PUNTUACIÓN EN IMDb
6,5/10
6,6 mil
TU PUNTUACIÓN
Cuando una pareja de los suburbios se va de acampada un fin de semana a una playa remota, descubren que la naturaleza no está de humor complaciente.Cuando una pareja de los suburbios se va de acampada un fin de semana a una playa remota, descubren que la naturaleza no está de humor complaciente.Cuando una pareja de los suburbios se va de acampada un fin de semana a una playa remota, descubren que la naturaleza no está de humor complaciente.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 1 nominación en total
Reseñas destacadas
"Long Weekend" is a well-done, environmentally-conscious horror film from Down Under. The plot is rather simple, but makes a point: when you snooty urban dwellers go camping for the weekend, don't do anything to p**s off Mother Nature! Which is exactly what our two selfish, unappealing protagonists do; they also have a marriage that's on the rocks (gee, I wonder if they'll make it through the weekend alive? Any takers?). The acting is good (though the characters are hateful and stupid), and the emotional intensity is complemented by a very brooding atmosphere of impending horror (the night scenes will give you the willies) as Nature gears up for revenge.
6/10
6/10
Brilliant film, eerie and atmospheric. Stays on your mind for a long time after watching. One of my favourites. The part where the sea creature wails like a baby is especially good. The image of the eagle egg being smashed against the tree kept coming back and haunting me long after the film had finished. A lot of weird happenings in the film - what happened to the people in the other camper van? You never actually got to see them, just their vicious little dog! This is a film I could happily watch over and over without getting fed up. I would love to be able to get this video either on video or DVD but it seems it's been withdrawn. Can anyone help me get a hold of this video or DVD? I would be grateful to hear from anyone else who likes this movie too.
'Long Weekend' is a textbook definition of a forgotten classic. It's a horror/thriller without many of the traditional horror elements. It'll give you a sense of dread and wonder, and stick in your memory forever more. The only reason it dwells in obscurity is because it was a low-budget film made in Australia in 1978, whereas if it were some feeble US B-grade schlock, it would be in every rental store and listed in Netflix. Fortunately, it has at last made it to DVD. When you get yourself a copy, you'll see a truly claustrophobic two-hander that uses the wilds of the Australian bush and a lonely-looking coastline to spectacular effect.
At no point does the shoestring budget hamper the storytelling even when it occasionally becomes apparent. A well-crafted script that only lets the plot out in bite-size pieces across the duration ensures you're too busy wondering just what is going on between the film's two characters, and the bizarre situation they find themselves in. John Hargreaves and Briony Behets play Peter and Marcia, a married couple who are clearly a gnat's wing away from divorce, for reasons not immediately given. The tension between them is as thick as the strange and chilling atmosphere of the lonely beach Peter takes them to in a last-ditch attempt to recover what they've lost. Something there seems determined to destroy not only their chances of reconciliation, but also prevent them from ever leaving. What is the horrible wailing they keep hearing? Will what happened to the people who stayed there before them happen to them as well? Did they bring it upon themselves?
The excellent natural locations, coupled with some excellent camera work and the odd well-placed sound effect prove no dazzling visual wizardry is needed to make a scary film. Naturally, you also need conviction from your performers, which Hargreaves and Behets give most convincingly. Together, these elements ensure that no more than two characters are needed to provide a provoking character drama and an uneasy thriller - the two levels juxtaposing in ways that tellingly feed off each other, surely making 'Long Weekend' the memorable experience it is for those fortunate enough to have seen it. I was a little disappointed at one element of predictability near the end - one part of the climax I could see coming a mile off. Maybe that was just me. Nonetheless this should not deter you from pursuing 'Long Weekend' - a study in humanity, and a telling point in horror film-making.
At no point does the shoestring budget hamper the storytelling even when it occasionally becomes apparent. A well-crafted script that only lets the plot out in bite-size pieces across the duration ensures you're too busy wondering just what is going on between the film's two characters, and the bizarre situation they find themselves in. John Hargreaves and Briony Behets play Peter and Marcia, a married couple who are clearly a gnat's wing away from divorce, for reasons not immediately given. The tension between them is as thick as the strange and chilling atmosphere of the lonely beach Peter takes them to in a last-ditch attempt to recover what they've lost. Something there seems determined to destroy not only their chances of reconciliation, but also prevent them from ever leaving. What is the horrible wailing they keep hearing? Will what happened to the people who stayed there before them happen to them as well? Did they bring it upon themselves?
