Una familia de locos

This little-known De Palma comedy (made right between some of his biggest hits like "Carrie" and "Blow Out") is notable as one of the earliest films to anticipate the "reality show" phenomenon, but otherwise it's mostly just a curio for his followers. His direction has less flair than usual (there IS one great shot from inside a popcorn bucket!), and the script, apparently written by seven (!) people, is all over the map. But the biggest problem is that it's not very funny. Saved, somewhat, by the sweet chemistry between Nancy Allen (at her prettiest) and Keith Gordon; De Palma obviously sensed that he struck gold there, and paired them again in the next year's "Dressed To Kill". I don't know, maybe see "Home Movies" as an appetizer for that one. ** out of 4.

After two highly successful commercial ventures in Carrie and The Fury, Brian DePalma apparently decided he needed a little fun and frolic. So Home Movies was made using the talents of a lot of people who appeared in DePalma projects.

Home movies is like a film casserole where a lot of his film students got to step to the plate and take their best shot. Roughly speaking the film centers around Keith Gordon the younger brother of Gerrit Graham. They are the sons of Vincent Gardenia a philandering doctor and Mary Davenport his clueless wife.

Graham is set to marry former hooker Nancy Allen. He's rather full of himself and also a latently gay individual. But he's the eldest and chosen one and Gordon is the nerdy younger brother who spends his time filming some of the private moments of the family, a little cinema verite for his film professor Kirk Douglas.

Watching Home Movies I got the impression I was not being let in on an inside joke. And I rather resented the situation.

It all seemed like a colossal waste of time for all involved. The name players must have owed DePalma big time to appear here.

The story about how "Home Movies" was made make it a very unusual film! Brian De Palma was apparently teaching a film class and he got his students to make this movie....with the help of a few established actors, such as Kirk Douglas and Vincent Gardenia. Originally, I don't think it was intended as a film to be released to theaters and it had a minimal budget. But somehow as they made the film, they were able to get some stars and the budget skyrocketed.

Because it was an experimental film, the story was made using 20 different students as directors. As a result of this and the other non-professionals making the movie, it comes off as rather disjoint and strange. But again, the movie was NOT intended to be a typical movie...more an odd experimental one. So despite it's many shortcomings I really don't want to attack it or put it down for its limitations. Plus, several actors in the film went on to some starring roles, such as Nancy Allen and Keith Gordon.

This is a movie more for the curious than for anyone wanting to see a traditional movie. If you are curious, it's on YouTube and can be viewed for free.

I first saw Home Movies on cable TV in the early 80s, before I was even a teenager. I was drawn in by Nancy Allen being 'possessed' by a foul-mouthed bunny rabbit hand-puppet. I found it hilarious and watched the movie anytime it aired during that month or so. I could never forget it and looked for it on VHS later in the 80s when we got our first VCR. Then, I had a laserdisc of the movie, then the DVD (which appears to be a straight transfer of the laserdisc). Now in my mid-50s, I still adore this wacky movie from start to finish, right from the opening notes of the catchy string intro theme.

The characters are hilariously messed up. Mom is a drama queen faking suicide attempts due to being attention starved for her endlessly cheating and flirting husband, always finding a reason to cry and feel sorry for herself. James is the domineering older brother who is attempting to rehabilitate Nancy Allen's character from her prostitution past, which included the bunny hand-puppet. Taking it to extremes with a Temptation Marathon, subjecting her to weaknesses: "Can she resist". Denis is the nerdy younger brother, but the most normal of all of them.

Mom adores James as the perfect son, often pushing kind-hearted Denis aside suggesting he be more like James. But James has a latency presented during his alleged teaching of his sort of boy scout troupe how to be 'men' as he tries to get them to kiss each other under the guise of showing them how to please a woman. It's so funny and ludicrous as the students resist the direction.

From start to finish, the whole movie is like an adult cartoon of the most slapstick kind, and there are quirky touches everywhere, from out-of-nowhere sound effects, exploding tapes, to dramatic light breezes during key moments of dialog.

Nancy Allen as Kristina tries so hard to please James and become what he wants her to be, which is a requirement of their pending nuptials. That is, until she catches his antics with his troupe. That's when Bunny reappears in her life on the day of her engagement party giving a peek into her past to hilarious effect. Watching her stumble around the house sedated with that rabbit puppet handing out "glossies" and telling everyone to "Catch us at the Pussycat" has been seared into brain since I was 12 years old, and I love it!

I don't expect too many people will appreciate this student film, but I clicked with it instantly. The following year, De Palma would go on to further success with Dressed To Kill, also staring Nancy Allen and Keith Gordon from this film, along with a cameo of the amusingly dramatic mom Mary Davenport making disgusted faces at the end of that film when Nancy details male to female sex change surgery.

It's insane, it's very politically incorrect (especially by today's boring standards), and it's a lot of fun if you can appreciate it.

Most of the reviews on this film are rather brutal. I think you're overlooking the context in which this film was made. This film was made by film students with De Palma overseeing. It's not like it was a pet project of his, which is how most of these reviews frame the film. In the documentary "De Palma" he goes into great detail about this. It was really about letting his film students learn on the job. So of course it's not "The Fury." It is, however, a nice accomplishment for a bunch of film school students. And I personally think the unpolished aspect of it adds charm and intimacy. Nancy Allen is as radiant as ever, and there's some decent albeit left-field comedic references. Not every film is going to be a Hollywood blockbuster, and I don't think that's a bad thing. Take this film for what it is, and enjoy.