Jaane Bhi Do Yaaro

Two simple photographers, trying to eke out an honest living, caught in a web of scandal and deceit.

Fantastic direction, outstanding plot, brilliant script, phenomenal casting and amazing acting. This movie has you laughing till the last scene, which is when the laughter is wrenched from your throat!

The movie has great attention to detail. For example, the scene when monkey is being photographed, look into the mirror in his hand. You actually see Tarneja in a checked jacket and gun in hand. Which leads to the single biggest flaw: no gunshot heard?

But that may be forgiven. The comedy is unending!!! For example, the Dhritrashtra, still blind, saying "This is too much! Yeh Akbar kahaan se aa gaya?"... Or Tarneja and Ahuja entering the Mahabharat in complete costumes, but still wearing their specs and sunglasses respectively! That, to my mind, is the single longest comic scene in Hindi cinema!

The laughs do not stop!!! It stays, to date, the best tragi-comedy ever!

This was a wonderful comedy, no cheap humor, no poor jokes, just a simple inexpensive movie made with a great script, good jokes and wonderful actors. The scene at the theater where the mahabharat is being enacted is by far the funniest 15 minutes in the history of Indian Cinema. A must see for everyone.

This is one of India's best comedy movies. Well made, well directed, very well acted, the movies picks up more laughs as it develops and the climax is certainly the most hilarious. The theme is corruption in business, government and the media. Everybody is on the take, the Police Commissioner, the big bucks businessman, newspaper editor, etc.

Two hungry-for-work photo studio owners accidentally take the picture of a murder and then "all hell breaks loose". The climax at a small theater where "The Mahabharata" is being staged will have you in splits. Crime has never been so much fun. Yet the film never loses its edge, its cynicism of what happens in the real world. The good guys always win in the end, right? Yeah, right... See the movie. I have no doubt this is one of India's classic comedy films.

A lot of comments about this movie have centered on the apparently slapstick comedy, ignoring its usage to lend a sense of the grotesque in what is a essentially a masterful farce, and beneath the surface, more of a tragedy.

This movie centers around the two young protagonists, full of ideals and the will to win against the powers of endemic and ubiquitous corruption, a corruption that is so manifestly present that the others do not seem to question its existence, but implicitly assume it and use it to serve their own ends. However, our heroes find the going quite tough.

Although partly inspired by Michelangelo Antonioni's "Blow-up", this movie is in a class by itself, with dark humor reminiscent of Kafka and Gogol. The star cast includes some of the finest actors to ever grace the screens of Bollywood (or for that matter, anywhere else). Om Puri, Naseeruddin Shah, Pankaj Kapoor and many others deliver stellar performances in this tragi-comedy which is one of finest pearls produced by the New Wave movement in Indian cinema.

Regretabbly, comprehension of the movie requires intimate knowledge of the background, something which you would only have if you have lived in India, where corruption is as natural as breathing, and if you are familiar with the turbulent times when New Wave Cinema was taking off, a time of discontent and idealism among youth, a time of unemployment and the times of the angry young man (as typified by Amitabh Bachchan in many commercial films from this era).

However one can still enjoy it for it is a comedy worth watching. Hopefully, the viewer will see the tragedy beneath the humor.

I rate this movie among the finest movies of all time, and in the class of farces, it stands alongside Kubrick's "Dr. Strangelove".

Quite apart from its social satire, unimaginably ahead of its time for the dour early '80's Delhi, JBDY managed to bring together a slew of talent, Shah(s), Baswani, Kapoor, and of course the inimitable Puri 'Ahuja'. Folks over at NFDC still take the movie apart frame by frame, deconstructing its topical references and attempt to interpolate a social conscience to it. More than its concluding 'Draupadi vastraharan' scene, symbolic of the wretched disrobing of the Indian polity however, the film managed to make me cry out loud with laughter even as an impressionable twelve year old, merely for its slapstick content. This is a movie which gets better with every viewing, and reveals slick, symbolic and subversive undertones worthy of Kundan Shah's maverick vision.