Añade un argumento en tu idiomaA corporate heir's mother pays for his disfigured girlfriend's plastic surgery, on one condition.A corporate heir's mother pays for his disfigured girlfriend's plastic surgery, on one condition.A corporate heir's mother pays for his disfigured girlfriend's plastic surgery, on one condition.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 1 nominación en total
John Vick
- First Cab Driver
- (as John Allen Vick)
Reseñas destacadas
I remember watching the Promise when we first got cable and it was on a movie channel in about 1982 I was 22 at the time and had a year old daughter, I just loved the film and thought it was a great story. A few years back I bought the tape, I forget if I found it at a store or on the internet but anyway I watched it again and after so many years I still enjoyed it, my daughter who was so young when I first watched the movie is now a young woman herself and she watched the film and said she really liked it, so it might be a bit sappy and outdated but the story is still great and even relatable, the man's Mother anyway, I think it's a film that has stood the test of time and it will always be one of my favorites.
I first saw this movie on TV about 15 years ago. It has haunted me ever since, in part because of the story itself, and in part because the editors bungled their job and nearly destroyed what could have been a truly great film. What they gave us instead is a good film with a great story line. It is that story, along with the acting ability of Kathleen Quinlan and Steven Collins, that saves the film. If you have not read Danielle Steele's adaptation of the original screen play, do so. It will fill in some of the answers to the questions left open by the insensitivity of the film's editors.
This is a love story, and a good one, about two individuals whose love for each other is pure and true and ultimately stands the test of both time and tragedy. If that makes it syrup, then so be it. I like it. I wish I could get a DVD edition of this movie.
A movie does not have to be full of vulgar language and gratuitous sex to be good; it doesn't have to be filled with blood and guts and action sequences; and thank God this one has none of the above. Without resorting to the seamer side of life, this story will engage your emotions and embed itself in your mind and your soul, leaving an impression that can last a lifetime. This alone is enough to make it a movie worth two hours of your time.
If you have not seen this movie, try to find a copy of it. After viewing it, I think you will agree that this movie has been underrated by the IMDB rating system.
This is a love story, and a good one, about two individuals whose love for each other is pure and true and ultimately stands the test of both time and tragedy. If that makes it syrup, then so be it. I like it. I wish I could get a DVD edition of this movie.
A movie does not have to be full of vulgar language and gratuitous sex to be good; it doesn't have to be filled with blood and guts and action sequences; and thank God this one has none of the above. Without resorting to the seamer side of life, this story will engage your emotions and embed itself in your mind and your soul, leaving an impression that can last a lifetime. This alone is enough to make it a movie worth two hours of your time.
If you have not seen this movie, try to find a copy of it. After viewing it, I think you will agree that this movie has been underrated by the IMDB rating system.
This is one of the best true love stories I have ever seen. It is one of my favorites. The plot summary is much more than what the fellow above wrote. While yes a girl & boy fall in love and the girl gets her face torn off in a car accident, the real core of the film is that true love, pure love doesn't come along everyday. It is very rare, very precious and it should be valued and not taken for granted. The plot synopsis is this: the boy comes from a very wealthy influential family with a very dominering mother who forbids her son from marrying the girl who doesn't have 2 cents to rub together but is a struggling artist trying to make it. The boy trying to break free from the tight grip his mother has on him wisks the girl away and plan to elope. On the way to a chapel tragedy strikes and they are involved in a horrible car accident. Both are taken to the hospital, the boy is injured and the girl's face is terrible disfigured. While they lie in their hospital beds in different rooms, his mother decides to pay the girl a visit. The girl's entire head & face is bandaged, all you recognize is her voice. His mother expresses how sorry she is that this has happened to her and offers the girl a chance to have reconstructive surgery, all paid for by her with all of the necessary therapy needed physically and emotionally. While this sounds to good to be true, the catch is, if she agrees to have this done she must promise to NEVER see her son again. The devious and controlling mother continues by saying, if she doesn't have the surgery done her son wouldn't want her anyway with her grotesque face. At least this way, her son can move on and have a life and she too can move on and have a life. With a heavy heart, the girl agrees to his mothers terms. I don't want to ruin the rest of the film so I won't say anymore. For those of you who might not believe in love, this movie might change your mind. It is worth seeing.
