Cuarenta quilates

This a breezy comedy based on a hit Broadway play and one of the few worthwhile comic tales depicting the relationship between a younger man and an older woman. While on holidays, visiting Greece, a divorced real estate agent encounters by chance a vital young man, and they have a brief romantic interlude.

She leaves him while he is sleeping and escapes back to New York. Regaining the cherrished stability she has conquered as a lady executive, she settles down on her lovely apartment where she lives with her daughter and her mother. Until - very much in the fashion of every Broadway farce there is - they receive an unexpected visitor. Peter Latham, the man our main character had an affair with while in Greece. But now, he is introduced as a friend of her daughter's.

After constant bickering, they decide to get married, but will their relationship last?

'40 Carats' is a light, entertaining and cheerful movie, filled with beautiful, rich people whose vain problems serve as the basis for an plot. The characters have social status written all over their foreheads and their reaction to the plot's major complications are clever one-liners encouraged by greek drinks and the prospect of a happy, happy ending. The film does not attempt to be deep, for it's subject is a rather delicate one - the producers were aiming for time-filling entertainment and they really did it.

But this film suffers mostly from the miscasting of Liv Ullmann, Ingmar Bergman's norwegian muse. No matter how versatile the wonderful Ms. Ullmann can be, she is a rather indelible case of typecasting - used to play such profound characters whose heartaches and emotional flaws we can relate to, she seems uncomfortable portraying a futile woman whose psyche isn't that complex, after all. The one scene in which her character really makes the transition between a woman caught in a whirlwind of happenings and a woman whose pain is overwhelmingly intense, nevertheless, is a cinematic gem. In this scene she confronts her future in laws.

Another highlight of the film is Michel Legrand's beautiful soundtrack that includes the love theme 'In Every Corner Of The World', and Gene Kelly's performance as Liv Ullmann's annoying first husband.

All in all, this is a movie whose delicate subject provokes a barrier that keeps it from being a great film, but is, nevertheless, sheer cinematic delight.

"40 Carats" - a light and cheerful comedy is the only comedy I've seen Liv Ullmann in. She plays Ann Stanley, forty years old Manhattan Real Estate agent divorcée who lives with her mother and 16 years old daughter. On her vacation in Greece, she meets 22 years old Peter Latham (Edward Albert), and they spend the night together. Ann quietly disappears into the early morning hours, leaving him with the memories of the night and nothing else - no address or telephone number. Peter later returns to New York, where one evening he arrives to pick up a date for the evening. Guess, who his date's mother is?

What follows is, IMO, funny and charming romantic comedy with wonderful supporting performances from Gene Kelly (as Ann's first annoying husband), Binnie Barnes and Deborah Raffin. I've read some comments that Liv was miscast and was not comfortable playing such a light comedy after all the profound and tragic characters she had played for Bergman. I don't think so. For me, one of the most memorable scenes of the film is the one after Liv (Ann) returns home from her vacation and is asked what Greece was like? Ann turns to face a camera, smiles, and says, "Greece glows under the sun" - but it is her face, her smile, her eyes that glow. If ever the saying, the eyes are the soul's mirror, is true, it is about Liv's eyes. There are kindness, tenderness, strength, and something even more attractive than beauty itself in them - the goodness of her soul.

"40 Carats" was a very pleasant surprise for me. I hope that it will be released on DVD soon and become available for all admirers of Liv Ullmann and of funny and clever romantic comedies.

Based on a hit Broadway play that won a Tony Award for Julie Harris, 40 CARATS is a comedy about a 40-ish woman who is pursued by a 22-year-old man. Liv Ullmann, looking very pretty, stars as the New York City realtor who meets the young man (Edward Albert) while on vacation in Greece. By coincidence (and a big one) he meets her again when he shows up for a blind date with her daughter (Deborah Raffin). It turns out he's from a wealthy family which interests Ullmann's swinging mother (Binnie Barnes).

Into this mix are Ullmann's first husband (Gene Kelly), her secretary (Nancy Walker), a hick from Texas (Billy Green Bush), a customer (Natalie Schafer), and Albert's parents (Don Porter, Rosemary Murphy).

The plot revolves around the machinations and misconceptions of who is dating who and is it proper for Ullmann to marry a much younger man.

Ullmann is good as the "middle-aged" woman. Albert is sort of creepy. Kelly is annoying as is Green Bush. Walker gets in a few zingers. Raffin is a blank. But in her final film appearance the 70-year-old Binnie Barnes (looking decades younger) steals every scene she's in as a swinging grandmother who's always borrowing Raffin's clothes and can't wait to hit the dance floor. This role was played by Glenda Farrell on Broadway.

"40 Carats" is a surprisingly good movie. While Ullmann and Albert have little chemistry together, they nevertheless make a sweet pair, because they are both enormously appealing individually. Gene Kelly adds a few nice moments and leads a likable supporting cast. The film is slightly overlong but more mature than you might think.

The second film directed by Milton Katselas.. he only directed six! and they were all off-beat thangs... i loved Butterflies are Free; that one had Goldie Hawn, and ALSO had Edward Albert. 40 Carats is a May-December story, with Ann (Liv Ullmann) having a quick romance with Peter (Edward Albert) in Greece. They meet again later, back in the states, but things are different, more proper. Keep an eye out for Nancy Walker (Rhoda's mom) and Natalie Schafer (Lovey Howell!) and of course, Gene Kelly with a mustache. Interesting cast. The story itself is silly and all over the place, but its fun to see the cast in this oddball work. Edward Albert died young at 55, only a year after his dad, the OTHER Eddie Albert. kind of fun. Liv Ullmann waaaaya over-acts. just go with it. Showing on the Cinémoi channel.