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As an SS officer during World War II, "Ilsa" (Dyanne Thorne) serves as both a doctor and as the kommandant of a special prison camp in Nazi Germany. In particular the prison camp is allocated a certain number of young women for which Ilsa conducts inhuman medical experiments upon. Along with this the female prisoners are routinely beaten, tortured and raped. There are also a few male prisoners there who are used for manual labor with one specific man named "Wolfe" (Gregory Knoph) who has managed to arouse Ilsa to heights of sexuality she has never known before. But there are dangers associated with this action which are probably best left unmentioned in order to avoid spoiling the movie for those who haven't seen it. I will say however that this film is not for a general audience as it is quite brutal and sadistic. Even so Dyanne Thorne put on a very good performance and she essentially carries this movie all by herself. Again, I should warn viewers that this film is not for the squeamish but it pretty much kept my attention and I rate it as slightly above average.

ILSA: SHE WOLF OF THE SS

Aspect ratio: 1.85:1

Sound format: Mono

Ilsa, the sadistic female commandant of a Nazi concentration camp, conducts hideous medical experiments on her female inmates and is 'serviced' nightly by a studly male prisoner who is secretly plotting rebellion against her monstrous regime.

Produced in the wake of successful women-in-prison thrillers such as THE BIG DOLL HOUSE (1971) and the notorious LOVE CAMP 7 (1968), Don Edmonds' ILSA SHE WOLF OF THE SS preceded a wave of Nazi exploitation titles which flooded the grindhouse circuit during the 1970's, particularly in Europe (cf. Horrifying EXPERIMENTS OF THE SS LAST DAYS, THE GESTAPO'S LAST ORGY, SS EXPERIMENT CAMP, etc.). Aiming to outdo his competitors in terms of sex and horror, "Ilsa" was conceived by legendary producer David Friedman (SEVEN INTO SNOWY, THE RAMRODDERS, etc.) as a combination of softcore sleaze and hardcore violence, photographed on standing sets from the recently-cancelled TV series "Hogan's Heroes" (unfortunately, Friedman fell out with the film's Canadian backers during post-production and is billed on-screen as 'Herman Traeger'). Ilsa herself is played with unrestrained gusto by the wonderful (and wonderfully endowed!) Dyanne Thorne, a statuesque beauty who uses her voluptuous charms to seduce and destroy her helpless victims, in a manner both Sadean and erotic.

But the movie's sexual candor is offset by a series of tortures and medical experiments - courtesy of Joe Blasco's revolting makeup effects - rooted in appalling historical fact: For instance, the wound in a young girls' leg is deliberately infected with gangrene, and another unfortunate victim is forced to stand naked on a quick-melting block of ice with a noose tightening around her throat while SS officers dine in front of her. Reckless bravado or depraved opportunism? YOU be the judge...

Edmonds was clearly unable to get all the coverage he needed to tighten long-winded dialogue sequences (some scenes drag as a consequence), but while production values are sparse, the film is designed and photographed with consummate skill, and the climactic showdown between Ilsa and her former inmates closes proceedings on a note of genuine horror. You have been warned! Thorne featured in two legitimate sequels, ILSA: HAREM KEEPER OF THE OIL SHEIKS (1975) and ILSA: TIGRESS OF SIBERIA (1978), along with Jesùs Franco's tawdry cash-in GRETA THE WICKED WARDEN (1977).

Ilsa is one sadistic mama who tortures men and women to prove that women have a greater threshold for pain and also just for the fun of it. This is the first of a series of exploitation films featuring Thorne, who is endowed with certain God-given gifts that are prominently displayed. In fact, her bra should have received the Oscar that year for best supporting an actress. It is intended to be trash and it makes no attempt to rise above that. There is plenty of nudity and gore. It would have been better if the violence could have been toned down a bit but the blood looks so fake that it is not very disturbing. This qualifies as a guilty pleasure.

I can believe that this movie was made. The 70's seemed to be a bastion for bad exploitation fare involving gratuitous sex and violence. Dyanne Thorne plays Ilsa, the Kommandantin of a secret SS research facility that uses women as guinea pigs for experiments on reactions to pain. She's convinced that women can bear more pain than men and this will some way advance the war effort (how the hell this will work, I don't have the foggiest clue seeing as how all the German soldiers on the front lines were men). Ilsa has a very promiscuous sex life; she sleeps with every male prisoner in camp and then castrates them after the lovin'. Ilsa meets her match when an American POW who can control his ejaculation comes to camp (I didn't write the script, so don't blame me).