***Spoilers Rampant***
This stupefyingly bad romantic drama deserves a place in the annals of movies that are so bad they become good for all the wrong reasons. In the beginning, Collins and Quinlan go through all the 1970's gum-commercial moments to show us that they are "in love", culminating in their burial of a carnival necklace to signify their love and spouting some of the most ludicrous dialogue ever written. This is played with utter sincerity although Quinlan is decked out in all sorts of face-altering make-up so that she'll look different (and hopefully better) in the last 2/3rds of the film. Smeared with tan pancake make-up, wearing a wig that Marlo Thomas vetoed on "That Girl", donned with eye and nose prosthetics that give her a homely appearance and speaking in a whiny, annoying voice, she is anything but what one would imagine as a dream lover. But that's not all! They also outfitted her with false buck teeth which leave her unable to fully close her lips, so many of her words come out jangled and unintelligible. For example, when confronted by Collins with the prospect of marriage, she replies, "I don't need a feece of fafer..." So she can barely open her eyes and can't close her mouth when she and Collins and his best friend (a total buffoon who rinses toothpaste out of his mouth with BEER!!) are smashed up in a horrific car collision with a truck. From this point on, not one logical thing happens and the story takes on such an orchestra of contrivances that it becomes science fiction. Collins' gorgon of a mother (who viewers know is evil because she smokes cigarettes constantly through a plastic holder) pays to have Quinlan's face put back on, but only if she'll stay away from Collins. The mother (played by Straight) doesn't want a love affair with :::gasp::: an orphan to mess with her plans for Collins' career. So she tells Collins that Quinlan is dead. He apparently takes her word for it without ever once looking into it or even trying to see if there's a grave! A complete set of wild contrivances finally reunite the long lost couple.......and he doesn't even recognize her! You see, she is now the "normal" Quinlan replete with trendy new duds and full on glamour make-up, so he has no clue it's the chipmunk who was in the car crash with him. (And she is quite lovely. She is showcased in a wide variety of hairstyles and outfits.) It all keeps spiralling until they wind up back at the carnival necklace......at almost precisely the same time.....and have a "poignant" reunion. Astonishingly, this film, crazy and as bad as it is, still can manage to draw tears during that final scene from those who have gone along for the (insane!) ride! Collins gives a very heartfelt performance in it (however, Quinlan remains strangely stoic, which hurts the final clinch.) This movie is clearly inspired by such classic tear-jerkers as "Madame X" and "An Affair to Remember" and cribs from both of them. However, by 1979, that type of storytelling had lost all sense of reality....today even more so! It should have been a period piece. Amazingly, the director Cates had previously given audiences the stark and grim "I Never Sang For My Father" before offering up this hoot. Fans of soapy dramas who don't require much reality will love it. Fans of campy, unintentional humor will also eat it up. The only person who will likely hate it is any straight man. He will probably be off the couch and out the door before Melissa Manchester finishes howling the title song!
