Baby It's You

In spite of the negative review above I would say this is a good film and a story that may hang around in your mind for a long time. It isn't so much a "movie story," a la Meg Ryan romantic comedy type, as it is a slice of life. The characters in this movie are much more like the people you went to high school and college with than they are like Tom Hanks and Meg Ryan! Life is messy and confusing and people change. People are attracted to the wrong people all the time. They make bad choices. They do things they can never forget. This movie reflects these human foibles and that is why it is a great small movie that got overlooked and under-appreciated.

"Baby It's You" isn't exactly a "great film," but it sure is an accurate and believable story about young love. Arquette is the Jewish high school girl who is going places in life. She plays it safe, but she's bored with it all. Until she meets Sheik, the Italian guy from the wrong side of the tracks. He's a dreamer and his future is uncertain, but... man is he a sharp dresser and cooler than any of the lame boys in high school. This guy even makes the male teachers feel inadequate with his expensive suits and suave good looks. Sheik is played by Vincent Spano, an extremely underrated and unappreciated actor who usually appeared in movies that were unworthy of his qualities. Whenever Spano is on screen the movie really shines. The story follows Rosanna's character beyond high school and into college, and as is usually the case, she begins to outgrow her man... or so she thinks. Because the mature guys she meets are a bunch of complete bores, and they all pale in comparison to Sheik, who gives up everything to return to Jersey from Florida, in a last ditch attempt to win back the love of his life. That's basically it, but the performances and the realistic story are enough to maintain interest. Taking place in the early 60s, director John Sayles captures the period in beautiful detail, and the soundtrack is excellent, featuring some early Bruce Springsteen songs, which fit the mood perfectly. Even though the songs are patently 70s and not from the Era in which the movie takes place, they still sound right. I think "Baby It's You" is somewhat of a cult film today, and deservedly so. Fans of either Rosanna Arquette or Vincent Spano will thoroughly enjoy it, as will those who can appreciate an honest look at young love...

This is definitely one of my favorite romantic films. It's well acted, well written and well directed. Arquette and Spano's chemistry is wonderful. With the people I've talked to who have seen this film, there seems to be something personal that they can relate to the story. It's definitely not a happy movie, but I think that's what makes it really stick with you. It's starts out somewhat like a period romance you might have seen before. About midway through it takes a turn and may seem to lose momentum. This is what sets it apart from other romances. It has this unpredictability to it that some people might find unsatisfying. I have seen it several times and each viewing is fascinating. It is very rare that such a bittersweet marvel of a film comes along and even rarer that it gets the attention it deserves. One of John Sayles' finest.

After finally getting a VHS copy of this film, I find it is ranked right up there with my all-time favorites. Perhaps you had to have lived in that time, or attended a big-city high school or just be an incurable romantic to relate.

Even though this film is 23 years old, the emotions, settings and tragedies of young, rudder-less love are universal and timeless. Is there any among we female viewers who has not either had or wanted to have a "Sheik" type pursue you? Dangerous, enigmatic and probably a big no-no, but extremely intriguing.

The film has many subtle nuances that younger audiences my not recognize since the scenes are not thrown at the viewer in quick-time, but the gentle, heart-wrenching moments with the main characters tend to stick in your mind. I will never listen to "Strangers in the Night" again without thinking of the two dance scenes and the emotions they evoke.

Spano and Arquette are outstanding as the two star-crossed leads and the acting is both understated and powerful in the same moment. When Jill tells Shiek she just doesn't love him in the dorm scene and he backs up and with a whipped look on his face asks, "why not?", his character is stripped of all pretenses.

Shop around for this video, as it is film making with heart like you don't find very often in the current film catalogs. Watch and remember and weep a little for what was and never could be.

Unlike other viewers, I didn't really connect with this on any major level. And I don't think their longing for each other was anything more than adolescent infatuation (hey, we've all been there!), made all the more desperate by separation anxiety. A couple of 18-year-olds struggling to find themselves in the world. OK as a romantic comedy drama, but no great shakes.

Performances were all solid. Interesting to see Matthew Modine pop up briefly as the college boyfriend. And it looked great -- nice and moody -- seemed like something out of the 1960s.

One thing bothered me: The use of Bruce Springsteen songs from the 1970s in a movie that was to have taken place in 1967 (not 1965, as another reviewer said -- the signs at Rosanna Arquette's prom clearly said, "Class of 1967"). Anyway, those Springsteen songs from the soundtrack wouldn't have been out yet. But I guess it was done to add a "Jersey feel" to the movie.