The whole thing is loaded with sex, violence and very explicit torture scenes. What's really shocking is that the movie was shot on the left over Hogan's Heros set. I'd really love to see Col. Klink and LeBeau pop up somewhere in this thing. This is probably the best of the Ilsa series (that's not saying too much, but it probably has the best plot of the bunch. Dyanne Thorne either enjoyed playing Ilsa, or really needed work). Definitely for those who don't mind watching pointless torture and gratuitous nudity.

On the heels of Lilia Cavani's incomparably better "The Night Porter" comes this offensive, well-produced exercise in showy sadism. Dyanne Thorne possesses an undeniable sexiness as the dominatrix head of a Nazi prison camp, delighting in torture and murder as much as kinky sex, but she, as well as everyone else involved in this production, acts in a caricatured style that only makes the exploitation elements of this allegedly fact-based shocker all the more repulsive. The opening note from the producer reeks of shallow ambition trying to mask the rot within–and that's where "Ilsa" ultimately falls–it has nothing to say, nothing to illuminate, and quickly deteriorates into a lurid, masochistic fantasy of excess, with an appeal only to the most prurient desires of underage males. In spite of the dreadful acting and the overall execution that renders the events with all the reality of a Saturday-morning cartoon, Thorne's physical talents and Joe Blasco's makeup effects lend some value to this otherwise despicable film.

Ilsa, She Wolf of the SS certainly deserves its reputation as a nasty film. Although it is thoroughly cheesy, poorly acted, routinely directed, and extremely camp at times, the film still packs a punch due to its ability to offend and disgust at every turn; the depiction of Nazi atrocities in the name of entertainment is hard to defend (so I'm not even going to try) and this movie pulls no punches with its well executed graphic violence and horrific torture scenes.

Ilsa, played with gusto by chesty blonde Dianne Thorne, is the Kommandant at a concentration camp where she oversees medical research performed on the female prisoners. Meanwhile, she uses the males to try and satisfy her sexual needs (and when they fail, she has them castrated!). It is up to German/American stud Wolfe to lead the prisoners in a revolt against the guards whilst simultaneously gaining Ilsa's trust by rogering her senseless at every opportunity.

This notorious sleaze classic packs so much depravity into its 96 minutes running time (uncut), that lovers of exploitation will have a field day. From the opening scene in which Ilsa's sex slave is dragged back to the camp to be emasculated, to the ending in which the prisoners exact bloody retribution, sex and violence pervades every frame. The effective make-up FX by Joe Blasco are repugnant enough for hardened gore-hounds and fans of the female form will be delighted by the copious amounts of nudity (nearly every woman gets naked at some point in the film!). And lets not forget the scene in which Ilsa pees on the Nazi general...

Thirty years after it was made, Ilsa still has the ability to shock—the mark of a true exploitation classic!

Yesterday I bought this imported DVD in a sale offer. It is not available in Brazil, I had no reference about this title and the price was not expensive. I decide to try and I found a too sick and sadistic movie, not so nasty as Pier Paolo Pasolini's "Salo, or The 120 Days of Sodom", but also very disgusting. There is no story, only violence against the prisoners, most of them women. I noted that the 42 years old (in 1974) `star' Dyanne Thorne participated of one episode of Star Trek. The persons who voted excellent in this film are joking, or needing to go to a psychiatrist. This type of `cult' movie is not for my taste. My vote is four.

Title (Brazil): Movie not available in Brazil.

An exploitation classic that is a surprisingly enjoyable film. Ilsa, the Arian commandant of a secret medical facility, sets out to prove to her doubting superiors that women are able to endure greater pain and suffering than men. She does this by torturing the female inmates in increasingly diabolical ways, while trying to break the American 'sexual freak of nature', Wolfe. Cue lots of gratuitous nudity, castration, strangulation, boiling alive, magnificent pre-implant breasts, softcore sex and gang rape, golden showers, and general bloody mayhem. The German accents are hilarious, and the acting barely one step up from Hershael Gordon Lewis and early John Waters. It even has the ubiquitous 'moral message' at the beginning. But unlike so many of these movies, 'Ilsa' manages to avoid descending into tedious repetition half way through, and builds to a brilliantly ludicrous climax in which an entire camp is gunned down by machine gun fire, without a drop of blood being spilt. Brilliant.

When this movie first came out in the 70's it was a 42nd street style grindhouse pleaser that would have shocked mainstream audiences; however with the advent of video few will be so shocked today. Ilsa is impossible to take seriously. Sure medical torture was carried out by the Nazis but this movie is not like Men behind the sun, and you will be left questioning the authenticity of Ilsas source. Ilsa can be enjoyed as an exercise in bad taste that John Waters would enjoy; torture, Nasty nazis and a range of bad accents, though Joe DeBlascos SFX makeup is pretty good.The camerawork is good giving it a gritty feel, and the sets (used by Hogans heros!) are impressive. Ilsa will neither exceed nor dissapoint as an exploitation flick, and thats my recommendation.

