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4,8/10
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Añade un argumento en tu idiomaFour mental patients - who, due to unauthorized experiments, believe they're living in a dream and have shed all moral imperatives - escape and find their way to the nearest bus-load of stra... Leer todoFour mental patients - who, due to unauthorized experiments, believe they're living in a dream and have shed all moral imperatives - escape and find their way to the nearest bus-load of stranded schoolgirls.Four mental patients - who, due to unauthorized experiments, believe they're living in a dream and have shed all moral imperatives - escape and find their way to the nearest bus-load of stranded schoolgirls.
- Dirección
- Guión
- Reparto principal
Joanne Good
- Mary
- (as Jo-Anne Good)
Christine Winter
- Carol
- (as Christina Jones)
Reseñas destacadas
A staggeringly dull and inept horror film, which amazingly enjoyed a national UK cinema release during 1978. Standards must have been lower then.
The inane premise has a busload of schoolgirls meandering bafflingly through the wilds of the Lake District en route to Scotland (why aren't they going up the motorway?) They and their teachers are terrorised by four psychopaths who escaped while being given experimental drug therapy at a cottage hospital (!). You would expect the fells to be knee-deep in police searching for such obviously dangerous characters, but not one is seen until the end, when a patrol car trundles into view.
Even allowing for such illogicalities, the potential is there for crude shocks but director Birkinshaw blows it entirely. Potentially suspenseful scenes are completely bungled and little dramatic use is made of the Lake District setting. The clumsy dialogue and sub-Clockwork Orange posturings of the psychopaths make parts of the film more laughable than terrifying. However, the "National Health Service psychiatrist line" is hilarious and few other horror films feature a moving eulogy to a three-legged dog!
The inane premise has a busload of schoolgirls meandering bafflingly through the wilds of the Lake District en route to Scotland (why aren't they going up the motorway?) They and their teachers are terrorised by four psychopaths who escaped while being given experimental drug therapy at a cottage hospital (!). You would expect the fells to be knee-deep in police searching for such obviously dangerous characters, but not one is seen until the end, when a patrol car trundles into view.
Even allowing for such illogicalities, the potential is there for crude shocks but director Birkinshaw blows it entirely. Potentially suspenseful scenes are completely bungled and little dramatic use is made of the Lake District setting. The clumsy dialogue and sub-Clockwork Orange posturings of the psychopaths make parts of the film more laughable than terrifying. However, the "National Health Service psychiatrist line" is hilarious and few other horror films feature a moving eulogy to a three-legged dog!
Drugs, psychopathic criminals, underage sex - it's all going on in this low-budget British shocker. One of the schoolgirls is played by Jane Haydon, sister of horror legend Linda (most famous perhaps for her role as Angel Blake in 'Blood on Satan's Claw').
A busload of stranded girls spend the night in an unfinished hotel 'in the wilds of nowhere', where nearby asylum inmates, tanked up with LSD as part of their experimental therapy, escape and cause horrific carnage.
The escaped inmates' atrocities are very much in the style of the ultra-violence on display in 'The Clockwork Orange', where this film takes a lot of its cues - especially main escapee Mr. Trubshawe (David Jackson - possibly most famous for playing Gan early on in BBC TV space opera Blake's 7). Apart from the subject matter being distinctly unsavoury, there is a lack of pace to the proceedings.
Some of dialogue is alarming. "See - you're better," one girl assures her friend who has just been raped, when she accepts a cup of coffee.
With all this going on, events are surprisingly slow and turgid. Never quite aspiring to the disturbing levels of 'A Clockwork Orange', this is ultimately an average rip-off. My score is 5 out of 10.
A busload of stranded girls spend the night in an unfinished hotel 'in the wilds of nowhere', where nearby asylum inmates, tanked up with LSD as part of their experimental therapy, escape and cause horrific carnage.
The escaped inmates' atrocities are very much in the style of the ultra-violence on display in 'The Clockwork Orange', where this film takes a lot of its cues - especially main escapee Mr. Trubshawe (David Jackson - possibly most famous for playing Gan early on in BBC TV space opera Blake's 7). Apart from the subject matter being distinctly unsavoury, there is a lack of pace to the proceedings.
Some of dialogue is alarming. "See - you're better," one girl assures her friend who has just been raped, when she accepts a cup of coffee.
With all this going on, events are surprisingly slow and turgid. Never quite aspiring to the disturbing levels of 'A Clockwork Orange', this is ultimately an average rip-off. My score is 5 out of 10.
This movie does what is currently the norm in slasher/horror films of current day. It promises a gutter trash plot and delivers none of it.
Four psychos, or pouncy overacting stage actors, I'm not sure which, escape from a mental hospital and wreck havoc on the land. Convienently, A bus load of nubile teenage girls is passing through the area and not surprisingly the bus breaks down. Now, The fun begins, right? Sorry, Not in this movie. The loonies, who are high on experimental LSD treatment, tend to annoy the girls more than terrorize them. There are a few nude scenes by the various actresses but they seem more thrown in as an afterthought, or a way to convince somebody to see this movie because the plot or acting surely won't do it. Basically, A bad movie with bad special effects, bad lighting, and bad acting. Case in point, One of the girls, in her nightgown of course, flees from her attacker and runs all the way to the lake, where she gets the back of her nightgown caught on a nail and the nightgown rips down the front in a perfect tear! Explain that one if you can.