This stupefyingly bad romantic drama deserves a place in the annals of movies that are so bad they become good for all the wrong reasons. In the beginning, Collins and Quinlan go through all the 1970's gum-commercial moments to show us that they are "in love", culminating in their burial of a carnival necklace to signify their love and spouting some of the most ludicrous dialogue ever written. This is played with utter sincerity although Quinlan is decked out in all sorts of face-altering make-up so that she'll look different (and hopefully better) in the last 2/3rds of the film. Smeared with tan pancake make-up, wearing a wig that Marlo Thomas vetoed on "That Girl", donned with eye and nose prosthetics that give her a homely appearance and speaking in a whiny, annoying voice, she is anything but what one would imagine as a dream lover. But that's not all! They also outfitted her with false buck teeth which leave her unable to fully close her lips, so many of her words come out jangled and unintelligible. For example, when confronted by Collins with the prospect of marriage, she replies, "I don't need a feece of fafer..." So she can barely open her eyes and can't close her mouth when she and Collins and his best friend (a total buffoon who rinses toothpaste out of his mouth with BEER!!) are smashed up in a horrific car collision with a truck. From this point on, not one logical thing happens and the story takes on such an orchestra of contrivances that it becomes science fiction. Collins' gorgon of a mother (who viewers know is evil because she smokes cigarettes constantly through a plastic holder) pays to have Quinlan's face put back on, but only if she'll stay away from Collins. The mother (played by Straight) doesn't want a love affair with :::gasp::: an orphan to mess with her plans for Collins' career. So she tells Collins that Quinlan is dead. He apparently takes her word for it without ever once looking into it or even trying to see if there's a grave! A complete set of wild contrivances finally reunite the long lost couple.......and he doesn't even recognize her! You see, she is now the "normal" Quinlan replete with trendy new duds and full on glamour make-up, so he has no clue it's the chipmunk who was in the car crash with him. (And she is quite lovely. She is showcased in a wide variety of hairstyles and outfits.) It all keeps spiralling until they wind up back at the carnival necklace......at almost precisely the same time.....and have a "poignant" reunion. Astonishingly, this film, crazy and as bad as it is, still can manage to draw tears during that final scene from those who have gone along for the (insane!) ride! Collins gives a very heartfelt performance in it (however, Quinlan remains strangely stoic, which hurts the final clinch.) This movie is clearly inspired by such classic tear-jerkers as "Madame X" and "An Affair to Remember" and cribs from both of them. However, by 1979, that type of storytelling had lost all sense of reality....today even more so! It should have been a period piece. Amazingly, the director Cates had previously given audiences the stark and grim "I Never Sang For My Father" before offering up this hoot. Fans of soapy dramas who don't require much reality will love it. Fans of campy, unintentional humor will also eat it up. The only person who will likely hate it is any straight man. He will probably be off the couch and out the door before Melissa Manchester finishes howling the title song!
The Promise is a production that deserved better than the shabby treatment that shows up on screen. Although the screenplay is cobbled together by a talentless hack and directed with indifference by Gilbert Cates, the performances are winning from Stephen Collins and Kathleen Quinlan. Their onscreen chemistry is obvious. The story IS compelling, but the screenplay shoots itself right from the start by not letting the audience get to know the two lovers before tragedy appears. For those interested in reading a more complete and personal version of the story, try to find a copy of the novelization by Danielle Steele. One of her first works, the book fills in all the gaps in the story and in only a few paragraphs, gives a much more satisfying ending.
Well, I have finally been able to screen this movie in widescreen and on blu ray. While its still a flawed production, it finally looks like a real movie, low budget, yes, but not some tv knockoff. Looking back, my feelings are still the same. The ending needs something more. Danielle Steele saw this as well and expanded the finale a bit, adding emotional fireworks and a more pleasing conclusion in her adaption. Cheesy? Yes, but still an enjoyable experience for the romantic in us all.
Well, I have finally been able to screen this movie in widescreen and on blu ray. While its still a flawed production, it finally looks like a real movie, low budget, yes, but not some tv knockoff. Looking back, my feelings are still the same. The ending needs something more. Danielle Steele saw this as well and expanded the finale a bit, adding emotional fireworks and a more pleasing conclusion in her adaption. Cheesy? Yes, but still an enjoyable experience for the romantic in us all.
¿Sabías que...?
- CuriosidadesThis was the last movie to play a regular engagement at Radio City Music Hall in New York City, New York.
- PifiasSet on the East Coast, shows the sun setting over the water.
- Banda sonoraThe Promise (I'll Never Say Goodbye)
Lyrics by Alan Bergman and Marilyn Bergman
Music by David Shire
Sung by Melissa Manchester
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- How long is The Promise?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Promise
- Localizaciones del rodaje
- Belvedere, California, Estados Unidos(taking pictures of water & hills)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 11.606.005 US$
- Recaudación en todo el mundo
- 11.606.005 US$
- Duración1 hora 37 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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