Tengo miedo

Damiano Damiani. The name will be best known to many for his lacklustre sequel to The Amityville Horror, and that's unfortunate because by far his best work was carried out in the seventies in the crime genre. The directors films could be said to be a part of the popular Polizi genre that was spawned in Italy after the release of Don Siegel's highly successful Dirty Harry; although Damiani's films often offer a lot more substance than the car chases and shootouts seen in films by directors such as Stelvio Massi and Fernando Di Leo, and this one is no exception. The film would appear to take more influence from The Godfather than anything else and the plot focuses on organised crime. The lead character is Ludovico Graziano; a man employed as a body guard for a successful judge. There is political unrest in the city and after the death (apparently suicide) of a man in prison, the judge and his bodyguard come across a secret courtesy of the dead man's wife and decide to try and do something about it, despite the fact that they are putting their lives on the line.

The film does have some action sequences and moments of suspense, but the focus of the film is clearly on the plot line and its implications. That is not to say that the film isn't exciting; there are several shootouts and car chases and the way that Damiani builds the atmosphere of mystery is excellently done in that it is always interesting. There also other things going on around the central plot, including the lead character's relationship with his girlfriend, which helps to build the plot and make the film more realistic. The acting is superb throughout and the film is lead by an excellent performance from Gian Maria Volontè who epitomises the title as he unwittingly finds out secrets that could lead to his death. The great Riz Ortolani provides the score which suits the film well also. The film pulls no punches throughout its running time and this stays true for the ending also; and while it is a hard ending, it suits the film well and Damiani couldn't have ended it any differently. Overall, this is an excellent example of the Italian crime thriller and comes highly recommended!

This is what I call a movie, and not any movie, but Hard Caliber! Volontè is a policeman, as in the "Investigation of a Citizen Above Suspicion"(1970), but this time he's a totally different kind of cop. You must watch both films one after another to understand why Volontè is the greatest actor of all time. The characters, though both cops, are diametrically opposed. In "Investigation...", he is the super-intelligent but evil and fearless cop, who commits a murder only to prove himself how idiotic is the whole Italian police-justice system, rotten to the core by the mafia. In "I Am Afraid" he is also a very smart cop, but who is this time just a fearful good, too good man. Because he's working for the same Italian police-justice system rotten to the core by the mafia, and he is afraid for his own life, he is forced to kill, even he doesn't want to. It is Damiani's best film and one of the best movies ever made. Damiani also worked with the genius called Volontè in another masterpiece, "A Bullet for the General". All actors are exceptional. Especially Ingmar Bergman's favorite, Erland Josephson, and the favorite of many international directors, the brilliant Mario Adorf. Angelica Ippolito, in the role of Gloria, Volontè's girlfriend, is more than compelling. Great cinematography by Luigi Kuveiller and great music by Riz Ortolani. This movie deserves all the possible stars, unfortunately, 10 are the maximum...

This film is Damiano Damiani's finest "mafia-film". He directed several movies of the crime-thriller-subgenre, which are all very interesting, but this one is a true masterpiece, with Gian Maria Volonté touchingly convincing as a policeman who uncovers corruption and begins to live in great fear for his life.

Mario Adorf is cool as always as a suspect attorney, and Damiani increases tension perfectly until the riveting climax. The realistic film is also very melancholy in a way, which makes it even more believable.

While Enzo G. Castellari's superb "La Polizia Incrimina, la Legge Assolve" is the crown of the Italian poliziotteschi (police thrillers) of the 1970s, this highly recommended film is the same for the Italian "mafia-film" of that period.

Damiano Damiani perhaps isn't the first name that springs to mind when listing all the greatest Italian action/cult directors of the 70's, but he definitely does deserve all the respect he can get. Whilst his more famous colleagues, like Umberto Lenzi and Enzo G. Castellari, were shooting Poliziotteschi flicks that were brimful of outrageous car chases, violent gunfights and shocking massacres, Damiani concentrated on making a handful of heavy-toned mafia thrillers that were relatively low on violence but benefited from extremely solid screenplays and realistic settings. After the tremendously compelling "Confessions of a Police Captain" and "How to Kill a Judge" – both starring Franco Nero – Damiano made this "I Am Afraid"; which is arguably his best effort and inarguably one of the most intense police thrillers ever made. The plot is rather convoluted and continuously introduces new characters, so you definitely have to pay close attention and remain alert for all the little twists, but even if you don't understand all the connections straight away (like I did), "I Am Afraid" nevertheless remains a truly compelling and suspenseful thrill-ride that you find yourself staring at with your eyes and mouth wide open. Ludovico Graziano is an adequate police officer who gets assigned as the personal bodyguard of Judge Cancedda, because with the powerful crime networks and corruption going on in the city lately, a lot of judges are being assassinated. The more time Graziano spends with the honest Judge Cancedda, the more he becomes involved in a highly life-threatening manhunt. "I Am Afraid" has practically everything a cult movie fanatic could be looking for: a deeply melancholic ambiance that makes the whole story plausible and very bitter-tasting, dubious authority figure characters, some genuine moments of violence (the elimination of the female witness through her window is a real shock), a mesmerizing denouement, a masterful Riz Ortolani score and dazzling acting performances. Gian Maria Volonté is truly amazing as the drowning copper who increasingly fears – with good reason – for his own life. Inspector Graziano is everything but a coward, but he righteously grows more afraid because there isn't anyone he can trust in his police surrounding. Volonté truly manages to translate this difficult-to-act emotion onto the viewer very well. He also receives excellent support, especially in the second half of the film, from the bombastic Italian acting legend Mario Adorf. "I Am Afraid" is undeservedly obscure and should urgently receive a proper and luxurious DVD edition, so that the many Poliziotteschi fans can add it to their favorites.

Worried about the rising level of violence on the streets of Rome a police officer gets a Job as the bodyguard to a judge. However a seemingly simple case of a fatal robbery embroils the police officer in a nightmare world of political terrorism and corruption involving members of the the Italian state's security service. Released in 1977 this political thriller from director Damiano Damiani is an intricately plotted tale of political intrigue and violence,corruption,and creeping paranoia, set in a world of'trust noone '. The screenplay by Nicola Badalucco and Damiani is reasonably engrossing (like Damiani's previous political thrillers of cops,corruption and crime).