The excellent natural locations, coupled with some excellent camera work and the odd well-placed sound effect prove no dazzling visual wizardry is needed to make a scary film. Naturally, you also need conviction from your performers, which Hargreaves and Behets give most convincingly. Together, these elements ensure that no more than two characters are needed to provide a provoking character drama and an uneasy thriller - the two levels juxtaposing in ways that tellingly feed off each other, surely making 'Long Weekend' the memorable experience it is for those fortunate enough to have seen it. I was a little disappointed at one element of predictability near the end - one part of the climax I could see coming a mile off. Maybe that was just me. Nonetheless this should not deter you from pursuing 'Long Weekend' - a study in humanity, and a telling point in horror film-making.
I saw this for the first time recently.
It is about a bickering couple who goes for a weekend picnic to an isolated place near a beach.
From the beginning, the couple has no regards for mother nature.
I found the film slow but creepy at times but as a whole, i didn't enjoy this film.
A feuding yuppie couple whose marriage is slowly falling apart set out on a camping trip along a remote Australian coastline to hopefully rekindle their love. While, the husband is all geared up for the adventure with his new equipment, his wife would prefer to be at luxurious hotel. But this trip doesn't all go to plan with their constant friction getting even worst and they seem to take their stress out on the ecosystem. This reckless discard to the environment is soon reversed when nature decides to give a little back to its selfish protagonists.
Now this is want you call a man vs. nature film! And a real merciless one too! This low-budget, under-appreciated (if forgotten) Australian gem is far from your typical excursion into horror with a melodramatic backdrop involving the couples' martial problems, but the way the insightful story folds out you can't deny that this isn't one horrifying exercise when nature finally unleashes its devastating power with such an claustrophobic strangle hold. You might think the idea in this particular sub-genre would be hokey and overall, a campy b-grade animal feature, but here that's not the case because there's nothing cheap about the story and thrills, as it goes for some old fashion spookiness and slow grinding suspense, where we are asked to think about the couples' careless actions towards nature and the environmental message. There's a little bit more going on in the film's material and visuals then you might think and it does play on your mind with it's disorientating atmosphere.
The story slowly delivers in spurts a heavy amount of unbearable suspense and startling images that have a real unnerving effect with its terribly, uncomfortable mood. The nagging couple here are very obnoxious and a long way from likable, but they aren't suppose to be! The anger towards them is justified because they're the villains of this piece and we continuously witness their lack of respect for the surroundings. What nature has in store for them is powerfully effective and we can't help but be drawn into the brooding mystery of how its going to play out.
The picturesque location for the film is simply exquisite with the sprawling beach line and flourishing vegetation and wildlife. The way it can suddenly turn aggressive and change appearance after only being peacefully luminous (such in the weather and environment) makes it incredibly eerie, as you don't know what's up coming next. What caught this development was the hypnotic cinematography (done in anamorphic widescreen) that brought the wildlife off the screen with it's incredibly spacious execution and swift movement in following the couple around and great panning that captures all the small things. It has a semi-documentary feel about it. The foreboding sound effects of the nightlife really do have a strong impact on your senses with the jerky and high-pitch sensation eating away at you with such well placed tension and strange noises that won't let you escape. Also the quiet moments, since the dialogue is rather sparse, builds up the harrowing situation they're faced with. The hauntingly, charged score by Michael Carlos is just like a ticking time bomb waiting to explode with it's imminent dread and the tight editing nicely keeps the film moving until it reaches boiling point in the third act with an ending that shocks.
The screenplay by Everett De Roche (Patrick, Road Games, Harlequin & Razorback) is an intelligent look at the relationship between the carelessness of mankind and the suffering of nature, which it does takes its time in delivering justice. The plot's focus on the couples' marriage, which is on the rocks is an good companion piece with their inconsiderable intrusion on nature where they believe their own problems are more important and think less of their surroundings. The performances are astoundingly, realistic in their interactions by John Hargraves as the arrogantly, destructive Peter (who has a better connection with his dog) and Briony Behets as selfishly, close-minded Marcia. This is one stuck up couple you like to see crash and burn, and nature provides that wish.
'Long Weekend' is an sincere, atmospheric revenge tale with a ironically dour twist. It's a very well made production that maximizes its chilling backdrop, petering tension and stimulating concept to send chills down your spine.
