La isla del fin del mundo

As with several other reviewers, I also have fond memories of the theatrical release of this film from my youth, and this fantastic Jules Vernesque tale of a airship journey into the unknown arctic still holds up pretty well after all this time. There is some decent acting, a great score, a zeppelin,vikings in real viking longboats, real Scandinavian dialog, exploding volcanoes and vicious killer whales, what more do you want?

Some things are dated, such as the Eskimo vs. Inuit thing, the portrayal of Orca as man-eaters, etc. and the special effects have seen better days..but there are some surprisingly good sets with amazing matte paintings that are as good as anything you see on modern films (note the amazing viking hall on a hill top), great aerial footage, and a pretty decent story with good pace.

Break out the popcorn and enjoy it with your kids.

This sci-fi adventure adapted from Jules Verne novel film deals with an expedition organized by a wealthy man (Donald Sinden) , an adventurer (David Tomlinson , unforgettable Lucas Tanner) and a genius inventor (Jacques Marin) . They along with an Eskimo (Mako) set out in search for his son on an ingenious blimp called Hiparion . But they suddenly encounter a lost civilization , a Viking kingdom . They are captured by the Vikings and are judged at a temple under the sculptures of Northern Gods : Thor and Odin . They're condemned to death penalty but achieving to flee. The movie displays exciting flying i scenes nvolving a spectacular Zeppelin over the skies of Arctic where we see different animals : Seals , oxes , White bears , Orcas , Reindeers and a Whales cemetery .

This fantasy picture gets action , adventures , derring-do , amusing images and breathtaking landscapes . Colorful atmosphere in this entertaining story in which with tension and adventure are maintained throughout. Splendid aerial cinematography showing marvellous outdoors . Abound matte painting , including enjoyable special effects by Disney specialist Peter Ellenshaw who is production designer too . Evocative and agreeable musical score by Maurice Jarre (Lawrence of Arabia, Bridge on the River Kwai). The motion picture was beautifully directed by Robert Stevenson , a Walt Disney's usual director (In search of the castaways : his fist attempt to recreate Verne novel , Gnome mobile , Herbie rises again , Mary Poppins). Mainly recommendable for all family and specially for children and adventure lovers .

This film has lots of flaws. It has inferior Disney production values to be sure. An inferior cast. But for me it is still magic as I remember seeing it as a small boy in a theater when it came out. I remember the big zepplin careening through a dusty red night on its way to the Artic. I can still picture the whales in my mind and for some reason thought the movie was about finding the place where whales go to die. That is part of it, but it really tells the story of an English aristocrat employing the aid of a French airship captain and an American scientist to go to the Artic to find his lost son. There is a large part of the film devoted to the viking civilization on the Island at the Top of theWorld. Funny, but I didn't seem to remember any of that. After seeing the film again almost thirty years later, I can see why. It is ludicrous. But the rest of the film still holds up for me. The production values, special effects, and acting are not what you would normally expect from Disney. This must have been one of their rush productions. Come on, David Hartman as a hero. I have seen baloney sandwhiches with more charisma! Nonetheless, he is adequate, and Donald Sinden is okay too. the real acting standout is Jacques Marin as the airship captain. He has a lot of fun with his role. The musical score by Maurice Jarre is breathtaking.

For a low budget Disney movie that's 30 years old this ripping yarn is a lot of fun. It has everything from killer whales, volcanoes, an experimental airship, a lost civilization of Vikings and even Mako in the role of an Eskimo who 'fights like a bear'!

When Sir Anthony discovers that his son has gone missing in the frozen north, this upper class Brit wastes no time in putting together a team of explorers (an American archaeologist, a French aviator and an Eskimo) to get him back. Using an experimental French airship they head past Greenland into the vast unknown of the frozen north. Using a map made of bone and ancient myths they find their way to a lost island oasis hidden deep in the ice.

I won't ruin anymore of the plot, as it gets even better from there. The set pieces and costumes are amazing for their time (and the low budget). The special effects in some parts look slightly dated but add to the charm of the film. If you don't think so then I am sure that the attack by the killer whales towards the end makes up for it! This film is a lot of fun and I recommend it to anyone who likes a good adventure story. The movie is PG enough for the kiddies, but the neat story and the clever locations will keep the adults interested.

In 1907, a wealthy Englishman recruits an American archaeologist and a French dirigible pilot to help him find a mysterious island in the Arctic where he believes he will find his missing son. When they locate the island, they find its inhabited by a lost Viking civilization that aren't too happy to see the outsiders.

Enjoyable Disney adventure film that's a throwback of sorts to similar films of the 1950s and early 1960s. It immediately brings to mind movies based on the works of Jules Verne, although it's actually an adaptation of the Ian Cameron novel "The Lost Ones." Handling the screenplay is John Whedon, a writer who worked mostly in sitcom television and also happens to be the grandfather of Joss Whedon. Directing the film is Disney favorite Robert Stevenson. It's a good-looking picture with nice sets and matte paintings. The scenes with the dirigible model are pretty good. There are no Harryhausen monsters to speak of, sadly, but there is a groan-tastic scene involving killer whales. The cast is decent, with most of the actors playing stereotype stock characters. Mako's turn as a cowardly Eskimo is probably the most colorful performance in the film. Maurice Jarre's evocative score is a big plus. The journey to discover the island is the best part. Once they arrive and deal with the Vikings, it becomes a lot less interesting, although things do pick back up during the escape. It's not going to give 20,000 Leagues Under the Sea or Mysterious Island a run for their money, but it's very entertaining in its own way. Give it a shot if you're a fan of old-school adventure films, Disney or not, and you'll likely find something to enjoy here.