PUNTUACIÓN EN IMDb
5,8/10
2,9 mil
TU PUNTUACIÓN
En la remota isla del Oso noruega, utilizada como base de submarinos por los alemanes durante la Segunda Guerra Mundial, el científico de la ONU Larsen envía una señal de socorro utilizando ... Leer todoEn la remota isla del Oso noruega, utilizada como base de submarinos por los alemanes durante la Segunda Guerra Mundial, el científico de la ONU Larsen envía una señal de socorro utilizando una frecuencia de emergencia de la OTAN.En la remota isla del Oso noruega, utilizada como base de submarinos por los alemanes durante la Segunda Guerra Mundial, el científico de la ONU Larsen envía una señal de socorro utilizando una frecuencia de emergencia de la OTAN.
- Dirección
- Guión
- Reparto principal
Hagan Beggs
- Larsen
- (as Hagen Beggs)
Reseñas destacadas
German scientist Otto Gerran (Richard Widmark) leads an expedition to icy Bear Island - which was also a base for Nazi U-boats in WWII - for some kind of environmental research. Included in the group are fellow scientist Frank Lansing (Donald Sutherland), nurse Heddi Lindquist (Vanessa Redgrave), Russian Lechinski (Christopher Lee) and boat captain Smithy (Lloyd Bridges) among others. When they arrive at the titular location, the group discovers one of the three folks stationed there has gone missing. Before you can say TEN LITTLE INDIANS, folks start getting offed in an effort to hide the island's secret.
This is a pretty enjoyable action-mystery adaptation of Alistair MacLean's snowbound novel. The cast is all game, which is good as this must have been a hell of a production to shoot as 70% of it looks shot on location (Alaska and Canada). Director Don Sharp keeps things moving fast and, while you'll probably solve most of the mystery early on, there are still some nice twists. The production is nicely mounted, with great sets and some nice Bond-esquire snow chases. One great scene has Sutherland discovering a German U-boat and he finds the dead crew aboard it, shackled to their posts.
One interesting thing my friend who sent this to me pointed out is that this totally has a vibe of John Carpenter's THE THING. Now, of course, THE THING is a remake but I'd wager that film's screenwriter Bill Lancaster or John Carpenter saw this before setting about their version. The opening - where a lone guy runs across a snow-covered plain while being chased by a snowboat - sounds exactly like the opening of Carpenter's film. Look for Bruce Greenwood in his first big screen roll as Tommy the Technician, sporting an epic beard.
This is a pretty enjoyable action-mystery adaptation of Alistair MacLean's snowbound novel. The cast is all game, which is good as this must have been a hell of a production to shoot as 70% of it looks shot on location (Alaska and Canada). Director Don Sharp keeps things moving fast and, while you'll probably solve most of the mystery early on, there are still some nice twists. The production is nicely mounted, with great sets and some nice Bond-esquire snow chases. One great scene has Sutherland discovering a German U-boat and he finds the dead crew aboard it, shackled to their posts.
One interesting thing my friend who sent this to me pointed out is that this totally has a vibe of John Carpenter's THE THING. Now, of course, THE THING is a remake but I'd wager that film's screenwriter Bill Lancaster or John Carpenter saw this before setting about their version. The opening - where a lone guy runs across a snow-covered plain while being chased by a snowboat - sounds exactly like the opening of Carpenter's film. Look for Bruce Greenwood in his first big screen roll as Tommy the Technician, sporting an epic beard.
As usual with Alistair McLean, it's a great story, but this time they fooled around with it a little too much, overdoing it into almost a parody, drowning the thriller in deafening music and exaggerated technical effects, waltzing around with snow scooters in wild goose chases, and so on. Everything is good until the stormy night, when everything collapses and relapses into chronic confusion, and on top of it all the actors can't speak clearly. Donald Sutherland is clear enough and sticks to his role all the way, Vanessa Redgrave is fair enough also in her acting as always, Richard Widmark also excels in honesty as usual, and who already in 1979 grapples with the problem of climate change and global warming, Christopher Lee is the greatest actor here though, playing an honest Russian for a change, Lloyd Bridges is queer enough, but in the resulting confusion of the sabotages coming in tautologies, it's not quite clear who fired on whom and who caused all those fires and ruined the generator, the radio mast, mixed up the books and so on. Many seem to have messed with many things, and what about poor Larsen? Was his body ever found? Who killed him and why? What did he try to communicate? Sorry, there is too much confusion in this hullabaloo of intrigues and counter-intrigues.
