El círculo de hierro

This spiritual journey by muscleman Jeff Cooper is filled with goofy philosophics delivered with ridiculous austerity by the likes of guest stars David Carradine, Eli Wallach and Christopher Lee. It's all supposed to be mystical and enlightening, but it's mostly an unexhilirating peplum potboiler, without the enjoyably kitsch qualities that made that genre endearing. Listening to Lee philosophize was as dull as watching him perform was exciting. Oddball chopsocky.

"Circle of Iron" is a movie that looks beyond the action of martial arts into the mystique and philosophy associated with it. It was originally intended to be made by Bruce Lee, but he died before it could be brought to the screen, so David Carradine steps in to fill the role.

How well the movie accomplishes it's goal depends on how seriously you take eastern philosophies. It's all too easy to watch a few minutes of it and dismiss it as some weird barbarian movie with lots of karate. It is decidedly low budget.

However, if you watch the movie and *listen* to what it's trying to tell, it's extremely engrossing, as it addresses questions and concepts that all of us wonder about at some time or another.

The man making the journey in this movie, "Cord," is acceptable, if a rather generic role. David Carradine plays several roles, but his most striking is that of an eerie blind man who fights off his opponents with a hollow staff that whistles as he twirls it.

This is a hard movie to find, but it does crop up sometimes on late night TV or cable, and is worth checking out.

In a land that has never existed, Cord (Jeff Cooper) is a fighter searching for the secrets of a book guarded by Zetan (Christopher Lee). Along the way Cord encounters a Blind Man (David Carradine) who teaches him the art of philosophy through martial arts. This all comes in handy when Cord must face a series of opponents (all played by Carradine). Wow, where has this film been all of my life? Based on an idea by Bruce Lee, this is a really enjoyable flick that is as entertaining as it is outlandish. Carradine shines in all four of his roles and he and Cooper have a nice rapport (they were apparently friends in real life). It is also wild to see a buff guy pushing 40 like Cooper to be cast in the lead role. If this was made today, it would definitely be a kid. There are some quick supporting turns by Roddy McDowall and Christopher Lee, but the film's cameo highlight is Eli Wallach as "The Man in Oil." Yup, he is a guy bathing in a big drum of oil in the middle of the desert with the hopes it will make his genitals dissolve. Seriously! The entire scene unfolds as if they let Alejandro Jodorowsky do one day of filming for kicks. Cinematographer-turned-directer Richard Moore never directed another film after this and it is a shame as he gets some great use out of the locations in Israel.

I loved this movie. I loved just about everything about it. It has the perfect mix of philosophy, humor and martial arts. It's not, as far as I'm concerned, a martial arts movie.

It's an attempt to explain Eastern teachings to Western audiences. Whether it succeeds or not, depends on your attention span and how carefully you're watching. This is NOT a movie to watch while doing other things.

My favorite scene in the movie is Eli Wallach, who plays the man in oil. He's sitting in a cauldron in the middle of the desert, punishing himself for his own lust. Too funny.

I highly recommend this movie for anyone looking for something deep and different.

This is a silly movie and not for those who want credibility, realism, SFX, CGI, or The Rock. But, it is about some of the more exalted aspects of what it means to seek the limits of what you can do with a combination of your spirit and your self. Karate, kung-fu, la savate... they're all just ways to fight. This film is for those who know that ways to fight are stepping stones to something greater. It follows a man who does not know, but who is learning, that punching and kicking merely create freedom to explore and to learn; the benefits of his quest will come from something more than his physical self can achieve.

It's not a great movie, but it addresses great questions and, if you look at it through the lens of metaphor, it can point you towards an answer or two. As well as that, it's a punctuation mark--if not a prose passage--from the '80s era of movies that asked us to keep believing things we knew were probably not true, but would be oh-so-cool if they were.