I've always wondered why they never make flicks like this... Oh, how I miss them.

Anyways, Ilsa, the She wolf of the SS is, as many know, a cult classic. It shows the story of ILSA, an evil SS officer and how she tortures women in her SS camp. Its a very simple story.

The cast was fine. You can't expect much from a flick like this. But the Ilsa character portrayed by Dyanne Thorne was fabulous. She was voluptuous, evil, vile and seductive at the same time. She really steals the show. There are a handful of soft core scenes of sex, featuring Ilsa.

Also, this movie does not get you bored. Nope, no way you are getting bored. The movie is filed with gratuitous sex and torture scenes, though they are not even half as graphic as the scenes in many other contemporary 'Video nasties' like the Italian Cannibal films.

If you are an exploitation era fan, you should have already watched it. If you are not and want to be one, please, do yourself a favor and watch this piece of beauty. This naziploitation classic is never to be missed by fans. Ilsa never disappoints.

Exploitation movies of course never have really been a sign of good taste but perhaps the most tasteless sub-genre within the exploitation genre are the ones featuring Nazi's.

Even though the intro text at the beginning of the movie suggest otherwise, this movie is made for one reason only; to be provocative and shock the viewers with basically every exploitation element from the book. Not only is there all lot of blood and violence, the movie also contains lots of nudity and rape sequences, in which both males and females are the victims and they are not only being raped by males this time. After all, this is a movie about Ilsa, she wolf of the SS. A dominant female doctor who conducts all horrible kind of tests on her female prisoners in a camp, in order to prove her own developed theory that women are better at handling pain than the male species. The male prisoners at the camp serve a whole different purpose for her; to please her in bed and when she isn't pleased with the result, you'll never get out being the same man again.

This is basically what the entire movie is about. Rape and torture. The movie is porn for sadist, without of course truly convincing as being a very credible movie. It all above all really remains a big fat B-movie, that often is ridicules but more often still truly disgusting. It doesn't alway convince visually but the ideas and set up of some sequences are already enough to be provocative.

It's not hard to see why this movie has grown out in to becoming a cult classic. The title of the movie alone is already good enough to make this an instant cult classic of course. It hove doesn't mean that the movie is also good enough, even for within its genre, to truly impressive and call this a must-see cult classic.

4/10

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I completely see why some people really like this movie (director Quentin Tarantino among those that do).

The movie may have been slightly cringe-worthy when I saw it (mostly the way the director relishes in the dirty art he has created), but in retrospect is fluff compared to a lot of the movies I've seen since then. Even though this movie is pure, unadulterated carnage and heinous acts throughout the entire course of the film, it had a redeeming quality.It's hard to pinpoint what made this movie so appealing to me. It was a perfect emblem of the pure sleaziness and overall decadent atmosphere of the 70's smut prevalent at this time. Like all grindhouse films, it appeals to the baser senses - filled with excess violence (grizzly and well-done) and sex. And it's shot amazingly well for such a poor film. I expected it to be grainy and imperceptible.

There's an element of immorality felt when watching films like this, but it's a healthy outlet to sublimate impure thoughts. It's sensationalist, yes. Probably no artistic merit either. But it's an appetizer of the 70's Perversia. I do think it's mostly meant to be titillating and gross for the sake of being gross. It's so blatantly in-your-face tasteless and bad that I love it. Stay away from it if you don't have a knack for the depraved.

this movie is the worst, i'm astounded by the positive reviews, it is just sick for no other reason. time has not diminished how disgusting the film is. why? what does anyone gain from watching this stuff.....this film used to be banned in Australia, and i generally don't think anything should be censored, but the idea of people sitting down and enjoying this movie makes me feel sick - people keep bringing up the exploitation genre as some kind of reason the movie is OK to watch. people that know that genre, and I'm not talking about the Ilsa sequels. this one is pathetic in every way. i hate this movie, and please people avoid it like the plague. and if you gained pleasure from watching this film, please get help!!!!

I sat down to watch this film expecting to see the most disgusting film ever made. However, some very sick thoughts are about as disturbing as this film gets. The filmmakers were not at all afraid to suggest more than a few violent ideas, but they were surprisingly hesitant to get particularly graphic with the violence and torture. A film like this should only be watched for the shock value, but if you're looking for something that is truly offensive, you can surely find a movie that is more shocking than this. This movie will offend most people I'm sure, and the few people who are warped enough to want to see this picture will probably find that it didn't go far enough. It's somewhat watchable at best, a real piece of garbage at worst.

