Sobre el camino

The film is a typical prison yarn that ticks all the boxes of your prison film which lowered its rating to me somewhat. It brought nothing new to the genre, albeit being from 1978.

The daily routine of the prisoners including recreation time 'on the yard' was a bore just as much as the prisoners mundane daily routine I would have thought.

All the usual tropes of the genre including the inevitable parole hearing, top dog (although said character is never referred to as top dog), murder, cruel guards are all here.

The film tries to bring in a bit of extortion, murder and ingenious escape attempt aboard a hot air balloon to excite its audience but by that stage I was in a slumber watching it. I mean take the said escape attempt in a hot air balloon. The balloon is just slowly rising from the prison in full view of the watch towers lights. Why didn't the guards just shoot it down?

"On the Yard" has good acting, and a great prison location. What is missing is a compelling story. The "Rockview State Correctional Facility" where this was filmed is an actual Pennsylvania prison, but even though the drama has a very realistic feel to it, the story itself is not that interesting. Everything revolves around "top con", Tom Waites, and his control of the cigarette trade within the walls. John Heard makes a habit of making enemies, bucks the system, and finds out that a carton of cigarettes can be very expensive. Meanwhile a no nonsense guard captain, Lane Smith, is trying to shut down Waites enterprise, while a totally superfluous hot air balloon escape is thrown into the mix. Not bad of it's type, but I've seen better. - MERK

Nowadays not too many people may remember "On the Yard" when this type of film is brought up, but that's too bad as it's not a bad film at all. It does achieve a sort of "docu- realism", treating the daily routine of convicts in a thoroughly straightforward manner. Everything about it is so matter-of-fact, including the violence, the pecking order among the prisoners, the attempts by the guards to keep them in line, etc. It never goes too far into melodrama, although it does have its poignant moments nonetheless. The characters are reasonably interesting if never that commanding, save for the veteran convict played appealingly by the sad eyed Mike Kellin, who keeps trying to get paroled even though he knows that he can't really function on the outside.

A fairly likable John Heard stars as Juleson, who's locked up for the murder of his wife. Desperate for a smoke, he acquires some from jailhouse kingpin Chilly (Thomas G. Waites). However, he soon finds that he will be unable to settle the debt. And the more time that goes on, the more the interest increases. There's also the timid Morris (Joe Grifasi), who's attempting to put together a hot air balloon so he can escape. Chilly realizes that his little empire is threatened by ambitious fellow inmates. And Blake (Lane Smith), the captain of the guards, is likewise determined to put Chilly in his place.

As you can see, there are some top notch character actors in this thing. Also among them are Richard Bright of the "Godfather" series, Dominic Chianese of 'The Sopranos', David Clennon (Waites's future co-star in John Carpenters' "The Thing"), Don Blakely, J.C. Quinn, Eddie Jones, Ben Slack, and James Remar. The casting of Waites (best known as Fox in "The Warriors" and Windows in "The Thing") as the top con is interesting as one has to wonder just what it is about this man that's allowed him to obtain such influence. As it is, he does deliver a subtle, nuanced performance; Chilly is usually not the type to throw his weight around when he can have other people do that for him.

Granted, the subplot about the balloon is hard to swallow, but for the most part, "On the Yard" is a decent tale well told by director Raphael D. Silver, and produced by "Hester Street" director Joan Micklin Silver (Raphaels' wife). Authentic location shooting in a real Pennsylvania institution and an effective music score by Charles Gross also help to make this good entertainment.

Seven out of 10.

The main plot of ON THE YARD revolves around inmate Juleson borrowing a couple of packs of cigarettes from prison Mr Fix-it Chilly , but Juleson finds himself unable to pay back Chilly which means intrest on the debt and Chilly is a man who doesn`t like non payment .

If the entire movie revolved around its central plot it would have worked far better , but the story is crowded with a few too many characters and subplots . This might have worked in the novel ( Which I haven`t read but I know is well regarded mainly due to the fact that the author wrote it while in a maximum security prison ) but doesn`t really work here . And I`m also led to believe the original novel influenced the HBO prison drama OZ , a show that shares the exact same strength and weakness as this film . Both are gritty , involving and slightly shocking , but both contain too many minor characters who only come to the fore to drive the plot along and then disappear when they`ve done so , and some of the subplots are faintly ridiculous in ON THE YARD especially the one at the end which will have you asking " How did he manage to get all that stuff without the guards noticing ? "

One other thing I disliked about ON THE YARD was the mixed bag of acting . John Heard gives a solid performance as Juleson swinging between fear and fatalistic resignation but I had a problem with Thomas G Waites as Chilly , not so much with his acting but more with his physical appearence . He doesn`t carry enough tatoos , scars or look in any way like he`s an archetypal prison thug , but maybe that`s the whole point ? because he`s running things he can pay other inmates to do the dirty work . Most memorable performance is by Hector Troy as the looney latino hitman Gasolino.

So if you love OZ you`ll certainly like ON THE YARD . It`s by no means a classic but at least it doesn`t descend into the oft used cliche of having inmates gang-raped every ten minutes so it deserves some credit

I saw this film recently on TV - shown in the early hours of the morning. It's an above average prison drama, with excellent performances - especially by John Heard, Ron Faber (Manning, the first time offender), Lane Smith and Mike Kellin; the latter was especially good. I've also read the original novel, which is far tougher (the ascent in the balloon caused a large fire, with many dead). The author has himself served several sentences in the 1950s, so I'm wondering if conditions portrayed in prison are really up to date. All in all, well worth a viewing.