El gran miércoles

I can't believe this movie has finally been released to DVD! This is one of two or three VHS movies in my extremely large vault of VHS tapes that I'll still dust off and view on my trusty old VCR. Not everyone will dig this movie. You either have to be a fan of one of the actors or John Milius, had seen it when it was released, are an avid surfer with respect for the sport and its rich history, or you saw it at a time in your life that much like a familiar smell or an old song, it transports you back to a unique period of your life. Having grown up on the beaches of Southern California with a crew of friends, it's hard not to think that this film was a collection of polaroids of our own lives. This film is supposedly a very personal and semi-autobiographic story of John Milius'. His characters, settings, and music create an atmosphere that you feel you can swim through. This film is very nostalgic, and is a perfect coming of age story. There are so many peripheral characters that surround the three main leads, that it's hard not to identify with one or many of them. I think everyone has been, or has grown up with, these characters. The crazy guy, the rebellious guy, the guy that is wise beyond his years, the mentor, the guy that everyone looks up to, the new girl, the popular girl, etc. Kind of like Dazed and Confused, and its multitude of characters. The film itself is very dated and is rather hokey if none of what I've written thusfar relates to you. But I will say that this movie has one of the best party/fight scenes of any movie I've ever seen (I have a BA in Film from SFSU, so I've seen a lot of them). The Vietnam draft scene is a classic. And watch for many early career cameos by Frank McRae and Robert Englund (yep, that's Freddy with the keg tap). Also note the sweet wave riding of some of surfing's greats; Gerry Lopez, J. Riddle, Peter Townend, and Jacki Dunn. John Milius has succeeded in recreating a time and place in surf history that can never be visited again; the innocence (and perhaps the naivete) of the time, the adventurous spirit of youth, the comraderie and adventures/misadventures of friends, and the pursuit of surfing for surfing (not for labels, social status, intimidation, or because "it's cool"). This film should be required viewing for anyone surfing, or learning to surf today. The beach, the waves, the environment should be a sense of therapy for life. Growing up in Southern California, I know that no matter what kind of garbage life may throw my way; I still can drive down PCH and and mother ocean will be right there to make everything right again.

Everytime I pop this film in and hear the soothing guitar picking, watch the friends cruising down the beach and surfing all day long, or tearing up a parent's house with a party, I think of that same period of my life and look back with content.

A rite of passage film comparable to Stand By Me. The film follows the lives of three men through their late teens and twenties during the troubled period of American history that was the Vietnam war. The bond between these men is exemplified by their shared love for surfing and one another. With creative photography, Jan Michael Vincent (of Airwolf fame), Gary Busey (who makes a sneaky surfing appearance again in Point Break), and William Katt (who went on to star in such films as House) doing much of their own surfing, complemented by a professional team of surfing stunt doubles including Jerry Lopez make this one of the surfing all-time classics along-side Bruce Browns 1966 Endless Summer. Whether you're into surfing or not, you'll enjoy this for its story, feel good factor, and of course the surfing footage. Watch it.

I much prefer a movie that looks great to one with great dialogue. So with this movie I was pretty much satisfied. OK the acting can be a little iffy at times ("those kids do look up to you" said in a bit of an over the top way) but the story line, humour, and fights (very enjoyable at the party, not as much in Mexico because of the more serious tone) are all very good.

But this film really excels in the shots of the ocean and surfing. They are quite simply beautiful.

I don't really understand why this film did so badly but heh it seems to be more accepted now.

Down the street from my house is a restaurant/bar called RT's Longboard grill, which was opened by family as a tribute to a brother lost at sea. Adorning the bamboo laden walls, amongst yesteryear photos, boards, posters, and memorabilia, are TV screens which endlessly show classic surfing movies. The feeling one gets in this environment is similar to what one gets watching Big Wednesday. This isn't a surf movie in the sense of the word. You see, the trendy, infantile children that drunkenly roam the streets of Pacific Beach (where I live in San Diego)for the most part don't have souls, sadly, living in the very town in which many surf legends have been born. Hard pressed to find are the light hearted conversations over a good burger, malt, and a good set of waves. Big Wednesday contains such an epic story. OK... I seem bitter. It's because I am. I know the word "dude" and a nose covered in sunscreen is an easy stereotype... but the spiritual life altering experience behind surfing is most often misunderstood. What is your passion? Do you have one? It may be your children. It may be horses. It may be hockey. But no matter what goes wrong in your life, or who dies or what happens, at the core is your passion (translated : spirituality)... something pure. At the heart of this movie is this purity... and after the draft, relationships, addictions, and just plain adolescent insanity, the characters find that their friendship is still alive because of a common love. Don't try and make too much sense of this review. This isn't a restaurant review. I can't explain the feeling nor would I expect the 95% of America that doesn't live near a surf-able wave to get it...just watch the movie.

Big Wednesday is a celebration of life on the beach as seen through the eyes of three surfing buddies who only live for riding the wave. Gary Busey, Jan Michael Vincent, and William Katt, three blond California surfer types if there ever were are the three pals with a host of supporting surfing types.

The film is four vignettes over a 12 year period from 1962 to 1974 and amazing as it seems I did not hear The Beach Boys once over the soundtrack of the film. Quite an accomplishment for director John Milius in and of itself.

William Katt is a straight arrow type and and Gary Busey and Jan-Michael Vincent are screw ups to some degree. Vincent has the most interesting character, he's a surfing god when we first meet him, the idol of all, but he doesn't like the acclaim. He goes through more changes than anyone else in the film.

Barbara Hale who is William Katt's mother plays his mother her in her last big screen appearance. If she wasn't Della Street for so many years on Perry Mason she might have wound up doing Donna Reed or Barbara Billingsley or Jane Wyatt type roles. I loved her bearing up under it all demeanor while her house is being wrecked with a wild party.

Highlight of the film is the scene at the Selective Service induction center. All the young surfers try to avoid the draft, some with some truly creative ideas. William Katt actually goes to war, the other two avoid it, but Katt's not even trying.

Second highlight is the Big Wednesday of 1974 where all three try to prove they still have the right stuff for the waves. The waves were tipping on 20 feet.

Big Wednesday is a good buddy/buddy/buddy film about three guys who live for what they love, but who have to realize it's a young man's game.