Confeso por coacción

I love true stories, especially this one. Based on the book by author Selwyn Raab, (a New York Times reporter) "Justice in the Back Room". This film was intense and very close to the book. The main character Louis Humes was played by Gene Woodbury who played the part perfectly as a shy uneducated black kid that was unjustly accused of an attempted rape, a murder in Brooklyn and also implicated in a double homicide in Manhattan. The newspapers in 1963 dubbed this as the Career Girl Murders. The film calls it the Marcus Nelson murders. The story rubbed me the wrong way because at the end, the narration said Humes was still in jail. It also said the prosecutor was elected an assemblyman. I wanted to know about this and read the book. Humes(not his real name) was finally cleared but the NY police tried to pin a mugging charge against him when he was in south Jersey. He was cleared of that too. Kojak is a composite of Selwyn Raab and some police officers that care.

Who loves you, baby? Took in another TV movie with the excellent The Marcus-Nelson Murders (1973). Based on the true story of the murder of two girls in NYC and the law's attempt to railroad an innocent suspect, it also serves as the debut on Lt. Theo Kojak, a character that would go on to become an iconic TV detective. Creator-writer Abby Mann (Judgment at Nuremberg) sticks close to the 1963 Wylie-Hoffert murders and the course of events unfold with infuriating intensity. Telly Savalas is unusually subdued as Kojak, perhaps still full from chewing the scenery in Horror Express (1972). Director Joseph Sargent does a fantastic job of unpacking the complex story, even doing the opening murders in POV fashion and including some Rashomon-esque flashbacks as different stories are given for the interrogation. There is a stellar supporting cast including Allen Garfield as a prosecutor; Jose Ferrer as a defense attorney; Gene Woodbury as the accused; Marjoe Gortner as a junkie; Roger Robinson as a drug dealer; Lorraine Gary as Kojak's ex; and Ned Beatty, William Watson and Val Bisoglio as the detectives who illicit the false confession. It ends on a bleak note, but proves to be a perfect launch for the burned out detective who would soon be a household name. The saddest indictment here is that this is almost 50 years old and we're still dealing with the same issues. At least Harlem no longer looks like a bombed out war zone.

This is amazing. Kojak is more low-key here than in the series. His voiceover, especially at the end, is excellent. It's got a semi-documentary tone, thanks to the narration, comparing favorably with The Naked City. The collection of actors is good too --Jose Ferrer, Ned Beatty, Marjoe Gortner, Bruce Kirby, Allen Garfield, etc. This is a little-remembered gem, like so many forgotten pilots for successful TV shows.

"The Marcus-Nelson Murders" is a made for TV movie set in the summer of 1963 that turned out to be the pilot for "Kojak". It's based on a real case, 'The Career Girl Murders' of Emily Hoffert and Janice Wylie, though names and a few other details have been changed. The film details the investigation as well as the misconduct by the New York Police Department, as the accused was denied his rights to an attorney and was forced into confessing for a crime he did not commit. This is a fact, as the real killer was eventually caught and later confessed to the crime...though the falsely accused man was also sent to prison for several years! The injustice of the case helped lead to the landmark Miranda Decision in 1966.

The story begins with two young women being attacked and viciously murdered by a psycho with a knife. One was also raped.

You never see who he is and the film shows the case from the standpoint of the police department...as well as from the investigator, Lieutenant Kojack (the name was changed to 'Kojak' for the TV series). Over time, he starts to wonder if the confession was infact coerced and if the young man is being victimized. Naturally, the Department is not thrilled with Kojack's actions and they just want him to just drop his inquiry...especially the prosecutor.

If you are expecting something like "Kojak", you'll probably be disappointed. Aside from Telly Savalas and a brief scene where George Savalas plays a reporter, the cast is entirely different from the TV show. This isn't good nor bad...it's just different. And, it's generally a very good film. My only quibble is a very small one...everything looks like 1973 instead of 1963...such as clothing and hairstyles.

By the way, this film came out the same year as "Serpico"...a true film about corruption within the New York Police Department.

This generation of film makers are afraid to make something like this now. Distributors wont touch it.This should not have been a TV movie. Academy award worthy across the board here. The direction, the cinematography, one heck of a script, and you can take your pick of the actors whose performances went past the heart and right for the gut. The subject matter supporting the Kojak mythology puts the film right up there with any top civil rights documentary. I first saw it as the " The 3:30 movie" on channel seven in Chicago back in 74.I didn't know what I was looking at until I studied the King event. Abby Mann later wrote and directed "King" but this script is as close as you will get to a saturated gritty matter-of -fact telling of a story that still rightly embarrasses the legal system. I always wondered why the networks never bothered to show it again. I see why...and so will you.