Still it's worth seeing, if not for anything else then at least for the story and Donald's discovery of his father. Here is the real mystery and central plot of the story – the mysterious fate of the last German u-boat captain, and the scene revealing the u-boat is a thriller in itself you'll always remember.
Still it's worth seeing, if not for anything else then at least for the story and Donald's discovery of his father. Here is the real mystery and central plot of the story – the mysterious fate of the last German u-boat captain, and the scene revealing the u-boat is a thriller in itself you'll always remember.
I wish the people who keep butchering excellent Alistair MacLean books would clear off and stop ruining this great author's works by transforming them into crummy movies. This is a truly dire version of one of his best books ever. It sticks to the plot in loose terms, but alters the characters beyond recognition and even substitues a gold hunting element to the plot to explain why they're all on this desolate island in the first place, when in the book there was a perfectly good explanation for it anyway. Donald Sutherland looks bored, Vanessa Redgrave looks miscast, Christopher Lee gets killed in the middle and looks glad to get out of it early, and Lloyd Bridges wears a smirk that suggests his agent told him it was a comedy. Even the other actors, such as the talented Barbara Parkins, seem unenthused by the whole project. What they needed to do here was to stick more rigidly to the story in the actual book and to get a cast who were actually interested in what they were doing. This is a travesty. Only River of Death beats it as the worst ever film version of a MacLean book.
I read the book and saw the movie. I enjoyed both. Donald Sutherland was excellent. This is a suspense thriller and so it goes slower than a typical action flick. If you expect this to be an action flick you will be disappointed. There are a few surprises which is typical of the writer's style.
If you want an action movie MacLean is not for you as he is the Master of Suspense and writes in a way to keep you on the edge of your seat wondering what is going on. If you see this from the middle, you will be bored, you must see it from the start and watch with full attention. If you miss any of the plot, you will get confused frustrated and wonder why you're watching the movie.
When you watch this, don't do anything else except watch it and I assure you that you will applaud this movie along with others like unto it like Where Eagles Dare, Guns of Navarone, Force 10 from Navarone, Ice Station Zebra, Detonator I and Detonator II, Satan Bug and a few more. The only one that dragged for me was Puppet on a Chain but I saw it chopped up on network TV so I need to see it again unchopped, unedited and not edited for television.
If you want an action movie MacLean is not for you as he is the Master of Suspense and writes in a way to keep you on the edge of your seat wondering what is going on. If you see this from the middle, you will be bored, you must see it from the start and watch with full attention. If you miss any of the plot, you will get confused frustrated and wonder why you're watching the movie.
When you watch this, don't do anything else except watch it and I assure you that you will applaud this movie along with others like unto it like Where Eagles Dare, Guns of Navarone, Force 10 from Navarone, Ice Station Zebra, Detonator I and Detonator II, Satan Bug and a few more. The only one that dragged for me was Puppet on a Chain but I saw it chopped up on network TV so I need to see it again unchopped, unedited and not edited for television.
Film with good scenes from Alaska and good actors. He holds attention until the end of the film
¿Sabías que...?
- CuriosidadesAn announcement at the end of the closing credits reads "Coming Soon -Alistair MacLean's Goodbye California". This movie was intended as the first in a series of Alistair MacLean adaptations, which would have included "El Dorado", "Athabasca", "Night Without End", and "The Way to Dusty Death". The next intended movie in the series, "Goodbye, California", was to be shot with a budget of between $12-$13 million. However, due to this movie's disappointing box-office performance, "Goodbye, California", and the other titles were never made by producer Peter Snell, who had bought the rights to numerous MacLean works in 1975, including ones at the time that had not even been published or written yet. Snell, however, did get La torre de los rehenes (1980) and Mirada en la noche (1995) made for television.
- PifiasWhen everyone is outside after the generator explosion it is blowing a blizzard, but the flames are rising vertically with minimal wind disturbance rather than being virtually horizontal, revealing that wind machines are being used just on the area where the actors are.
- Créditos adicionales"Coming soon: Alistair MacLean's Goodbye California"
- Versiones alternativasThe Region 1 DVD has certain graphic elements removed. Most notably, the view of the captain Lansing's cabin presents the captain's corpse being handcuffed to bulkhead and another corpse sitting by the desk. (Later the viewer learns it was an SS operative.) However, in the censored version only a glimpse of the captain Lansing's corpse is shown, the SS-man is totally cut out. This censorship severely interferes with the plot, as it is crucial to the novel to understand the motives of captain Lansing.
- ConexionesReferenced in The Bond Essentials (2002)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
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Taquilla
- Presupuesto
- 12.100.000 CAD (estimación)
- Duración
- 1h 58min(118 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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