The Zebra Killer

There's a lot of misinformation regarding this film floating around. Zebra Killer (aka Panic City, Combat Cops) stars Austin Stoker and Hugh Smith as police officers on the trail of a serial killer in Louisville, KY. The murderer goes on to kidnap and rape Stoker's lady, which drives Austin to heavy drinking and chicken eating. James Pickett offers a truly stellar performance, and D'Urville Martin makes a guest appearance in his trademark pimpsuit.

Zebra Killer was originally rated PG but it received an R-rating upon release.

SOURCE: williamgirdler.com

Austin Stoker stars in this film from the early "rip-off king" writer/director William Girdler. The film has a cimax in which it is about a black man who kills people with a large knife. the film's rating- PG is strange because of it's violence THE ZEBRA KILLER (A.K.A- PANIC CITY) Is impossible to find and is completely unavailable. I have tried looking for it over the yrs and have had no luck on finding it or on the internet. >

I was pleasantly surprised by the pacing and overall flow of this enjoyable blaxploitation flick by William Girdler. For the sake of argument, I would compare it to Marks' Detroit 9000 - though, lacking in budget (well...) and complexity, it is markedly (no pun intended) better. The highlight of the film is the maniacal baddie, again with the comparisons, who makes Dirty Harry's nemesis (name?) a gentleman in light of this deranged killer. The main character, Frank Savage, is also delightfully played with charisma and wit. Girdler's story is also interesting with generous amounts of dry humor.

Contrary to what I had heard, there are no (hard) twists in the film, but there are some disturbing moments. While the murders are not particularly gruesome or graphic, the killer is just such a freak that it gives ya goosebumps - or maybe I am just a chicken. The supposed "rape" scene is somewhat implied, i.e. not-graphic, and lends itself to some interpretation on behalf of the killer's mental state (that is, did it actually happen?).

There were some things that bothered me. As another reviewer here notes, Savage eats some fried chicken while investigating (the murderers and his girl's subsequent disappearance). I dont think the fried chicken was intended as a slur, BUT it becomes quite frustrating that Savage cant put together the clues (despite some given by mr.bad-guy himself) and furthermore, doesn't seem altogether too bothered by the situation at hand. Also, the brief appearance of D'urville Martin doesnt really fit into the story either. Perhaps it was meant to build the relationship between Savage and his partner, but I found it unecessary. The lack of any perceivable tension shown by the public (Kentucky seems pretty deserted, too!) doesnt really relay the (alternate) title "Panic City". AKA's aside, there's no real sense of urgency or panic demonstrated in anyone's (but the killer, really) actions. Perhaps a budget constraint??...

Anyway, these are ONLY minor gripes. As a blax era film, I would go with a high score, an 8 or 9 (outta 10). As an ordinary film, perhaps a 7.

Its only marginally what I would consider a blax flick - not just because it was good, which seems to not be a word in the blax reviewer's vocabulary - its more of "race film".

The score, by Jerry Styner, is a hot blax score. There's also a balld sung by Richard Williams (of TV fame?) 'You My Lady'.

A serial killer is loose in Louisville and even though he leaves notes behind each killing the police can't seem to make any sense of them as they are too brief and cryptic. Not only that, but each victim is killed by a different weapon and in a different manner so his motives are hard to figure out as well. Needless to say, the lead detective on the case "Lieutenant Frank Savage" (Austin Stoker) is under a great deal of pressure to find this maniac before he can kill again. And the pressure on him intensifies even more when the maniac kidnaps "Frank's Lady" (played by Valerie Rogers). To add even more fuel to the fire, all of this plays out in an area of the country where racial tensions run deep and the fact that Frank is black doesn't help matters in the least. Now rather than reveal any more I will just say that this was a fairly decent "Blaxploitation film" produced during a time when they were all the rage. Although times have changed and this movie is quite dated, it still manages to entertain to a certain degree and for that reason I have rated it accordingly. Average.

Although this is classified as a "blaxploitation" film, it manages to be much more race-baiting than usual by having a white sniper (obviously modeled after Scorpio from "Dirty Harry" and thus indirectly modeled after the real-life Zodiac Killer)who disguises himself in black-face as he commits incendiary crimes against middle-class whites (which his why he is called "the zebra killer"--not because he kills any zebras). The good guy cop meanwhile is a black guy, thus giving the title its blaxploitation credentials. Still the plot was apparently pretty controversial which is no doubt why this film is pretty hard to find today even though it is probably cult director William "Grizzly" Girdler's best film.

It is obviously the kind of film that couldn't be made today, and that alone in my book makes it worth a look. Unfortunately, the version I saw looked awful suffering from both bad original film elements and tracking problems from one of the few remaining videotapes that is still circulating around. I'd like to see this film resurrected on DVD. Fat chance though probably since many of Girdler's early films (like the vastly inferior, but much less controversial "Three on a Meathook")have yet to see the light of a DVD player. Still they released the even more racially-insensitive "Fight for Your Live" (although that film had the advantage of actually having been banned in Britain)so maybe there is hope.