I love all the 'women in prison' films of the 70s. But I like them because they are fun and silly. This movie, for me anyway, is a step too far. In the usual 70s W. I. P films even the torture scenes seem tame, where the women just seem to take it on the chin and move on. But with Ilsa, it's a different level and I don't like the Nazi subject matter. After one particular torture scene I turned it off. Again just not fun for me. If this sort of thing doesn't bother you then all the rest is there, ample sex and nudity and Dyanne Thorn does give a good performance as Ilsa. Just be warned it is quite graphic and not for the easily offended.

Sick and depraved are two of the many adjectives that could be used to describe Ilsa, She Wolf of the SS. For awhile I had been aching to see an infamous Nazi Exploitation ("nazisploitation") because of their enormous reputation. After finally seeing it, I can see why it is this controversial. Although the film is filled with bad acting and plenty of camp, it also has plenty of sadistic gore and torture, soft-core sex and copious female nudity.

Plot-wise, Ilsa, She Wolf of the SS is fairly standard (and simple) exploitation stuff. Ilsa (big-chested Dyanne Thorne) is in charge of a Nazi Concentration Camp which conducts medial experiments. Her goal is to prove that women can take more pain than men, so they should be allowed to fight on the front lines. Alongside this, Ilsa also likes to sleep with the male prisoners and if they do not pleasure her, she takes their manhood away.

This story sets up many scenes of depravity which would still shock today. In particular, genitalia seem to be the main target and numerous scenes focus on destroying male and female body parts in many disgusting ways. I will not go into detail but I will warn anyone who is thinking of seeing this but has a weak stomach to stay far away. Not only is the film violent, but there is a disturbing rape scene. However, Dyanne Thorne's ever-present breasts are a welcome presence amidst all the horrible events. Thorne bares them constantly throughout along with almost every other actress.

In terms of acting and all the technical stuff, the film is lacking. Nevertheless, it IS an exploitation film so that stuff can be slightly forgiven. Why I give this such a high rating I do not know. Most definitely, it worked in sickening me and I think that is all director Don Edmonds was going for. When the film finished I felt dirty and somewhat depressed at what I had just seen.

3/5

This is a cult movie. Now, what's a cult movie?! It's a movie everybody's heard about but nobody has seen it. Ilsa is one of those. I was very pleased when I had the occasion to watch it, because of its notorious reputation. Was I shocked? Was I amused? Let me tell you; I expected a gory but campy 70's flick ... but instead I was rather bored and disappointed. This movie contains a lot of disturbing scenes but they are shot so chaotic or just plain BAD that they just don't shock (don't get me wrong, I don't need to be shocked, but I expected a little more from a movie with such a reputation) There's a movie where a woman's gangraped. Now, normally such things would shock me to death ... but not in this flick. It's so poorly shot that it doesn't look gory, doesn't look sick nor campy ... just dull. Most disturbing scenes are rather suggestive, not fully shown (which isn't always a bad thing) This movie is just a simple excuse for a lot of nudity (the term 'exploitation movie' is well-deserved) 70 % nudity, 20 % sickness and 10 % violent action. This is a exploitation movie, not a political or social movie. The only reason why this flick features nazis is to give this movie a little unpleasant feeling ... nothing more. Don't take it so serious!

I was reluctant to watch this first instalment in the Ilsa franchise. "Ilsa, Harem Keeper of the Oil Sheiks" is an exploitation classic, campy fun with over-the-top violence and nudity. "She Wolf of the SS", however? Kind of hard to enjoy camp value with the shadow of the Holocaust being wilfully evoked. The movie even has the shamelessness to begin with a message on the screen, claiming that the following BDSM porn that makes up the movie is actually some kind serious document of the horrors of Nazi Germany.

So I was prepared for a demoralising experience. What's more depressing than a Holocaust movie? How about a movie that exploits the Holocaust for an easy buck?

With movies like the Ilsa series, and all those "Pinky violence" flicks from Japan, I think filmmakers were basically trying to provide bondage porn to people who couldn't easily get it in the pre-internet age. Most of "She Wolf", as with the Japanese flick "Terrifying Girls High School", seems to be naked women being tortured.

Children of the 2000's thought they knew "torture porn" from all those Saw movies, and indeed, they thought it was a new invention. Wrong! In the '70s, movies like the above put the "porn" in torture porn, and they didn't skimp on the torture, either.

In "She Wolf of the SS", the tortures are surprisingly not very graphic, but the aftermath is shown in disturbing detail, with horribly burnt and blistered skin, and hideous wounds to the body, including burst eyeballs.

