Añade un argumento en tu idiomaA naive young girl is forcefully kidnapped while babysitting the son of a wealthy food mogul; she and the boy are held hostage by an ex-stuntman and a vengeful movie star.A naive young girl is forcefully kidnapped while babysitting the son of a wealthy food mogul; she and the boy are held hostage by an ex-stuntman and a vengeful movie star.A naive young girl is forcefully kidnapped while babysitting the son of a wealthy food mogul; she and the boy are held hostage by an ex-stuntman and a vengeful movie star.
- Dirección
- Guión
- Reparto principal
Carl Möhner
- Cyrus Franklin
- (as Karl Mohner)
Maria Cumani Quasimodo
- Princess Ruspini
- (sin acreditar)
Margherita Horowitz
- Maid
- (sin acreditar)
Reseñas destacadas
This film was almost universally panned at the time of its release. It was the final film of distinguished French director Rene' Clement and clearly not one of his best. But....
There is something about this film that is quite compelling. Agreed, the plot is full of holes and certainly stretches belief and logic. But there is a melancholy mood that few films ever achieve. One has to credit Clement for this (non-trivial) achievement. Generating and communicating melancholia is hard to do and somehow Clement manages it.
Credit must also go to French actress Maria Schneider who plays the role of the confused and trapped Michelle, just right. Her acting is minimalistic, and ultimately believable. In a smaller role, Italian comedian Renato Pozzetto, playing the scruffy Gianni ( Michelle's friend), brings just the right seediness, innocence and melancholy to his scenes. Worth a look. Worth a partial revaluation.
There is something about this film that is quite compelling. Agreed, the plot is full of holes and certainly stretches belief and logic. But there is a melancholy mood that few films ever achieve. One has to credit Clement for this (non-trivial) achievement. Generating and communicating melancholia is hard to do and somehow Clement manages it.
Credit must also go to French actress Maria Schneider who plays the role of the confused and trapped Michelle, just right. Her acting is minimalistic, and ultimately believable. In a smaller role, Italian comedian Renato Pozzetto, playing the scruffy Gianni ( Michelle's friend), brings just the right seediness, innocence and melancholy to his scenes. Worth a look. Worth a partial revaluation.
This is a great little thriller with some fine performances but I understand Leonard Maltin dumped on it upon its release and it seems to me a lot of folks have followed his lead. There is nothing wrong with this film at all. Granted it is confusing at the start (intentionally) but most exhilarating when we catch up with the events and discover just what a tangled plot we have here. I guess some are surprised and disappointed that the super Maria Schneider keeps her clothes on in this but we catch a glimpse of the equally beautiful Sydne Rome, so all is not lost. John Whittington is especially effective as the little boy and can only imagine how terrible this might have been had this been an American picture. No sentimentality then and possibly another cause for upset in that the interaction between he and Schneider is so adult. Robert Vaughn also appears and is very effective in aggressive mode. Compelling, amusing and thrilling. Sadly, Rene Clement's last film and perhaps we can thank Mr. Maltin for that.
The movie has been released on treeline films ( www.treelinefilms.com ) and I bought it at the store for .99 and worth every penny! They also had many other films including Mr. Wong Detective starring Boris Karloff. More on that in another review. The film is in colour and the soundtrack is a little catchy. Its in English but the voice seem to be out of sync. I am a fame of Robert Vaughn and wanted to see what he was up to. Well for most of the movie he is not present. The ending was a little surprising. Seriously I just bought it to kill time while I programming and found myself watching it to the end just because it was so bad...you know like a car wreck...
From reading other reviews here it doesn't seem like this film has too good of a reputation. This surprises me. I found Wanted: Babysitter to be a very good crime-thriller. Having said that, I am not familiar at all with its director René Clément's other work. It appears from what I read that he was a renowned film-maker whose career was latterly panned by the critics. This film was his last offering and it seems to have suffered especially badly in this way.
I just cannot get behind the dislike though as overall I found the film to be very involving. I thought Maria Schneider was fine in the lead role and was ably supported by the likes of Robert Vaughn, Vic Morrow and Sydne Rome. The storyline is compelling enough and there is a fair amount of tension generated. The overall tone is gloomy and downbeat which is certainly in keeping with the film's French origins, seeing as 70's thrillers from that country seem to often be like this. Furthermore, the version of the film I watched was a public domain copy that was for some reason in black and white. I have no idea why this should be seeing as the film is clearly a colour production. It sounds like it may have been released this way for some obscure TV market perhaps. But whatever the reason, the funny thing is that the black and white presentation actually adds to the overall feel of the film. It only adds to the downbeat ambiance and very probably makes it a better film.
All I can say finally is that Wanted: Babysitter is nowhere near as bad as its reputation suggests. I would even go as far as to say that it is a good 70's thriller and is well worth checking out.
I just cannot get behind the dislike though as overall I found the film to be very involving. I thought Maria Schneider was fine in the lead role and was ably supported by the likes of Robert Vaughn, Vic Morrow and Sydne Rome. The storyline is compelling enough and there is a fair amount of tension generated. The overall tone is gloomy and downbeat which is certainly in keeping with the film's French origins, seeing as 70's thrillers from that country seem to often be like this. Furthermore, the version of the film I watched was a public domain copy that was for some reason in black and white. I have no idea why this should be seeing as the film is clearly a colour production. It sounds like it may have been released this way for some obscure TV market perhaps. But whatever the reason, the funny thing is that the black and white presentation actually adds to the overall feel of the film. It only adds to the downbeat ambiance and very probably makes it a better film.
All I can say finally is that Wanted: Babysitter is nowhere near as bad as its reputation suggests. I would even go as far as to say that it is a good 70's thriller and is well worth checking out.
What a cast! Maria Schneider, Sydne Rome, two absolute beauties, Nadja Tiller, another beauty, Vic Morrow, Robert Vaughn and the unique Renato Pozzetto, who kind of steals the film with his role of an involuntary comic, excellently played by the actor. The story is trivial, the kidnapping of a boy for a ransom. The implications between the characters are interesting though. Worth seeing especially for Maria Schneider and Renato Pozzetto.
¿Sabías que...?
- CuriosidadesRené Clément's final film at age 62, although he would live another 21 years; he also co-wrote it.
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- Duración1 hora 50 minutos
- Mezcla de sonido
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By what name was La cicatriz (1975) officially released in Canada in English?
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