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IMDbPro

Fiebre del sábado noche

Título original: Saturday Night Fever
  • 1977
  • 18
  • 1h 58min
PUNTUACIÓN EN IMDb
6,8/10
92 mil
TU PUNTUACIÓN
POPULARIDAD
2401
500
John Travolta and Karen Lynn Gorney in Fiebre del sábado noche (1977)
Ver Trailer
Reproducir trailer1:19
6 vídeos
99+ imágenes
DramaHistorias de iniciación y madurezMúsica

Ansioso por su futuro tras la escuela secundaria, un joven de 19 años italoestadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de b... Leer todoAnsioso por su futuro tras la escuela secundaria, un joven de 19 años italoestadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de baile de la discoteca local.Ansioso por su futuro tras la escuela secundaria, un joven de 19 años italoestadounidense de Brooklyn trata de escapar de la dura realidad de su sombría vida familiar dominando la pista de baile de la discoteca local.

  • Dirección
    • John Badham
  • Guión
    • Nik Cohn
    • Norman Wexler
  • Reparto principal
    • John Travolta
    • Karen Lynn Gorney
    • Barry Miller
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,8/10
    92 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2401
    500
    • Dirección
      • John Badham
    • Guión
      • Nik Cohn
      • Norman Wexler
    • Reparto principal
      • John Travolta
      • Karen Lynn Gorney
      • Barry Miller
    • 318Reseñas de usuarios
    • 110Reseñas de críticos
    • 77Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Óscar
      • 6 premios y 14 nominaciones en total

    Vídeos6

    Trailer
    Trailer 1:19
    Trailer
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:11
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:11
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: Blu-Ray Directors Cut
    Clip 2:19
    Saturday Night Fever: Blu-Ray Directors Cut
    Saturday Night Fever: The Competition
    Clip 2:04
    Saturday Night Fever: The Competition
    Saturday Night Fever: Kiss Me
    Clip 1:21
    Saturday Night Fever: Kiss Me
    Saturday Night Fever: Dancin'
    Clip 2:13
    Saturday Night Fever: Dancin'

    Imágenes192

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    + 185
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    Reparto principal44

    Editar
    John Travolta
    John Travolta
    • Tony Manero
    Karen Lynn Gorney
    Karen Lynn Gorney
    • Stephanie
    Barry Miller
    Barry Miller
    • Bobby C.
    Joseph Cali
    Joseph Cali
    • Joey
    Paul Pape
    Paul Pape
    • Double J.
    Donna Pescow
    Donna Pescow
    • Annette
    Bruce Ornstein
    • Gus
    Julie Bovasso
    Julie Bovasso
    • Flo
    Martin Shakar
    Martin Shakar
    • Frank Jr.
    Sam Coppola
    Sam Coppola
    • Dan Fusco
    • (as Sam J. Coppola)
    Nina Hansen
    Nina Hansen
    • Grandmother
    Lisa Peluso
    • Linda
    Denny Dillon
    Denny Dillon
    • Doreen
    Bert Michaels
    Bert Michaels
    • Pete
    Robert Costanzo
    Robert Costanzo
    • Paint Store Customer
    • (as Robert Costanza)
    Robert Weil
    Robert Weil
    • Becker
    Shelly Batt
    • Girl in Disco
    Fran Drescher
    Fran Drescher
    • Connie
    • Dirección
      • John Badham
    • Guión
      • Nik Cohn
      • Norman Wexler
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios318

    6,892K
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    Reseñas destacadas

    10Bandit1974

    I Don't See Anyone Givin You A Raise Down At Unemployment

    I am 31 so I was 3 when this movie came out. The first time I saw Saturday Night Fever was the "Edited For Television" version probably when I was 6 or 7 years old. At that point, it was about the music, the dance scenes and the clothes.

    It wouldn't be until years later that I understood what a great story this is. It's a coming of age movie. It's a modern day tragedy. It's a love story.

    The first thing that people think about when they hear Saturday Night Fever is disco and bell bottoms, but the story is timeless. Travolta plays Tony Manero, a loser in a nowhere job who only feels alive when he is on the dance floor at the local disco. There he is adored by his friends, by women and by strangers. There he is king. Everywhere else he is nobody. Even at home.

    Tony becomes infatuated with a woman named Stephanie. On the surface Stephanie appears to be much better off than Tony. For the most part Stephanie is a big talker, but Tony is bothered by her observations.

