Xala

Films like American Beauty are sharp, but Xala's theatrical style and unrelenting debasement of Senegalese society is worthy of far more Oscars than the frankly over-rated A.B.

Without the distraction of stars and tricky camera work, Xala is straight to the point, and makes no attempt to beautify or wax lyrical about their country in the midst of corruption and lies.

I recommend this film to someone with an open mind and a love of pure cinema.

So far in my life, I've only seen two Senegalese movies: "Hyenas" and "Xala". The latter offers a satirical look at corruption.

The plot goes like this: following Senegal's independence from France, a crooked official - he makes sure that France still controls the country's resources - uses the country's money to get married for the third time. That's when poetic justice kicks in; he gets stricken with a curse called "xala", rendering him impotent.

If absolutely nothing else, this movie is a very impressive look at a culture that we in the west rarely get to see (and specifically, we get to hear Wolof spoken). Are the events portrayed cause for cynicism? Hard to say. But I recommend the movie either way.

Senegal has been freed from the shackles of empire. But the new face of governance continues with greed and corruption just as before. The best line in the film is when the main character, a politician, is told by his daughter: "I don't drink imported water." African leaders are so corrupted by white monopoly capitalists. 'Xala' discusses many important themes that we have discussed in class, particularly the balance between Western practices and "traditional" ones. While this starts from Senegal's official El Hadji's sexual incompetence on his wedding night with his third wife, it plays out throughout the film. He goes to mystic for cure his impotence, through the story of the troubles of El Hadji, the narrative expertly discusses the difficulties of post-independence government. This issue of tradition vs modernity, European vs African ideals was very important during the independence period in Africa (and indeed today). This is expressed by the journey of El Hadji and the more liberal views of his daughter. I was full of awe after enjoying this utterly majestic work of art. Highly recommended!

It was in 1963 that seeds of filmmaking were sown in Ousmane Sembène's mind when he finished a short course on cinema in Moscow. For a long time his contribution to the field of art and culture was known through his films. However, it must be noted that his contribution to the field of literature has been equally outstanding. Senegalse film "Xala" is based on one of his own books. Watching this film, one is constantly drawn to the conclusion that justice has been done to both works of art. As a director, Sembène made full use of all minor as well as major incidents described in his book to depict a nation where some corrupt as well as influential politicians are shown to make merry while ignoring the plight of ordinary, poor Senegalese people who find it difficult to come out of 'vicious circle' of poverty. Apart from his scathing assault on rampant corruption which unnerved Senegalese people immediately after their country's independence from France, Sembène directed all his anger at two principal scourges : cultural alienation and economic impotence. Although "Xala" has been classified as a comedy by many film critics, its political message cannot be overlooked. It is the reading of this message which would enable us to comprehend why the fortunes of some African countries were used by their leaders to further their own cause.

Seen any decent Senegalese films recently? Ones from 1974, with French subtitles? If you haven't stopped reading already, then...Xala means "Curse of impotence", which gets placed on a corrupt businessman, when he passes over his older wives for a "new" virgin one.

Though it looks very 1970's, with rather tepid colour and and a somewhat tinny sound, this very good film from Ousmane Sembene is as good as contemporary cinema gets in home-grown Africa. My viewing was for the 2nd time on Film 4, admittedly screened in the small hours.

It's actually an excellent snapshot of many an African country coming to terms with their new-found independence. Native rituals and traditions still run deep, against the new found idealism of political freedom. But, mega corruption amongst Ministers and Officials is rife and the script has savage satire running through it, that could be applicable anywhere. Whilst they bemoan and decry their now departed Colonial forebears, they have become addicted to their Mercedes limos and material excesses and readily abuse their power at will.

Some describe Xala as a sex comedy - comedy is going a bit far but there is pleasure indeed to be found in strong-charactered women, beacons for the future brow-beating their men-folk and the then rather pathetic reactions from them. Take away a powerful man's effectiveness of his penis and he is no longer powerful. That is a broad and slightly inaccurate metaphor, of course, but you can see where this is going.

Xala is pretty long and requires some staying-power but is embellished with some good music and performances. The story overall is a surprisingly universal and approachable one.