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Añade un argumento en tu idiomaUnofficial Turkish remake of El exorcista (1973)Unofficial Turkish remake of El exorcista (1973)Unofficial Turkish remake of El exorcista (1973)
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Out of all the Turkish rip-off films i've seen, this one is the most palatable in some ways (not the most entertaining, but watchable)... It may have helped that i had subtitles for this one, but part of it was the fact that they follow the Hollywood version very closely, and the basic narrative of the exorcist is solid...
On the other hand, this movie is a perfect example of why story and script can only take you so far in a film... The story is almost identical to the Hollywood version with only a few changes to make it more culturally relevant, but the direction and all the cinematic aspects are much worse. The end result is a movie that fails in every way.
There are no scares, and every scene lacks intensity compared to William Friedkin's version... You would figure that somewhere in the movie there would be at least one scene that would be superior in some way... Some inventive touch that would surpass the original, but even though every scene has a counterpart in Friedkins film, the Turkish version of the scene is always vastly inferior to the point were it's almost depressing. The lighting isn't even remotely atmospheric, the camera choices are all horrendous (except when they copy friedkins exact camera angles), the acting is soap opera level (at best).
This movie is a perfect example of why directors (not writers) are the most important figures behind the creation of a movie. On the opposite end of the spectrum, Lucio Fulci (one of the masters of Italian horror) routinley worked with scripts that were much worse than this one, yet consistently churned out movies that were 10 times better. You can't even really use the poor budget as a justification for this film because many of the problems have nothing to do with any budgetary constraints. It's cheap, but that's not why it's bad.
Most of these Turkish rip-off films play as pure comedy for me, not this one... There is a bit of unintentional comedy here and there, but it's so close to the original exorcist that you can't help but constantly compare the two and the end result is a greater appreciation of the Hollywood version. It will make you thankful that all movies aren't as blandly made as this rip-off.
Worth watching just for the interesting contrast, but not worthy as entertainment of any kind.
On the other hand, this movie is a perfect example of why story and script can only take you so far in a film... The story is almost identical to the Hollywood version with only a few changes to make it more culturally relevant, but the direction and all the cinematic aspects are much worse. The end result is a movie that fails in every way.
There are no scares, and every scene lacks intensity compared to William Friedkin's version... You would figure that somewhere in the movie there would be at least one scene that would be superior in some way... Some inventive touch that would surpass the original, but even though every scene has a counterpart in Friedkins film, the Turkish version of the scene is always vastly inferior to the point were it's almost depressing. The lighting isn't even remotely atmospheric, the camera choices are all horrendous (except when they copy friedkins exact camera angles), the acting is soap opera level (at best).
This movie is a perfect example of why directors (not writers) are the most important figures behind the creation of a movie. On the opposite end of the spectrum, Lucio Fulci (one of the masters of Italian horror) routinley worked with scripts that were much worse than this one, yet consistently churned out movies that were 10 times better. You can't even really use the poor budget as a justification for this film because many of the problems have nothing to do with any budgetary constraints. It's cheap, but that's not why it's bad.
Most of these Turkish rip-off films play as pure comedy for me, not this one... There is a bit of unintentional comedy here and there, but it's so close to the original exorcist that you can't help but constantly compare the two and the end result is a greater appreciation of the Hollywood version. It will make you thankful that all movies aren't as blandly made as this rip-off.
Worth watching just for the interesting contrast, but not worthy as entertainment of any kind.
Just from the box art, you know your in for a treat. This movie made me laugh so hard i almost choked! They follow the Exorcist from the start to the end. This baby must have been on a budget of $100. The FX are horrible, the acting is stale, and they play tubular bells 800 times in this movie! But it is so bad its hilarious and i highly recommend it. Pure cheese! One part during the exorcism, the room is all lit up, when the girl levitates, the room becomes dark [to hide the wires i guess] and when she comes back down, the room is dark again. Its in Turkish though, but if you want it dubbed, just dub the Exorcist audio over the whole movie, i am sure it will fit.
This movie is an attempt to make use of a script, which was already turned into a masterpiece by William Friedkin only a year ago in 1973. To make things worse, they had only a tiny budget for this remake and well, I'm sure that the producers of this movie had made some money at the end, yet it was a useless risk for the big director Metin Erksan, who had won the Golden Bear in Berlin with his 1964 movie Susuz Yaz (Reflections).
If you are a fan of The Exorcist you probably should watch it, yet for others, it will probably only be a waste of time. It is not so funny either, so if you attempt to watch it for a few laughs, in many cases you will just end up being bored. There are some Ed Wood/Cetin Inanc type low- budget B-movie mistakes in this one as well, yet someone has to point them out, so maybe you should invite some friends over to share this ridiculous experience, or maybe a talk-show host should examine the movie with the help of a studio audience, and in Turkey that was actually done for this movie ;)
If you are a fan of The Exorcist you probably should watch it, yet for others, it will probably only be a waste of time. It is not so funny either, so if you attempt to watch it for a few laughs, in many cases you will just end up being bored. There are some Ed Wood/Cetin Inanc type low- budget B-movie mistakes in this one as well, yet someone has to point them out, so maybe you should invite some friends over to share this ridiculous experience, or maybe a talk-show host should examine the movie with the help of a studio audience, and in Turkey that was actually done for this movie ;)
"Seytan" is a shameless Turkish remake of William Friedkin's "The Exorcist" that copies it scene after scene.It uses the same exact set-up as "The Exorcist"-a young girl,living with her well-to-do mother,becomes possessed by Satan after tooling around on a Ouija board.Of course there's the head spinning,the mustard spitting,the message written across her abdomen and even the scene where she comes downstairs to pee herself to the dismay of her mother and her guests.Some of the shots are even exactly the same and the house they use as the setting for most of the film looks pretty much like the one in Friedkin's "The Exorcist".This film is simply hilarious,so grab some beer and give this amusing piece of trash a look.5 out of 10.
Seytan (the devil) is almost and exact remake of William Friedkin's "The Exorcist". The only differences are the special effects look very cheesie, and instead of using the Bible they use the Holy Qur'an; not to mention the differences in acting, etc. I saw this film before I saw "The Exorcist" and it really did scare me. But I was a kid. Also you should check out the scene where the girl sits on her bed and twists her head 360 degrees. You can easily see the head resting on a stick and her night gown pinned to the bed. Very fake effect but still fun to watch.
¿Sabías que...?
- CuriosidadesVirtually a shot-by-shot remake of The Exorcist.
- ConexionesFeatured in David Walliams' Awfully Good: Awfully Good Movies (2011)
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