La ternura de los lobos

Fritz Haarman-the infamous "Butcher of Hanover" was one of the worst serial killers in the recent history.During five years(1919-1924)with the help of his homosexual partner Hans Grans he butchered nearly fifty youths.Their method was always the same:they enticed a youth from railway station back to Haarman's room,Haarman killed him(according to his account by biting his throat)and the boy's body was dismembered and sold as meat.His clothes were sold,and the useless(i.e. uneatable)body parts were thrown into the river Leine.Haarman was sentenced to death,Grans to twelve years in jail.Ulli Lommel's "The Tenderness of Wolves" is a realistic portrayal of this notorious killer.It's brilliantly acted,psychologically disturbing and almost completely non-violent.Definitely a must-see!

Surprisingly deemed too controversial a topic to direct himself, infant terrible Rainer Werner Fassbinder handed the reins of Tenderness of the Wolves, a deeply unsettling portrayal of serial killer Fritz Haarmann, to his protégé Ulli Lommel, the man later responsible for video nasty The Boogeyman (1980) and countless straight-to-video efforts that linger in the IMDb's Bottom 100 list. Despite this, the film looks and feels like a Fassbinder film. The characters inhabit the same sleazily-filmed world, many of Fassbinder's troupe of actors appear, and the great man himself has a small role as an ugly pimp.

Written by the great Kurt Raab, who also stars as Haarmann, Tenderness of the Wolves doesn't spend any time trying to understand the motivation of the man dubbed the Vampire of Hanover, but instead shows us a snippet of his debauched life. Moving the story from 1924 (when Haarmann was arrested in real-life) to post World War II, Germany is a country clearly feeling the economic strain of losing the war, where the black market is flourishing and con-man Haarmann is doing very well for himself. Along with his on-and-off lover and pimp Hans Grans (Jeff Roden), he swindles clothes from good Samaritans and sells them on for profit, as well as selling meat to bar owner Louise (Brigitte Mira) which may or may not be the bodies of his victims.

As a horror, it achieves it's disturbing atmosphere not through gratuitousness, but through the squalor of its setting, observant direction, and Raab's magnificent performance. Haartmann was a gay child molester who enjoyed throttling his victims, biting into their throats (often through the Adam's apple), before chopping them into pieces and throwing them into the Leine River. We don't see much of the murders, but when they do occur they are filmed without sensationalism, made all the more unsettling due to the full-frontal male nudity of some of the film's under-age actors, something extremely rare in horror even today.

Haartmann, shaven-headed and ghostly pale, manipulates his victims by posing as a police officer before drugging and overpowering them, often making little effort to cover his tracks or dispose of the bodies discretely. This arrogance, although it would eventually lead to his arrest, makes him even more of a monster, and Raab delivers a truly terrific performance. Without attempting to explain his actions or even offer a background of how Haarmann got into the criminal business and how he developed a taste for human blood, Tenderness of the Wolves becomes more about the world he inhabits and the creepy characters who surround him. It's hardly a film to discuss over breakfast, but it will no doubt stay with you for long after the credits have rolled.

This movie was shot in only 23 days at a theatre in Düsseldorf. It´s about a gay murderer who kills lots of young boys and then butchers them in order to eat ´em with his friends.-

Sounds scary, but it´s incredible how the film crew created an stunning atmosphere with just a very low budget. Fassbinder couldn´t direct because he did other projects, so crew member and actor Uli Lommel did the job. Many Fassbinder friends join the movie. See this unusual one!

Tenderness of the Wolf (1973) is an excellent film about a serial killer living in war torn Germany. Fritz Haarman was a pedophile psychopath who lived during WWI Germany (the time period in the movie was moved up to WWII). Ulli Lommel's style of directing was a nod to Fritz Lang and the other German expressionist filmmakers of the the 20's and 30's. Beware, I must warn you that this film has some strong adult content matter that most people will find repulsing. But those who are open minded will find this movie an interesting and honest portrait of a madman. Lommel and Kurt Raab (who also wrote the screenplay) portray Fritz Haarman as a tortured soul who can never truly express himself or convey his emotions. In his twisted mind he sees no harm in what he does. Several Fassbinder stock players have supporting and minor roles in this picture including Fassbinder (he cameos as a real shady slug). Kurt Raab does an excellent character study of one of Germany's most notorious serial killers.

Highly recommended (if you can stomach the content).

Based on the true story of Fritz Haarman who was a serial killer who preyed on young men and boys between the wars, this is a repositioning of the time line to be just after World War II in a devastated Germany. He was a man who had come under the watch of the Police but they chose to keep him as informant rather than look into his more nefarious habits.

He sells 'meat' on the black market and his visits are eagerly awaited by his customers. At night he patrols the local train station and helps out waifs and strays – some of them he takes under his wing and brings them back to his attic room. There the neighbours start to complain about the ungodly noises that emanate from the loft long into the wee hours of the German night.

Now this is deeply chilling and has scenes that will stay with you. The nasty bits are far from gratuitous but they have more of an impact because of that. Openly gay he lusts after Hans who is the German equivalent of a 'Spiv' and equally as loathsome. The lighting is just brilliant too, adding to the eerie atmosphere and the squalid detritus of post war life. Rainer Werner Fassbinder puts in an on screen appearance too – which is just cinematic gravy as far as I am concerned. The actual transfer by Arrow Video is really high quality too and it feels as if this could have been made a few years ago and not in 1973 as indeed it was. A great and worthy film to have some new life breathed into it.