    "Let me guess. You work all week long at some dead end job and then you go and blow it at all at 2001 (the disco) on the weekends. You're a cliché. You're no one, going nowhere." As much as Tony is upset by her words he can't argue with them. Soon Tony becomes frustrated with his "station in life" and tells Stephanie he wants out (of Brooklyn).

    What makes Saturday Night Fever work so much for me is Tony is very typical of a lot of males who would rather have a good time and party now than build something toward the future. Bars are full of guys like Tony. Guys who are super stars in their local drinking establishments, but have no life outside of the night life.

    And of course there's the superb dance scenes that most people remember Saturday Night Fever for. The soundtrack is also one of the best out there.

    For whatever reason, Saturday Night Fever also has my favorite closing shot of all time. It's really nothing special, but I get choked up every time I see it.

    Saturday Night Fever is also a snapshot of a period in recent American history. The movie took place in 1977. The country was a mess after the Vitenam war ended and before Reagan stormed Washington and once again instilled a sense of pride in Americans. There was no longer a war to protest, but the average American didn't have much faith in our country. I think Saturday Night Fever does an excellent job of capturing what was probably a common attitude among young adults during the late 70's. Live for the moment because the future is pretty bleak.
    9notarepublican

    Modern, and Misunderstood, Classic

    While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

    While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

    While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

    Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.
    marlasingers

    Loneliness & elation rolled into a film reflecting its era.

    It's funny how people remember a film they are reminiscing about. An example would be "Muriel's Wedding" - a film that is labeled as a comedy. And yet it is one of the saddest & most realistic films about family life that has been made. When you remember the film, its moments of humour are so clever, that they hide the dark undercurrents explored.

    The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.

    John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.

    The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going – something that his friends will never be unable to ever do.

    It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
    californiabeat

    Stayin' Alive

    Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...
    7Quinoa1984

    It has it's moments of absolute glory

    Saturday Night Fever is thoughtful, engaging, and sometimes brilliant. While some might call it one of the greatest films ever, I must disagree. But along the lines of a groundbreaker, yes it is. The film does for disco what Suburbia did for punk. And the film gives John Travolta, the cool Italian guy from Engelwood, NJ a good break. He plays a paint guy who at nights (and sometimes days) has a love for dancing, which he is absolutely excellent at (those dance scenes are quite memorable). Not always on the money, but when it is, it delivers the goods. Bee Gees provide songs here that everybody likes (I would have to assume from Wayne Campbell's statement in Wayne's World). A-

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      John Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body.
    • Pifias
      When Tony is walking with Stephanie to get coffee, a girl's scream is heard. A group of girls was watching them film the scene and they would scream when they saw John Travolta.
    • Citas

      Tony Manero: Would ya just watch the hair. Ya know, I work on my hair a long time and you hit it. He hits my hair.

    • Créditos adicionales
      When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.
    • Versiones alternativas
      In 2002, AMC (American Movie Classics) showed a new print of 'Fever' with scenes not in the theatrical release nor home version:
      • 1) After Tony's first night at the disco, he and his buddies cruise the bridge, where the song 'Jive Talkin'' can be heard in the background. He gets out of the car, and begins to caress the bridge's structure with his fingertips.
      • 2) After asking Doreen to dance, Tony and Doreen dance to 'Disco Duck'.
      • 3) Tony takes Stephanie back to her Bay Ridge home, where they kiss in the car.
      • 4) Tony signs for a telegram that tells his father has been asked to go back to work.
      • 5) After getting out of the subway, Tony buzzes Stephanie's apartment building.
    • Conexiones
      Featured in Les rendez-vous du dimanche: Episodio fechado 16 abril 1978 (1978)
    • Banda sonora
      How Deep Is Your Love
      Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.

      Written by Barry Gibb, Robin Gibb and Maurice Gibb

      Performed by The Bee Gees

    Selecciones populares

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    Preguntas frecuentes

    • How long is Saturday Night Fever?Con tecnología de Alexa
    • Why did Annette agree to put out for the entire group?
    • What are the differences between the PG Version and the Uncensored R-Rated Version?
    • In the Directors Cut what is the point of the scene where Tony's Dad gets his job back?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de abril de 1978 (España)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Italiano
    • Títulos en diferentes países
      • Fiebre de sábado por la noche
    • Localizaciones del rodaje
      • 86th Street, Brooklyn, Nueva York, Nueva York, Estados Unidos(opening sequence: Tony's Walk)
    • Empresas productoras
      • Paramount Pictures
      • Robert Stigwood Organization (RSO)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 3.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 94.213.184 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 3.878.099 US$
      • 18 dic 1977
    • Recaudación en todo el mundo
      • 237.113.184 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 58 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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