Ninja bugeicho momochi sandayu

This is truly one of the coolest Ninja movies of all times. The stunts are top-notch and the action is non-stop. As usual in these films it gets pretty campy indeed, but on a whole it´s out standing. Watch out for hilarious stunts when our hero blocks arrows, Ninjas climb trees as vigorously as Spiderman and digging through the ground as moles. This is the film that made me want to become a Ninja as a kid and it leaves Sho Kosugi way behind. A must-see for any lover of martial arts and action!

It ain't Kurosawa (or even Hideo Gosha), but "Shogun's Ninja" wasn't aimed at that sort of audience. This film is a wacky, blood-spurting, action-packed feast for the eyes, and on its own terms it works beautifully. While reference is made to real historical figures and events, the emphasis is on over-the-top fighting (mostly with weapons, but there's the occasional empty-hand confrontation, too). The tone of the film is completely unreal: it may look like feudal Japan, but the setting is actually some alternate dimension in which fighters can do everything but fly, where warring ninja clans wage their battles in the treetops of lush enchanted forests, and where it doesn't seem even remotely odd when Hiroyuki Sanada, grieving over the deaths of his comrades, suddenly breaks into a torch-twirling interpretive dance. This kind of unbridled goofiness would become commonplace in action films of the '80s, and in "Shogun's Ninja" you can see the new, extravagant aesthetic taking shape as the decade began.

Sanada is a credible hero, Chiba mostly plays it straight as the villain (just as he had the previous year in Gosha's "Hunter in the Dark"), and Etsuko Shihomi is her usual winsome, martially astute self. Six and a half stars.

It seems that CHIBA was acting as a mentor to the star (just as in ROARING FIRE) and taking a back seat too much, didn't work for me. Of course some of the fight-scenes in this movie are very good, utilizing slow-mo (as in KILLING MACHINE) and some excellent wire work (the spider ninja's moved quite naturally) and the other notable thing is the off-beat jazz/sax/porn music (that despite sometimes not catching the mood of the scene, certainly puts it in a league of it's own) The bottom line is, CHIBA doesn't fight enough, the hero (at one point) dances rather camp-like (whilst training) round a fire (hilarious!) and like most movies of this ilk, the plot can confuse/drag on a little

Excellent fight scenes and score, though

6 out of 10

SHOGUN'S NINJA has so many strange and cool aspects in it, it's hard to even remember it all. Whereas its more fantastical counterpart LEGEND OF THE EIGHT SAMURAI (which even has lots of the same casting) is somehow too disjointed, SHOGUN'S NINJA remains cohesive and fun to watch through all two hours; I couldn't take my eyes off it.

The basic plot revolves around the dying Momoichi clan after Takamaru returns (played by Henry Sanada, in this role looking so much like NINJA SCROLL's Jubei that they must've seen this film). The clan members have steadily been eradicated by the evil Shogun (Sonny Chiba!) and so have to learn all they can to strike back. Along the way, there are so many outrageous stunts, traps, and elements that you will be unsure whether to laugh or stare in awe; more on those later. Takamaru is aided by a pair of kung-fu women (one of whom, Airin, is most likely the inspiration for "Tekken"'s Xiaoyou), the reluctant warrior Hanzo (who is quite reminiscent of Patrick Stewart with hair), and more ninjas than you can shake a stick at. Shogun wants Takamura's swords, because their blades hold the map to the Momoichi gold cache. This of course leads to confrontation after confrontation, with every weapon imaginable and more gory deaths than you can count.

But enough about the plot, which is somewhat tenuous. SHOGUN'S NINJA should be viewed for its crazy features. These include (in some semblance of order) harakiri, a circus monkey, slo-mo kicks, spider AND mole ninjas (not ninja spiders, but almost as cool...), an escape by candle, kung-fu handmaidens, execution by hot oil, human shields, a white-haired master, a booby-trapped forest (complete with ninja tack!), and a showdown in a rock quarry. Yes, that's right, all that crazy crap is in the movie; look for it all!

One of the movie's funniest elements is its music; everything from battle sequences to casual conversations are underscored by psychedelic '70s jazz. At first seeming inappropriate, the score grew on me as the movie continued, being edited in quite well and seeming to actually be written FOR the movie (a frightening prospect in itself!). While some might berate the soundtrack, it must also be taken into account that the immensely popular "Cowboy Bebop" employs a similar style of music that is anachronistic and yet creates a jarring shift in mood; in battles that would otherwise be fraught with tension, the lounge-style sounds kept me from being too involved and were, overall, entertaining!

In addition to the previous list of thingamabobs, SHOGUN'S NINJA still has some surprisingly reflective and artistic moments, from a staredown through steam to flashbacks of a pool of blood. The director obviously knew what he was doing, assembling a competent cast and putting them together in an epic movie that is still over-the-top. Be sure to watch this movie with a load of friends, and you will certainly enjoy yourselves. My rating: 8.5/10

After watching Shogun's Ninja, I must conclude that this is the strangest movie I've ever seen, and I say this after watching numerous Ching Siu Tung movies. This movie is just straight-up weird.

The plot takes place during the reign of Emperor Hideyoshi and there are historical references throughout (Ieyasu, the attempt to invade Korea, etc.) The conflict exists between the last survivors of the Momochi clan led by Henry Sanada (that Japanese guy from Royal Warriors with Michelle Yeoh) and Shogun (Sonny Chiba from the infamous Streetfighter series) and his ninja army. Sanada learns Chinese kung fu and comes back to avenge his clan, does some fighting, learns Japanese ninjitsu, and does some more fighting. The movie ends with a large battle between Chiba and his warriors (which are many) and Sanada and his pals (which are few).

The fighting in this movie is pretty good sometimes, and unexciting other times. Sanada is fairly impressive, he is one of the few characters that actually does any hand-to-combat (everyone else uses swords, guns, or other weapons). His kicks are fairly fun to watch. Sometimes, the swordplay is done bad in the sense that no excitement exists in watching them swing swords clumsily at each other. Unfortunately, Sonny Chiba doesn't do anything too interesting. Neither does Sue Shiomi (she appeared in Sister Street Fighter I believe). There was a female Chinese fighter who could bust out a good boot and the nunchaku, though.

When I say this movie is strange, I don't mean the strange in the Ching Siu Tung-style of bombard the viewer with bizarre, yet beautiful visual image style of being strange. This movie is strange in the sense that its level of camp is off the charts. For one thing, with the exception of some flute playing, most of the music in the movie is of the contemporary jazz/1970's elevator music variety with the occasional Japanese pop tune thrown in. The sounds effects are silly to the point where I wonder if this movie was actually a spoof. There are underground ninja, spider-like ninja (you can see the wires), and a nice little army of ninja at the end (although the third group doesn't do anything). There is a fair amount of wire-work in this, although none of it is really imaginative. Some of the stunts in this movie is just straight-up screwy (watch Sanada block the archers). Well, whether or not one enjoys this depends on his/her tolerance to high-camp.