Now this is want you call a man vs. nature film! And a real merciless one too! This low-budget, under-appreciated (if forgotten) Australian gem is far from your typical excursion into horror with a melodramatic backdrop involving the couples' martial problems, but the way the insightful story folds out you can't deny that this isn't one horrifying exercise when nature finally unleashes its devastating power with such an claustrophobic strangle hold. You might think the idea in this particular sub-genre would be hokey and overall, a campy b-grade animal feature, but here that's not the case because there's nothing cheap about the story and thrills, as it goes for some old fashion spookiness and slow grinding suspense, where we are asked to think about the couples' careless actions towards nature and the environmental message. There's a little bit more going on in the film's material and visuals then you might think and it does play on your mind with it's disorientating atmosphere.
The story slowly delivers in spurts a heavy amount of unbearable suspense and startling images that have a real unnerving effect with its terribly, uncomfortable mood. The nagging couple here are very obnoxious and a long way from likable, but they aren't suppose to be! The anger towards them is justified because they're the villains of this piece and we continuously witness their lack of respect for the surroundings. What nature has in store for them is powerfully effective and we can't help but be drawn into the brooding mystery of how its going to play out.
The picturesque location for the film is simply exquisite with the sprawling beach line and flourishing vegetation and wildlife. The way it can suddenly turn aggressive and change appearance after only being peacefully luminous (such in the weather and environment) makes it incredibly eerie, as you don't know what's up coming next. What caught this development was the hypnotic cinematography (done in anamorphic widescreen) that brought the wildlife off the screen with it's incredibly spacious execution and swift movement in following the couple around and great panning that captures all the small things. It has a semi-documentary feel about it. The foreboding sound effects of the nightlife really do have a strong impact on your senses with the jerky and high-pitch sensation eating away at you with such well placed tension and strange noises that won't let you escape. Also the quiet moments, since the dialogue is rather sparse, builds up the harrowing situation they're faced with. The hauntingly, charged score by Michael Carlos is just like a ticking time bomb waiting to explode with it's imminent dread and the tight editing nicely keeps the film moving until it reaches boiling point in the third act with an ending that shocks.
The screenplay by Everett De Roche (Patrick, Road Games, Harlequin & Razorback) is an intelligent look at the relationship between the carelessness of mankind and the suffering of nature, which it does takes its time in delivering justice. The plot's focus on the couples' marriage, which is on the rocks is an good companion piece with their inconsiderable intrusion on nature where they believe their own problems are more important and think less of their surroundings. The performances are astoundingly, realistic in their interactions by John Hargraves as the arrogantly, destructive Peter (who has a better connection with his dog) and Briony Behets as selfishly, close-minded Marcia. This is one stuck up couple you like to see crash and burn, and nature provides that wish.
'Long Weekend' is an sincere, atmospheric revenge tale with a ironically dour twist. It's a very well made production that maximizes its chilling backdrop, petering tension and stimulating concept to send chills down your spine.
¿Sabías que...?
- CuriosidadesThe decision to have rainy weather in the early driving scenes was an effort to hide the fact that the interior scenes in Peter's jeep were filmed inside a darkened garage. During the shooting grips would run past carrying flashlights to make it appear like they were lights from passing cars.
- PifiasThe films is set on mainland Australia, however a wild Tasmanian devil is depicted, which at the time of filming were only located on the island of Tasmania.
- Créditos adicionalesSpoiler: The closing credits appear over a shot of the wilderness vegetation growing around the harpoon impaling Marcia.
- Versiones alternativasSpoiler: The UK Region 2 DVD, released in 2006, is slightly cut with one known cut when Peter (John Hargreaves) is hit by the truck at the very end. Some of the actual head collision is removed and after the end credits have rolled, some of the sound on black screen has been faded swiftly out.
- ConexionesFeatured in The bush myth in Australian films (1982)
- Banda sonoraThe Teddy Bears' Picnic
(uncredited)
Music by John W. Bratton
Lyrics by Jimmy Kennedy
Performed by John Hargreaves
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- How long is Long Weekend?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Sangriento fin de semana
- Localizaciones del rodaje
- Bega, Nueva Gales del Sur, Australia(location: Bournda State Reserve)
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 270.000 AUD (estimación)
- Recaudación en todo el mundo
- 365 US$
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