Alerta roja: Neptuno hundido

This is a great movie for military enthusiasts and disaster buffs both. If you're looking for that, this is a classic.

Don't pay attention to reviews about military-based films by anyone who derides the movie as a "waterlogged Naval documentary," which contains two errors in one statement. First, there is no need to capitalize "naval," and second, what kind of snobby theater twit attacks a movie for being too "Naval" when the subject is about...a U.S. NAVY SUBMARINE? Next he'll attack Ghostbusters for being a shill for paranormal investigators.

Stupid reviewers aside, this is a good movie.

Charlton Heston is the Captain of the "USS Neptune", a nuclear submarine returning to port after his final mission in command. Whilst running on the surface they collide with a Norwegian boat with faulty radar and sink deep down into the Atlantic and end up perched precariously on a ledge prone to rockslides. It's now a race against time to rescue the seamen and Stacy Keach ("Capt. Bennett") is drafted in to lead the rescue with the help of "Capt. Gates" (David Carradine) who brings his revolutionary "Snark" DSRV to the scene of the accident. As usual, there are personality clashes a plenty; panic scenarios and temper tantrums as tools to try and develop story tension and suspense - they work well enough with the crew on the sub; much less so with the crew on the surface where the acting is far more of the willy-waving variety. Unlike many of these disaster movies, it's got good gadgets and they help keep it quite realistic.

Watching this rescue-of-a-sinking-sub film back in the day, it must have felt kind of redundant in the wake of THE POSEIDON ADVENTURE (1972) and AIRPORT’ 77 (1977); that said, it didn’t hinder movie mogul Lew Grade from financing a production not long after depicting the biggest (fictional) rescue operation of all time with RAISE THE TITANIC (1980) – which, incidentally, is a title I haven’t watched in some time!

In any case, GRAY LADY DOWN is as much a drama detailing the plight of the sub’s constantly diminishing crew, commandeered by the oh-so-stoic Charlton Heston, as a showcase for novel sea exploration/rescue techniques (in the form of a mini-sub armed with sonar and camera designed and maneuvered by David Carradine). The tension arises out of the fact that the damaged vessel is slipping ever downwards due to the water level inside and the unstable surface where it’s been lodged; added to this, however, is antagonism going on both above and below the surface (between Carradine and Stacy Keach, the officer in charge of the rescue operation, and between Heston and Ronny Cox, the man who was supposed to relieve him of duty, respectively). Also in the cast is Ned Beatty as Carradine’s long-suffering chubby pal and Christopher Reeve (in his film debut) as Keach’s young aide; interestingly, the two would be re-united soon after for SUPERMAN (1978)!

The film is aided by nice Widescreen photography and a serviceable score by Jerry Fielding, but let down somewhat by overlength (the repetitive and draggy nature of events tending towards a general dullness). However, as I said in reviews of some of the other disaster movies I’ve been watching of late, while most of these were pretty much dismissed when originally released, with time, have achieved an undeniable campy charm (amusingly, at one point the submerged crew choose to watch JAWS [1975] – conveniently, also a Universal production – as a means of respite from their current dilemma, but especially when Heston proclaims in desperation: “I feel like a one-legged man in an ass-kicking contest!”).

I remember seeing this movie in the theater when it came out and the review in Time magazine. OK I remember one part of what was a positive review. It said that the movie avoids the bane of the disaster genre, the subplot. The best sentence in the review that I think describes the movie perfectly is," It is a job-oriented movie about job-oriented men." I can't think of a better way to describe it. The actors give there best professional naval officer performances (well maybe not Carradine...good performance...not sure about the naval officer part) and the movie sticks its subject, the rescue. An entertaining movie that delivers a straightforward story and there is nothing wrong with that.

Gray Lady Down is one of the better Seventies disaster films and it's also one of the better films that Charlton Heston did in the later part of his career starting in the Seventies. Heston like so many other of the stars of the studio era was finding fewer and fewer decent film properties to do. This was one of his better choices.

Heston plays the skipper of a nuclear powered submarine which goes down in a collision. Things get further complicated when the 'gray lady' is buried partially in an undersea mudslide, blocking the escape hatch.

The Naval Rescue service is on the job however, but this will prove a difficult task.

The film is divided evenly between Heston and his crew as Heston tries to keep morale up that the survivors will be rescued and on the surface rescue vessel where a conflict between two captains hampers the rescue effort. Stacy Keach is the captain of the rescue vessel and his conflict is with Keith Carradine also of captain's rank who's developed a special undersea two man vessel that can scoop the dirt off the gray lady.

Special mention should go to Ronny Cox who is Heston's number two and also not really getting along with him, but who steps up to the plate in a most heroic fashion.

In 1978 when Gray Lady Down came out there were still memories of the submarine U.S.S. Thresher which went down in 1963 with all hands lost in one of the U.S. Navy's worst disasters at sea. A lot of what you see in this film was developed because of that tragedy.

Gray Lady Down is a no nonsense sea rescue film with the impossible situations that characterized a lot of the films of this type kept out of the story. It's one of the best and yet most unsung of the disaster films of the decade. Should be seen more often. Charlton Heston and the rest of the cast do a fine job on this film.