La guerra de Gordon

Those looking for classic blaxploitation will find it here: pimps and rug dealers in fancy furs, shooting galleries, naked chicks packaging heroin, black men and white women, and the mafia controlling it all from the shadows.

Paul Winfield had received an Oscar nomination for Sounder the same year as he made this film, and he was to make one of my personal favorites, Conrack, the next year, so this was probably the peak of his acting career.

He is a Vietnam vet who comes home to tragedy and vows to do something. He gathers some friends and starts a private war against the drug dealers. It was an interesting film with many familiar faces in the blaxploitation genre.

Despite the weak ending, it was a good example of a positive blaxploitation film.

Paul Winfield stars as the eponymous hero in this highly satisfying, gritty and violent actioner in which after returning home from Nam and finding his beloved wife has died of an overdose, our hero decides to wage war on the drug pushers, pimps and general low life infesting the streets of Harlem. Unfortunately, Gordon is brought to the swift realisation (painfully!) that one man alone is not enough to tackle the problem, so enlists the aid of some old army buddies including the ever super cool Tony King and promptly sets about coming down heavy on the nefarious wretches who are destroying the neighbourhood.

Bucket loads of glorious violence and some fine action set pieces follow in this solidly rendered flick which is all the more sadly, so little known. Winfield, although hardly pushed in this, is fine as ever as are the rest of the cast and the director really succeeds in making us care about these protagonists in the ever more perilous situation they find themselves in. Special mention also to the highly exciting final chase scene in this although the final conclusion involving the assassination of the apparent 'real' top dog running all of the drugs business in the area is regretfully somewhat confusing not to mention unsatisfyingly abrupt. Nonetheless, such a small matter in no way detracts from the overall entertainment value of all that precedes it. Highly recommended.

OK, so this isn't one of the best movies ever made, but it is one of the better Blaxploitation films and is still not very well known.

A Vietnam vet returns home to Harlem, to find out his lady died from an overdose. This Heroin problem is not only a problem for him, but dope and pimps are taking over the whole neighborhood. He wants justice, not just for his woman but for his neighborhood and for his people.

He gets a group of his buddies from the Nam, and they form a a 4 man task force to push the dealers out of Harlem.

This movie is creative and fun, if you don't try to take it too seriously. Fans of the genre will recognize many of the actors in the movie.

This team not only tackles the dealers, the attack the infrastructure, and keep on fighting until they get all the way to the top until they get all the way to the top.

Paul Winfield presence is strong.

This is really more of an crime-action movie than a crime-drama. Car chases, fighting, comedy, and a few slick quotables in it as well.

If you like Blaxploitation flicks, you'll want to see this.

I'm certainly not an expert when it comes to Blaxploitation cinema, but I've seen enough films by now to know that I root for the underdog titles rather than the popular blockbusters. Flamboyant and famous genre classics like "Shaft", "Foxy Brown" or "Black Caesar" may be entertaining, but I prefer the raw and desolate atmosphere of unsung gems like "Across 110th Street", "Ganja and Hess", "Fight for your Life" or "The Spook who sat by the Door". Ossie Davis' "Gordon's War" can definitely also be added to that shortlist from now on as well! This film doesn't rely on the groovy charisma of one single lead- player (although Paul Winfield is truly fantastic) but instead it portrays a harsh and saddening image of life in the decaying big city ghettos. Mostly thanks to the authentic Harlem filming locations, in combination with a straightforward no-nonsense script and a handful of marvelous action sequences, "Gordon's War" is a rewarding Blaxploitation gem worth tracking down. Decorated war hero Gordon Hudson returns from Vietnam only to find out that his beloved wife died of an overdose and that a whole generation of Harlem youngsters is falling victim to lousy heroine. You know the revenge/vigilante routine from here onward: Gordon assembles his army buddies and go back to war, only this time it's a personal battle against the drug pushers on the streets and crime lords who provide them. Apart from being a fast- paced and competently made thriller, "Gordon's War" is also memorable for featuring one of the most inventive safe raids I've ever seen and the bizarre supporting role of Grace Jones in her first screen appearance. The abrupt finale is a bit of a letdown, though, and the film could have done without the clichéd "oh-we-used-to-be-so-happy" flashbacks.

After playing a villain in Trouble Man, Paul Winfield was then cast by director Ossie Davis as Gordon Hudson, a Vietnam vet who starts an all-out war on the drug pushers in Harlem after his wife died of an overdose. He gets help from fellow veterans Bee Bishop (Carl Lee), Otis Russell (David Downing), and Roy Green (Tony King). Among the people they're after: Luther the Pimp (Carl Gordon) and Spanish Harry (Gilbert Lewis). Not all is serious, though, during one scene Roy gets very lucky with a fine white woman (Jackie Page credited as "Bedroom Girl") and you get to see...oh, watch the movie. Also, music artist Grace Jones appears as Mary, one of many naked women assembling the stuff in abandoned buildings. Lots of cool explosions and a climatic chase of a car pursuing a motorcycle keeps the film on an exciting level. So on that note, Gordon's War is worth a look. P.S. On the Wikipedia site, it's revealed that Lewis was the original King of Cartoons on "Pee-wee's Playhouse". He'd eventually be replaced by William "Blacula" Marshall.