Sophie sobrevivió a los campos de concentración Nazis y encontró una razón para vivir en Nathan, un brillante judío americano obsesionado con el Holocausto.Sophie sobrevivió a los campos de concentración Nazis y encontró una razón para vivir en Nathan, un brillante judío americano obsesionado con el Holocausto.Sophie sobrevivió a los campos de concentración Nazis y encontró una razón para vivir en Nathan, un brillante judío americano obsesionado con el Holocausto.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 15 premios y 14 nominaciones en total
- Bellboy
- (as Cortez Nance)
Reseñas destacadas
Comments from 2013 Viewing: The scenes in Brooklyn, which take up much of the film, are repetitious and somewhat dreary. The flashback scenes are disjointed and lacking in narrative flow. Pakula's direction seems heavy-handed and too respectful of the book. Rating reduced from 8 to 7.
Aside from the breathtaking central performance from the marvellous Ms Streep, there are so many other reasons to see this film. Kevin Kline and Peter MacNicol are excellent, the cinematography is beautiful (particularly the shots of Brooklyn Bridge) the score is haunting ... I could go on.
Although certain critics have berated 'Sophie's Choice' as a mere platform for Meryl Streep as an actress, I urge you to overlook this view. The film succeeds admirably in bringing to horrific life an event in history which we should all be made aware of. It is undeniable that the phenomenal performance of MS leaves you spellbound, but NOT at the expense of being horrified and affected by what you have seen. All I can say to sum up is: just see it. An intelligent and profoundly moving film which will (I promise you) live on in your memory long after the closing credits.
Though other characters appear, especially during the flashbacks, "Sophie's Choice" is largely a three-person drama that relies on subtle interactions. Meryl Streep can always be counted on to give a nuanced performance, but here, especially, she raises the bar. Speaking three languages (including a very realistic portrayal of how foreigners can hesitate and hunt for words when speaking English), going from a haggard Auschwitz inmate to a pretty "blooming rose," consumed by guilt even during the madcap or romantic moments she shares with Nathan, she gives a brilliant performance of a very complex character. Her big scenes with Nazi officers are of course powerful, but I was equally struck by smaller moments: the heartbreaking little flashes of emotion that reveal Sophie's postwar wounds, or the extraordinary conversation she has with a Nazi's daughter.
Kline throws himself into the role of the "fatally glamorous" Nathan and also displays impressive range: he goes from charming to menacing. MacNichol is not up to these (admittedly high) standards. He can play the wide-eyed innocent, but he always seems somewhat thick-headed and lacking in passion. The movie would be more effective if Stingo seemed more truly changed by his experiences with Sophie and Nathan.
Despite Stingo's weakness as a character, I liked the unusual structure that reveals Sophie's story gradually, in flashbacks that draw closer and closer to the ultimate horror. The movie is nicely shot and some of the Brooklyn scenes look as though they actually could have come from a 1940s movie. But no director from the 1940s would have confronted the brutalities of the Holocaust so directly, and few actresses from any era could have given a performance like Streep's.
¿Sabías que...?
- CuriosidadesMeryl Streep not only learned a Polish accent but also learned how to speak German and Polish in order to have the proper accent of a Polish refugee. She reportedly learned Polish from one of the assistants working on the film who happened to speak it.
- PifiasThere was no Jewish ghetto in Cracow in 1938. Ghetto was established under German occupation in March 1941.
- Citas
Sophie: My mother, she's very sick, you know. And I can't do anything. But I think - if only I could have got - that meat for my mother it would make her strong. So I go to the country and er... the peasants were selling ham and I buy it with the black market money and I bring it back. But it's forbidden, you know, because all the meat goes to the Germans. So I sat on the train and I hid it under my skirt, I am pretending that I am pregnant, you know? Oh I was so afraid. I was shaking. And then the German, was in front of the train and he saw me. So he come over and take under my skirt that ham and...
[pause]
Sophie: So they sent me Auschwitz.
Stingo: You were sent to Auschwitz because you stole a ham?
Sophie: No, I was sent to Auschwitz because they saw that I was afraid.
- Versiones alternativasCBS edited 12 minutes from this film for its 1986 network television premiere.
- ConexionesFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
Selecciones populares
- How long is Sophie's Choice?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- La decisió de la Sophie
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 30.036.000 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 202.131 US$
- 12 dic 1982
- Recaudación en todo el mundo
- 30.036.166 US$