Un loco al volante

It's not often I get to see a movie that isn't 1) unbelievably complicated in psychological meaning OR 2) unbelievably complicated in futuristic technology SO

I found it GREAT ENTERTAINMENT, REFRESHING, POSITIVE, AND most of all CLEAN, HEALTHY FUN!

This is the best I've seen Richard Pryor star in, and the real life Horatio Alger story is a real force for success motivation, even though I am a WASP.

Only the jaded and/or mean spirited would turn this one down.

Wendell Scott (Richard Pryor) returns home from WWII. He marries Mary Jones (Pam Grier) and starts a taxi service. Eager for action, he joins Peewee (Cleavon Little) on moonshine runs with the excuse of needing money to buy a garage. They outwit and outpace the bumbling police under Sheriff Cotton (Vincent Gardenia). When he finally gets caught, the local race track owner forces him to race to get out of jail. He becomes popular with the black crowds as the first black racer. Hutch (Beau Bridges) is first a rival driver, then a friendly competitor, and finally his mechanic in NASCAR.

This is a biopic loosely based on his life. I remember something about the race he won but was denied at first. Otherwise, I have nothing to say about the accuracy. There are characters that feel a little stereotypical. Bridges is trying too hard. I like Pryor's performance for the most part but he can never be not Pryor. The racing action is fine but it's not the most thrilling. This is compelling history and it has a great actor stretching his skills.

I was going to rate this movie a 5/10 or lower based upon the start. It was so absurd.

Wendell Scott (Richard Pryor) was a moonshiner steadily running from the law. He was so good he would always get away from the local sheriff in Danville, Virginia. He was able to parlay his moonshining into NASCAR racing.

That's not the absurd part. What was absurd was that the police knew who he was, knew he was running liquor, yet, for whatever reason, they had to catch him in the act to arrest him. If they couldn't catch him in his car with the booze then they would have to let him go. It was like watching Dukes of Hazard.

But, because the way the movie wrapped up and, more importantly, because Wendell Scott was a real person--I couldn't give it a bad rating in good faith. Pryor, however ill-suited for the role, represented a real black man that really won in NASCAR in the 60's. That's powerful. So, even if the movie was overly dramatized, I have to respect them bringing Wendell Scott to the public.

This movie showed that. Nothing can hold you down. Not even color. Wendell Scott showed what a person can do. When the backs and prejudiced are up against the wall. I'm so proud of him I dont know what to do. I can view this movie over and over again.

If you're a race fan, you may not have heard of Wendell Scott. He was one of the most under rated race car drivers of all time, and for all of the wrong reasons. It really makes a person wonder how great he might have been if someone looked beyond the color of his skin.

This movie captures that struggle Wendell must of felt. This movie also shows what a great actor Richard Pryor really could have been if he was cast in more serious rolls, instead of just comedies. Sure there there was some humor in this movie, but nothing like his later movies. Richard and Clevon Little played well off of each other. Maybe this is why this movie is all but forgotten about because this movie is somewhat out of character for Richard. Sure, it is not completely an accurate account of Wendell's life, but it is one best movies Richard Pryor ever made.

So if you see it, don't expect a scream fest. But may I suggest that you see it just to see what a great actor, not comedian Richard Pryor was.