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Shot on location in the Alps and Zion National Park, the cinematography is first class. This is great large-screen fare.

While not without their hokey apects, the many climbing scenes and story are much more realistic than those of "K2", "Clifhanger", or God-help-us "Vertical Limit".

The spy part of the story certainly has some plot holes, and I purchased a copy of "The Eiger Sanction" by Trevanian just to get some of them straightened out, and got quite a surprise. The movie is much, much more faithful to the original book than the vast majority of Hollywood adaptations. Those holes in the story - well, they're right there in the book, too. Practically the only significant differences between the two are the relationship between Johathon and Wormwood, the final status of Johnathon and Jemima's relationship, and the fact that C2 is - in the novel - so totally inept as an intelligence organization as to be completely unbeliveable, this is somewhat glossed over in the movie. Frankly the differences in all three situations are argueably done better in the movie.

Clint Eastwood stars as a former government assassin turned art teacher who is blackmailed into coming out of his retirement to pull off a difficult last job. A former colleague has been murdered. Eastwood will climb the Eiger face and kill the assassin along the way. The only problem is he isn't sure which of the three other climbers is his target.

'The Eiger Sanction' is very much a product of the 1970's, and comes from a difficult grey area of Eastwood's career. He was transitioning between Westerns and Dirty Harry and films like 'The Eiger Sanction' got lost in the mix. On the surface the film is a spy thriller, or a gorgeously shot mountain climbing/survival film. I think it doesn't get enough credit for being very tongue in cheek. It gently pokes fun at both Eastwood and 70's action movies -- Clint giving a female student a playful pat on the rump, the foxy brown flight attendant/girlfriend, and of course "damn that Brando" when Clint's Native American trainer pushes him too hard. Throw in the promiscuity and the way homosexuality is dealt with (rival gay hit-man with the little dog) and the film runs pretty nicely as a satire.

'The Eiger Sanction' is really about the third act though where the climbing takes place. Brilliantly photographed, I didn't find much not to enjoy about this film. Quite possibly the best climbing film that I've ever seen and it is certainly superior to things like 'Cliff Hanger' or 'Vertical Limit' -- which owe a great deal to 'The Eiger Sanction.' Clint Eastwood has acted in better movies and he's directed better movies. That said, this one is an unpolished gem and worth taking a look at if the opportunity arises.

I love this movie, Like Play Misty For Me this is a different kind of Clint Eastwood movie which is not a western or a cop movie. This is an espionage thriller with a surprise ending. He plays an assassin who comes out of retirement to avenge the death of his friend. In order to catch the unidentified killer he must participate in a mountain climbing expedition which the killer is also participating. Clint really took a big chance while making this movie. He did all the dangerous mountain climbing stunts. If I was directing and starring in a movie I wouldn't do a stunt that is dangerous. I urge Clint Eastwood fans to watch this movie, they won't be disappointed.

I absolutely love this movie. The only reason I cannot give it a 9 or 10 is because the premise is just a bit too unbelievable. Eastwood is a stud for doing his own stunts. The climbing sequences had a few minor errors, but all considered, the most accurate movie adaptation of climbing with the possible exception of "Storm and Sorrow". I felt like I was there with the climbers, cold and scared and forced to continue. The dialogue on the mountain is "rock" solid.

If you're looking for a well-developed action flick with a dash of spy stuff, watch this movie. Eastwood has done so many great movies that it's hard to rank this one- it's not his best, but it is wonderful.

I heard a lot of mixed reviews on this film, but I saw it anyway. And to tell you the truth, I quite liked it. It isn't Clint Eastwood's best film by a long-shot, but it is far from his worst either. It is sluggishly paced, it is routine in the story in places and the villains are to say the least very strange and over-the-top. However, the cinematography and editing are very good and do justice to the amazing scenery and backgrounds. John Williams's score while not his best is excellent, and there is some decent dialogue and direction. The acting is good enough, Eastwood is not exactly on top-form but to be honest his role doesn't really require that. The real joys are George Kennedy, who I actually think gives one of his better performances here, and Thayor David whose character is over-the-top but David is quite enjoyable. Overall, it is good, better than I was expecting. Maybe not a Clint Eastwood classic, but definitely worth the look. 7/10 Bethany Cox