Four psychos, or pouncy overacting stage actors, I'm not sure which, escape from a mental hospital and wreck havoc on the land. Convienently, A bus load of nubile teenage girls is passing through the area and not surprisingly the bus breaks down. Now, The fun begins, right? Sorry, Not in this movie. The loonies, who are high on experimental LSD treatment, tend to annoy the girls more than terrorize them. There are a few nude scenes by the various actresses but they seem more thrown in as an afterthought, or a way to convince somebody to see this movie because the plot or acting surely won't do it. Basically, A bad movie with bad special effects, bad lighting, and bad acting. Case in point, One of the girls, in her nightgown of course, flees from her attacker and runs all the way to the lake, where she gets the back of her nightgown caught on a nail and the nightgown rips down the front in a perfect tear! Explain that one if you can.
"Quite possibly the sleaziest film ever made in Britain". These aren't my words but a quote from a certain I.Q. Hunter, who's a respectable author and acclaimed cult cinema expert. Mr. Hunter was a guest at the local film festival in my country and provided this film – as well as a few other flamboyant British horror outings – with an interesting foreword. This man surely knows what he talks about and I definitely enjoyed listening to the trivia items that he shared with the audience, but I'm really not sure if I agree with this review's opening statement. "Killer's Moon" is a sleazy piece of work, no argument there, but I still don't think it compares to – for example - "House of Whipcord", "Prey" or "Inseminoid". What struck me most about "Killer's Moon" is how much better and more significant it easily could have been
This film doesn't necessarily require a bigger budget, nor a more professional cast or even more action/atmosphere. It already has everything, only a slightly more skillful direction and a bit of coherence in the script would have been welcome. The ramshackle bus of a school of choir girls and their two uptight teachers breaks down in the middle of the godforsaken English countryside, and they are forced to spend the night in a castle-hotel that normally is closed for the season. Not a problem, you'd think, except for the fact that four escaped asylum patients are at large in the area. As a result of oddball drug-experiments, these four are high on LSD and under the impression they tripping around in a dream. They break into the hotel and joyously begin raping, murdering and philosophizing, whilst the shrinking group of girls seeks the help of two tough campers. It's a rather preposterous and laughable to assume that mental patients are fed LSD as treatment, let alone that they can freely run around without any kind of authorities searching for them. There are numerous of other improbabilities in the script, like characters suddenly vanishing and that sort of stuff, but I advise not to let them bother you too much. Furthermore "Killer's Moon" is stuffed with gratuitous nudity and "incorrect" misogynic dialogs ("you were only raped, as long as you don't tell anyone about it you'll be alright. You just pretend it never happened"), like a truly rancid product of the late 70's ought to be! Writer/director Alan Birkinshaw's decision to dress up the four lunatics and let them behave exactly like Alex DeLarge and his companions in "A Clockwork Orange" is either a funny homage or a shameless imitation, I don't know. My guess is that it was just a silly idea that popped up in his mind, like the heroic three-legged dog.
Four criminal psychopaths undergoing LSD therapy (!) that escaped from a lunatic asylum. A group of stranded schoolgirls lodged in a mansion/castle. The four psychos will make their way to the girls through a string of murders. When they meet the girls, there will be a massacre - rape and murder.
"Killer's Moon", story wise, is the exploitation buff's dream, but there's no real nudity (just some bits of flesh), sex is more suggested than shown, and there's violence (not very explicit) but no gore. But this isn't really important because the story is violent and sleazy.
"Killer's Moon" may not be a great film but I've quite enjoyed it - besides having a good story, it's ironic, involuntarily funny and bizarre (suffice it to mention the three-legged dog!).
Recommended for those who love the 70s exploitation films.
"Killer's Moon", story wise, is the exploitation buff's dream, but there's no real nudity (just some bits of flesh), sex is more suggested than shown, and there's violence (not very explicit) but no gore. But this isn't really important because the story is violent and sleazy.
"Killer's Moon" may not be a great film but I've quite enjoyed it - besides having a good story, it's ironic, involuntarily funny and bizarre (suffice it to mention the three-legged dog!).
Recommended for those who love the 70s exploitation films.
¿Sabías que...?
- CuriosidadesHannah, the three-legged dog used in this movie, was cast from a local dog agency, and she had lost her leg after saving her master in a robbery at the pub that she lived in.
- PifiasAfter the Doberman enters the tent, Pete produces a length of gauze about 2 feet long to dress its wounds. When the dog later hobbles off into the woods, it is bound up with several yards of bandage.
- Banda sonoraThe Beginning
Words and Music by Jayne Lester
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- Presupuesto
- 170.000 GBP (estimación)
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What is the Spanish language plot outline for Los asesinos lunáticos (1978)?
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