made with a great script, good jokes and wonderful actors. The scene at the theater where the mahabharat is being enacted is by far the funniest 15 minutes in the history of Indian Cinema. A must see for everyone.
Let me first clarify that I have been a fan of this movie for a long time. When I say its overrated, I mean to say that its still a very good movie, much much ahead of its times, but its not as great as its made out to be.
I will just outline some of the negatives that may or may not have been pointed out by prior reviewers. Positives are many obviously. The biggest positive is the fact that a film of this nature was conceived, that too back in 1983, with a budget of barely around 800k rupees. The comic sequences are nice, the satire is accurate. I especially loved the portrayal of early 80s Bombay, India. The people and the places of that era.
Coming to the negatives, the whole plot is so superficial, so shallow, so vain. may be that type of a premise was necessary here, to combine the comic and tragic aspects of the movie. But it makes all the characters of the movie seem incredible, in the bad sense. Too inconsistent. They keep switching from being normal, to being idiotic, to being intelligent, randomly. Perfect example of it is the scene between Naseeruddin and Bhakti Barve in her office. It could have been an awesome scene, but it doesn't reach that potential. And the same is true for so many other scenes. May be the film was made in a hurry.
Another thing is, when you watch the movie now, the humor doesn't work much. Its like a movie playing on slow-mo. Even the actor's reactions and dialogue deliveries seem to be delayed, everything seems too slow. There are a number of Priyadarshan movies, that are way funnier than this one. Of course its unfair to compare movies like that. The point is, its just not as hilarious as I first found it to be.
There are other issues too. The whole Murder-Deadbody segment is so flawed logically. Why would Tanreja murder someone in a park, that too in broad daylight? and why would he choose to return there in the middle of the night to pick up the dead body. And then, why would anyone dump the body under a bridge to be inaugurated to the public the next day.
The satire is monotonous. We Indians are all already aware of corruption. the film doesn't really say anything new. and the worst thing is, there isn't really any greater message to the film. I mean if its a satirical movie, it should have something to say. shouldn't it? This one just announces that the COMMON man is doomed in corrupt India.
I still do endorse this movie. My favorite scene is the one under the bridge, where the two innocent citizens, Naseer and Ravi get harassed by the constable. Unfortunately, its 2014 and the same is still happening in India. I guess thats the ultimate message of this movie. To laugh at it, or to cry over that, is left to the viewers choice.
I will just outline some of the negatives that may or may not have been pointed out by prior reviewers. Positives are many obviously. The biggest positive is the fact that a film of this nature was conceived, that too back in 1983, with a budget of barely around 800k rupees. The comic sequences are nice, the satire is accurate. I especially loved the portrayal of early 80s Bombay, India. The people and the places of that era.
Coming to the negatives, the whole plot is so superficial, so shallow, so vain. may be that type of a premise was necessary here, to combine the comic and tragic aspects of the movie. But it makes all the characters of the movie seem incredible, in the bad sense. Too inconsistent. They keep switching from being normal, to being idiotic, to being intelligent, randomly. Perfect example of it is the scene between Naseeruddin and Bhakti Barve in her office. It could have been an awesome scene, but it doesn't reach that potential. And the same is true for so many other scenes. May be the film was made in a hurry.
Another thing is, when you watch the movie now, the humor doesn't work much. Its like a movie playing on slow-mo. Even the actor's reactions and dialogue deliveries seem to be delayed, everything seems too slow. There are a number of Priyadarshan movies, that are way funnier than this one. Of course its unfair to compare movies like that. The point is, its just not as hilarious as I first found it to be.
There are other issues too. The whole Murder-Deadbody segment is so flawed logically. Why would Tanreja murder someone in a park, that too in broad daylight? and why would he choose to return there in the middle of the night to pick up the dead body. And then, why would anyone dump the body under a bridge to be inaugurated to the public the next day.
The satire is monotonous. We Indians are all already aware of corruption. the film doesn't really say anything new. and the worst thing is, there isn't really any greater message to the film. I mean if its a satirical movie, it should have something to say. shouldn't it? This one just announces that the COMMON man is doomed in corrupt India.
I still do endorse this movie. My favorite scene is the one under the bridge, where the two innocent citizens, Naseer and Ravi get harassed by the constable. Unfortunately, its 2014 and the same is still happening in India. I guess thats the ultimate message of this movie. To laugh at it, or to cry over that, is left to the viewers choice.
Rib-tickling, side-splitting .. but also cynical, intelligent, and very, very dark. Comedy as it should be and so very rarely is. Corrupt politicians in cahoots with thieving contractors, their scheming rivals and their inept secretaries ... add two bumbling, idealistic, naive young photographers in the 'right' place at the 'right' time ..... throw 'em all together and all hell breaks loose, and boy is it hilarious!! I've seen this several times and never failed to collapse in helpless fits of laughter. Wonder why they don't make them like this anymore, and wish they did!
¿Sabías que...?
- CuriosidadesThe film was made on such a shoestring budget that Naseeruddin Shah, the most well known actor was paid only Rs 15,000 ($300) for the movie. Naseer also had to bring his own Nikon camera to the shootings to use as a prop for his character, who was a photographer. Towards the end of the shooting, this camera was stolen, which amongst other painful memories of the making of the film, Naseer still reminisces about.
- PifiasWhen D'Mello's dead body was found under the bridge the eyes were closed. However, when they recover the body again from Ahuja's guest house, the eyes were open. This can't be possible.
- Citas
Ashok: You didn't listen to our conversation, did you?
Vinod Chopra: What?
Ashok: You didn't listen to our conversation, right?
Vinod Chopra: What?
Ashok: Are you deaf?
Vinod Chopra: Yes!
- ConexionesReferenced in Ek Ruka Hua Faisla (1986)
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