In one scene, the movie even evokes a fetish many might find even more disturbing than the BDSM scenes: urophilia.

I'm not going to summarise the plot, or what plot there is. Nobody watches it for that anyway. It's a series of BDSM porn scenes, some violent moments, and minimal character development. I'm struggling to think of why I didn't hate it as much as I probably should have. Maybe it's because I knew what to expect - and I wasn't disappointed. The special effects are good. The actresses are improbably beautiful. Dyanne Thorne makes an iconic villain. The movie is surprisingly well made. I just wish they hadn't evoked the memory of the greatest evil of the 20th century, in service of cheap BDSM pornography.

I tried watching this thing after reading the other comments on IMDb, expecting to have my mind blown. Or at least the part responsible for good, sound moral judgement. Maybe I'm just dulled from seeing contemporary newscasts, but the most shocking feature turned out to be the ample supply of untrimmed 1970's bush.

The only other thing worth noting was that the German soldier kept shouting 'raus, raus' at a prisoner even when she was already well out of the truck. Clearly one of the supermen. Didn't stick around long enough to get in to the rest of the storyline. I can see the artistic merit of the lead figure, though, in a Lacanian sense: 10 points for inventing her, minus 7 for putting her in such a sh@tty movie. Can't wait to skip through the 3 sequels.

First off, understand my rating of Ilsa. Ilsa by general movie standards is not a good movie. If you were to put it up against any of the so called "classic" movies, it would not stand up. But those who search out Ilsa She Wolf of THe SS or any of the others in the series aren't doing so because they want to see a tense, well acted, well directed movie.

Ilsa is first and foremost an exploitation film and, realizing that, I have to say it is in the upper echelons of its field because it wallows in filth and does so unapologetically. It boils down to this. If you search out a Euro Trash film, be it an Italian Giallo or English 70's horror, you desire it to be as sleazy and un politically correct as possible but also you want the movie to have some semblance of a plot, be it ever tiny. Ilsa scores big on all these points. There is wall to wall nudity, all female. Gratitutious torture scenes that are more ridiculous than offensive, (I mean every time Ilsa drags a prisoner down for torture they are completely naked as they are being tortured). And all most everyone of the female cast members at some point is completely naked. Let's be honest, It ain't Shakespeare, nor does it pretend to be.

Of note is the lead actress Dyanne Thorne. Apparently Ms. Thorne had lofty ambitions of being a serious actress at one point in her career but the fickle finger of fate lead her to Ilsa fame. In her mid 40's, Ms. Thorne is competent enough not to look like an amateur on screen. She has a several nude scenes throughout the movie and anyone who watches Ilsa will no doubt remember her more for her large breasts than her acting ability.

Ilsa She Wolf of the SS is a noteworthy entry into the world of exploitation films and should be the starting point for anyone who journeys into this genre. I rate it as a 10 because it knows what it is and does not pretend to try for anything higher

ILSA, SHE WOLF OF THE SS (3+ outta 5 stars) Love this movie or hate it, you have to admit that it's remarkable that this movie even exists at all. Probably the nastiest, crudest, most brutal, tasteless, sleaziest movie ever made. But, oh yeah, it is entertaining as well. (Well, to some people.) Based on actual historical recordings of Nazi atrocities during WW2 but combined with some totally outrageous exploitation movie elements, this movie tells the story of Ilsa, who runs a Nazi war camp as a means of satisfying her crazed pseudo-sexual desires. She tortures male and female prisoners alike (usually in the nude) and potential viewers must be warned that the juxtaposition of nudity and violence can be *very* jarring. You simply cannot imagine anyone making a movie like this today... much less having it shown in actual movie theatres... and DRIVE-INS! Nonetheless, the movie was a big independent hit in the '70s and the character of Ilsa has become famous the world over (spawning several sequels). Considering that this was a super low budget movie made in only NINE DAYS, it is amazing that the quality of the acting, sets, costumes and action is as good as it is. The elaborate action finale was shot in one day and it puts a lot of higher-budget action movies to shame.

All I can say is "Thanks a lot guys" . I went into this expecting a lot of gore, violence and shock......I saw flowing ketchup and mundane scenes of implied violence. Don't be fooled by all the user comments here saying how shocking and offensive this movie is. It really isn't . I have seen the uncut version and it is tame compared to other films out there like Men Behind the Sun. For what it was , a cheesefest, it was good, but when one expects a shocking horrid tale, you will be extremely disappointed. Apparently there are too many people who were scared by The Ring commenting on this film. You are warned. Expect nudity and pseudo violence.....but like Jane's Addiction said, "Nothing's Shocking"