El padrino negro

With the help of Kingpin, Nate Williams (Jimmy Witherspoon), a smalltime crook named J. J. (Rod Perry) works his way up to the big time. Unfortunately, as is often the case in these films, mob types are trying to move in on Williams' turf. Their boss, Tony Burton (Don Chastain) has been pushing his dope on the local youngsters, and that will not stand.

THE BLACK GODFATHER is a solid entry in the urban action / crime subgenre. Mr. Perry's character seems to get tougher and wiser as the film progresses. There are several interesting characters, like the bada$$ Diablo (Damu King). He's definitely the sort of guy you'd want on your side.

The final confrontation contains a surprise for old Tony!...

On the one hand, it's pretty good to focus on a man whose aim is to keep drugs out of his community, but this is silly. The fight scenes aren't as neat as those seen in "Shaft" or "Superfly". An interesting factoid is that Tony Burton, who plays Sonny, has also starred in two of the most famous movies: he played Apollo Creed's trainer in "Rocky" and the garage owner in "The Shining" (on whose set he played chess with Stanley Kubrick).

So, there's nothing special about "The Black Godfather". Like any blaxploitation flick, it's purpose is to show African-Americans being cool. This one succeeds at least partly.

The Black Godfather (1974) is a movie that I recently watched on Tubi. The storyline follows JJ, a rising drug dealer who can't stand what drugs are doing to his neighborhood. He decides he wants to change how he, and everyone else, do business his neighborhood and get crack off the streets. His business partners don't agree with his epiphany leading to a battle in the streets.

This movie is written and directed by John Evans (Speeding up Time) and stars Rod Perry (The Black Gestapo), Don Chastain (C. C. And Company), Tony Burton (Assault on Precinct 13) and John Alderman (Cleopatra Jones).

This movie had a classic blaxploitation storyline but all the charm that comes with this genre - a great soundtrack, fun attire and style, entertaining dialogue and characters that are easy to root for. There are some worthwhile nudity and sex scenes and the film does a great job of making the main character relatable despite his decisions and actions. The action is very average and the ending is as you'd expect.

Overall, this is an average addition to the blaxploitation genre that I would score a 5/10 and recommend seeing once.

"The Black Godfather" begins with a young guy, J.J. (Rod Perry), nearly getting himself killed but being ultimately rescued and taken under the wing of a guy who is in charge of the numbers rackets in the inner city. Despite nearly getting killed, J.J. is insistent that he has plans---plans on taking down the established white mob that has set up shop in the ghetto. However, and this is odd, it's never really certain what his plans are once he's destroyed this mob. Does he want peace for his community or does he want to be the next mob boss.

This is an unusual blaxsploitation film in that I have seen similar types of movies but never one that is so muted and low-key. The normal bouncy 70s R&B music is gone and so are the loud stereotypical sorts of characters. Some, I am sure, will dislike this--they WANT the crazy over-the-top characters you see in many blaxsploitation films. Some might appreciate that the folks AREN'T so stereotypical. The problem I had is that although I appreciated these sorts of characters, the script itself just lacked energy and life--definitely making this a lesser film of the genre.

By the way, look for the rather visible mic at 20:00 at the top of the screen--much like you'll see deliberately included in the recent blaxsploitation parody "Black Dynamite" (a definite must-see).

This movie pretty much follows the same path of many others of it's ilk. A socially conscious hero (Rod Perry) tries to uproot evil in the neighborhood (i.e. drugs) through violent tactics and (of course) runs up against corrupt cops and the mob who (of course) are far more nasty than they are competent. The film has little to distinguish it. Most of the action is at the early 1970s TV show level. On the plus side, Rod Perry does occasionally manage to rise above the material and the opening theme song is pretty cool.